OSL 2. Opera repetiteur

Period of the EOA module in 2024-2025:

15 September – 15 December, 2025

Content:

Get possibilities of coaching from our professors and conductors, and play for stage rehearsals, performances and concerts.

Names of the professors:

  • Jacopo Spirei
  • Luca de Marchi
  • Olesya Tutova
  • Markus Kvits
  • Anne Sofie von Otter
  • Bengt Forsberg
  • Solveig Kringelborn
  • Toril Carlsen

Possible extras in addition to this module:

  • Italian language course

Open for:

2 pianists

Number of teaching / production hours of the EOA module:

Preparation 180 hours

Production 200 hours

Number of ECTS:

12

Description of the final examination:

  • CV
  • Repertoire
  • Two videos of accompanying W.A. Mozart: Il contes aria and G. Puccini: Mimis aria

Description of the final Examination.

  • Performances and concerts in November/December.
  • Play for a masterclass with Anne Sofie von Otter and Bengt Forsberg

Deadline for applications: 

  • 1st deadline: 08 May 2024

Deadline for expected answers: 

  • 1st deadline: 01 June 2024

MAA 2. Opera production experience: collaborative piano

Period of the EOA module in 2024-2025:

January – February – March 2025

Period of production: 
  • Opera: Tancredi/Rossini
  • Location: Asta Theater
  • Conductor: Federico Santi
  • Ensemble of musicians of Conservatorium Maastricht
  • First rehearsal: 13/01/25
  • Two generals rehearsal with the public: 23/02/25 – 24/02/25
  • Two performances: 25/02/25 – 26/02/25

Gain hands-on experience as a repetiteur in a fully staged opera. Learn the craft under the baton of maestro Federico Santi and work closely together with the conductor and singers during the rehearsal process to gain insight into the life of an opera pianist.

Title to be performed: 

Tancredi

Open for:

  • 1 or 2 piano students or conducting students with a pianistic background.

The coaching includes:

  • working with a professional conductor/director
  • a professional stage director individual vocal coaching on style, interpretation and applied technique by our vocal staff.
  • language coaching (depending on the language of the programmed opera)

Names of the professors of this module:

  • Musical Director: Federico Santi
  • Conductor: Federico Santi
  • Stage director: TBC
  • Vocal coaches: Yvonne Schiffelers, Susanne Schimmack, Axel Everaert.

Possible extras besides the module

  • Individual coaching, the possibility to participate in non-opera group and individual lessons as an accompanist.

Number of teaching/production hours of the EOA module

  • 20-30 hours a week of production rehearsals

Application:

Via the application form on the EOA website. Keep in mind that you will need to include:

  • CV
  • Motivation letter
  • Videos: 2 pieces accompanying a singer

Final Examination:

  • The piano dress rehearsal
  • Evaluation and feedback from the musical director
  • Certificate of Participation

 

Teaching language and the Required level of language

English will be the primary language, so the ability to fluently communicate is necessary.

Total expenses of the EOA module per student and what is included /excluded in this price

Available through Erasmus, living costs are to be covered by the applicant.

Deadline for applications

  • 1st deadline: 08 April 2024
  • 2nd deadline: 15 September 2024

 

Deadline for expected answers:

  • 1st deadline: 01 June 2024
  • 2nd deadline: 15 October 2024

LOD 2. Francesco Cavalli – “L’egisto” – Performance of a role in fully staged opera production

Period of the EOA module in 2025-2026:

Autumn Semester 2025: October – November 2025

NOTE: This module is a continuation of LOD 1, and it is planned to happen in the first semester of the academic year 2025-2026. Check with your International Officer whether you will be eligible for Erasmus Grants in the academic year 2025-2026.

Description of the module:

Perform a role in a fully staged opera production “L’Egisto” by Francesco Cavalli. Professional training and preparations finalised with complete public performance with orchestra. Considering a short time of training we prefer students with high awarness of a baroque style and very good knowledge of musical material.

This includes:

  • Vocal coaching (theory of the affects, rhetoric, parlar cantando, performance practices of 17th century, early Italian ornamentation)
  • Acting
  • Language coaching
  • Musical rehearsals with the conductor/harpsichordist and orchestra
  • Stage rehearsals with the stage director.

Kind of voice and role:

  • Tenor – Egisto
  • Tenor – Hipparco
  • Soprano – Climene
  • Soprano – Clori
  • Soprano –  L’Aurora/Amore/Ora prima
  • Soprano – Bellezza/Semele/Ora seconda
  • Soprano – Voluptia/Fedra/Ora terza
  • Soprano – Venere/Hero/Ora quarta
  • Mezzosoprano – Dema
  • Mezzosoprano – La Notte/Didone
  • Bass – Lidio
  • Bass – Apollo

Specialty of this module in comparison with other courses in Europe

  • The module gives the possibility of acquiring specialized training in the area of early baroque music.

Possible extras beside the module:

  • Baroque Program – supplementary seminars devoted to Theory of the Affects and Ornamentation
  • All concerts and events produced by University of Music in Lodz (free admission for EOA students)
  • Participation in selected concerts and activities of Vocal Department (upon your choice) 

Number of teaching / production hours of the EOA module:

From 20-40 hours of production rehearsals per week

Teaching:

  • Working with the vocal coaches
  • Working with the conductor
  • Working with the stage director

Production:

  • Ensemble rehearsals with singers and the conductor
  • Ensemble rehearsals with singers and the stage director

Ensemble rehearsals with singers, orchestra, the conductor and the stage director

Number of ECTS:

25 ECTS

Minimum and maximum number of students:

1 – 12  max

Entrance examination:

Contact the coordinator:

Anna Werecka

anna.werecka-gryc@amuz.lodz.pl

The following attachments shall be submitted with the application:

  • CV
  • Repertoire list
  • Two videos (for example via YouTube)
  • Repertoire for the application:
  1. one fragment of Cavalli’s Egisto or any piece from the early 17th century (Caccini, Monteverdi etc.)
  2. one aria upon your choice.

Description of the final Examination

Public performance of a fully staged opera at the Concert Hall of the University of Music in Łódź. The premiere and the following performances will take place during the renowned AŻ Festival. 

Deadline for application and requirements:

  • 1st deadline: 30 April 2024
  • 2nd deadline 15 September 2024

Date for expected answers:

  • 1st deadline: 15 May 2024
  • 2nd deadline: 30 September 2024

Total expenses of the EOA module per student and what is included/excluded in this price

  • Module is available within an Erasmus exchange.

Note! Please, contact your Erasmus office as early as possible in order to be qualified in time for Erasmus

scholarship. All qualified Erasmus candidates must be first nominated by the Erasmus office of the sending institution – international@amuz.lodz.pl

  • Module could be also available as postgraduate studies. The fee is then approx. 2000 EUR (travel and living costs not included).

Language: 

English, Italian

Activity: 

Training / Operatic practice / Performance

Module type: 

Opera performance

HAM 1. Singing and acting, German/Italian Repertoire

Period of the EOA module in 2024-2025:

  • April – May – June 2025 (summer semester)

Open for:

1-3 vocal students

Content:

  • German Repertoire (Lortzing – Mozart – Wagner) and Italian Repertoire (Monteverdi – Mozart – Bellini)
  • Role studies, ensemble studies; work on recitatives, accurate understanding of texts and sheet music, discussion of style and musical Gestus (gestures/attitude).
  • Theatrical and musical performance
  • Phonetics, dialogue training

At the end of the summer semester, a big opera production is staged with a professional orchestra and conductor, with a total of 9 performances at the academy’s theatre (450 seats)

The theatrical and musical performance subject is taught jointly by the theatrical performance lecturer and the lecturer for role studies. Exchange of views on key issues in music and staging. Interpretation of roles (character development), physical training.

Important dates related to the production:

  • April 1st, 2025: Rehearsals start
  • May 12th, 2025: Premiere
  • June 03rd, 2025: Last performance

Name(s) of the professor(s) of this module:

  • Willem Wentzel (Head of Music)
  • Siegfried Schwab (German Repertoire)
  • Fausto Nardi (Italian Repertoire)

Possible extras:

  • Possible participation in modern music theatre productions
  • A course in MusikTheaterRegie (MTR, music theatre direction)
  • Exchange and collaboration with MTR students

Number of ECTS:

9-14 teaching hours per week

20 ECTS (Approx.)

Description of the final examination:

Theatrical-musical performance of two music theatre scenes (aria and ensemble)

Participation in opera production

Communication language:

German and English