DEADLINE FOR APPLICATION FOR ALL EOA MODULES 2020/2021: MAY 31ST 2020 ApplicationPlease enable JavaScript in your browser to complete this form.First Name *Last Name *Phone *Address *Address Line 1Address Line 2CityState / Province / RegionPostal CodeAfghanistanAlbaniaAlgeriaAmerican SamoaAndorraAngolaAnguillaAntarcticaAntigua and BarbudaArgentinaArmeniaArubaAustraliaAustriaAzerbaijanBahamasBahrainBangladeshBarbadosBelarusBelgiumBelizeBeninBermudaBhutanBolivia (Plurinational State of)Bosnia and HerzegovinaBotswanaBouvet IslandBrazilBritish Indian Ocean TerritoryBrunei DarussalamBulgariaBurkina FasoBurundiCabo VerdeCambodiaCameroonCanadaCayman IslandsCentral African RepublicChadChileChinaChristmas IslandCocos (Keeling) IslandsColombiaComorosCongoCongo (Democratic Republic of the)Cook IslandsCosta RicaCroatiaCubaCuraçaoCyprusCzech RepublicCôte d'IvoireDenmarkDjiboutiDominicaDominican RepublicEcuadorEgyptEl SalvadorEquatorial GuineaEritreaEstoniaEthiopiaFalkland Islands (Malvinas)Faroe IslandsFijiFinlandFranceFrench GuianaFrench PolynesiaFrench Southern TerritoriesGabonGambiaGeorgiaGermanyGhanaGibraltarGreeceGreenlandGrenadaGuadeloupeGuamGuatemalaGuernseyGuineaGuinea-BissauGuyanaHaitiHeard Island and McDonald IslandsHondurasHong KongHungaryIcelandIndiaIndonesiaIran (Islamic Republic of)IraqIreland (Republic of)Isle of ManIsraelItalyJamaicaJapanJerseyJordanKazakhstanKenyaKiribatiKorea (Democratic People's Republic of)Korea (Republic of)KuwaitKyrgyzstanLao People's Democratic RepublicLatviaLebanonLesothoLiberiaLibyaLiechtensteinLithuaniaLuxembourgMacaoMadagascarMalawiMalaysiaMaldivesMaliMaltaMarshall IslandsMartiniqueMauritaniaMauritiusMayotteMexicoMicronesia (Federated States of)Moldova (Republic of)MonacoMongoliaMontenegroMontserratMoroccoMozambiqueMyanmarNamibiaNauruNepalNetherlandsNew CaledoniaNew ZealandNicaraguaNigerNigeriaNiueNorfolk IslandNorth Macedonia (Republic of)Northern Mariana IslandsNorwayOmanPakistanPalauPalestine (State of)PanamaPapua New GuineaParaguayPeruPhilippinesPitcairnPolandPortugalPuerto RicoQatarRomaniaRussian FederationRwandaRéunionSaint BarthélemySaint Helena, Ascension and Tristan da CunhaSaint Kitts and NevisSaint LuciaSaint Martin (French part)Saint Pierre and MiquelonSaint Vincent and the GrenadinesSamoaSan MarinoSao Tome and PrincipeSaudi ArabiaSenegalSerbiaSeychellesSierra LeoneSingaporeSint Maarten (Dutch part)SlovakiaSloveniaSolomon IslandsSomaliaSouth AfricaSouth Georgia and the South Sandwich IslandsSouth SudanSpainSri LankaSudanSurinameSvalbard and Jan MayenSwazilandSwedenSwitzerlandSyrian Arab RepublicTaiwan, Province of ChinaTajikistanTanzania (United Republic of)ThailandTimor-LesteTogoTokelauTongaTrinidad and TobagoTunisiaTurkeyTurkmenistanTurks and Caicos IslandsTuvaluUgandaUkraineUnited Arab EmiratesUnited Kingdom of Great Britain and Northern IrelandUnited States Minor Outlying IslandsUnited States of AmericaUruguayUzbekistanVanuatuVatican City StateVenezuela (Bolivarian Republic of)Viet NamVirgin Islands (British)Virgin Islands (U.S.)Wallis and FutunaWestern SaharaYemenZambiaZimbabweÅland IslandsCountryEmail *Musical BackgroundSpecialisation *ComposerConductorDirectorInstrumentalistMusicologistPianistSingerStage DesignerVoice Type *SopranoMezzo SopranoAltoContraltoCounter TenorTenorBaritoneBassCurrent Status *Recent GraduateStudentContract StudentAcademy / Conservatory *Date of Graduation *Current Academy / Conservatory *Degree *BachelorMasterStudy Year *BA 1BA 2BA 3BA 4BA 5 or moreStudy Year *MA 1MA 2MA 3 or moreModule InfoModule Code (First Choice) *Choose moduleANT 1 Opera role study and fully staged performance - AntwerpANT 2 Repetiteur training in Mozart’s Don Giovanni - AntwerpCAR 1 Using text to create character - CardiffCAR 2 Opera Repetiteur placement - CardiffFLO 1 A room with a view on the Italian Belcanto - FlorenceFLO 2 Maestro collaboratore - FlorenceGEN 1 French Repertoire - GenevaGEN 2 20th and 21st Centuries and Contemporary Vocalities - GenevaGEN 3 Audition Training - GenevaGEN 4 Opera Coaching for Pianists - GenevaHAM 1 Singing and acting, German/Italian Repertoire - HamburgLOD 1 Performance of an operatic role in an opera production - ŁódźLOD 2 Professional preparation (coaching) to participate in vocal auditions - ŁódźLOD 3 Professional preparation of the entire operatic role - ŁódźMAA 1 Take the chance to shine on stage: Performing a role in a fully staged opera - MaastrichtMAA 2 Opera production experience: pianist, conductors, directors, stage designers - MaastrichtMAA 3 Audition training for singers - MaastrichtMAA 4 Full scale opera production. Poulenc's La voix humaine, Ravel's L'heure espagnole - MaastrichtMAA 5 Full scale opera production. Wagner's Der Liebesverbot - MaastrichtOSL 3 Audition Training - OsloPAR 1 Giuseppe Verdi: Vocal and Acting interpretation in Verdi's Operas - ParmaPAR 2 Opera buffa in the 18th Century(singers) - ParmaPAR 3 Piano Accompaniment in Opera (Pianists -Traineeship for pianists) - ParmaPAR 4 Piano Accompaniment and Opera Coaching (pianists -training) - ParmaPOR 1 Preparing Operatic Roles - PortoPOR 2 Performance of an Operatic Role in fully staged Opera Production with orchestra - PortoPOR 3 Preparing an Operatic Production, for Stage Designers - PortoREY 1 CAMERATA: Building and perfecting vocal technique and performance through collaboration REY 2 Collaborative practice for singers and composers RIG 1 Russian Language in Opera fragments of Russian Composers - RigaRIG 2 Baroque Opera Studio in Riga - RigaSTO 1 Italian Opera scenes - language, expression, communication - StockholmSTO 2 Full Opera production - StockholmSTO 3 Site - event - encounter - StockholmSTO 4 Opera performance with orchestra and conductor - StockholmVAL 1 Performance of an operatic role in a fully staged chamber opera production VAL 2 Performance of an operatic role in a fully staged opera production VIL 1 Suzuki Method of Actor Training - VilniusVIL 2 Experimental Opera Incubator - VilniusModule Code (Second Choice)Choose moduleANT 1 Opera role study and fully staged performance - AntwerpANT 2 Repetiteur training in Mozart’s Don Giovanni - AntwerpCAR 1 Using text to create character - CardiffCAR 2 Opera Repetiteur placement - CardiffFLO 1 A room with a view on the Italian Belcanto - FlorenceFLO 2 Maestro collaboratore - FlorenceGEN 1 French Repertoire - GenevaGEN 2 20th and 21st Centuries and Contemporary Vocalities - GenevaGEN 3 Audition Training - GenevaGEN 4 Opera Coaching for Pianists - GenevaHAM 1 Singing and acting, German/Italian Repertoire - HamburgLOD 1 Performance of an operatic role in an opera production - ŁódźLOD 2 Professional preparation (coaching) to participate in vocal auditions - ŁódźLOD 3 Professional preparation of the entire operatic role - ŁódźMAA 1 Take the chance to shine on stage: Performing a role in a fully staged opera - MaastrichtMAA 2 Opera production experience: pianist, conductors, directors, stage designers - MaastrichtMAA 3 Audition training for singers - MaastrichtMAA 4 Full scale opera production. Poulenc's La voix humaine, Ravel's L'heure espagnole - MaastrichtMAA 5 Full scale opera production. Wagner's Der Liebesverbot - MaastrichtOSL 3 Audition Training - OsloPAR 1 Giuseppe Verdi: Vocal and Acting interpretation in Verdi's Operas - ParmaPAR 2 Opera buffa in the 18th Century(singers) - ParmaPAR 3 Piano Accompaniment in Opera (Pianists -Traineeship for pianists) - ParmaPAR 4 Piano Accompaniment and Opera Coaching (pianists -training) - ParmaPOR 1 Preparing Operatic Roles - PortoPOR 2 Performance of an Operatic Role in fully staged Opera Production with orchestra - PortoPOR 3 Preparing an Operatic Production, for Stage Designers - PortoREY 1 CAMERATA: Building and perfecting vocal technique and performance through collaboration REY 2 Collaborative practice for singers and composers RIG 1 Russian Language in Opera fragments of Russian Composers - RigaRIG 2 Baroque Opera Studio in Riga - RigaSTO 1 Italian Opera scenes - language, expression, communication - StockholmSTO 2 Full Opera production - StockholmSTO 3 Site - event - encounter - StockholmSTO 4 Opera performance with orchestra and conductor - StockholmVAL 1 Performance of an operatic role in a fully staged chamber opera production VAL 2 Performance of an operatic role in a fully staged opera production VIL 1 Suzuki Method of Actor Training - VilniusVIL 2 Experimental Opera Incubator - VilniusModule Code (Third Choice)Choose moduleANT 1 Opera role study and fully staged performance - AntwerpANT 2 Repetiteur training in Mozart’s Don Giovanni - AntwerpCAR 1 Using text to create character - CardiffCAR 2 Opera Repetiteur placement - CardiffFLO 1 A room with a view on the Italian Belcanto - FlorenceFLO 2 Maestro collaboratore - FlorenceGEN 1 French Repertoire - GenevaGEN 2 20th and 21st Centuries and Contemporary Vocalities - GenevaGEN 3 Audition Training - GenevaGEN 4 Opera Coaching for Pianists - GenevaHAM 1 Singing and acting, German/Italian Repertoire - HamburgLOD 1 Performance of an operatic role in an opera production - ŁódźLOD 2 Professional preparation (coaching) to participate in vocal auditions - ŁódźLOD 3 Professional preparation of the entire operatic role - ŁódźMAA 1 Take the chance to shine on stage: Performing a role in a fully staged opera - MaastrichtMAA 2 Opera production experience: pianist, conductors, directors, stage designers - MaastrichtMAA 3 Audition training for singers - MaastrichtMAA 4 Full scale opera production. Poulenc's La voix humaine, Ravel's L'heure espagnole - MaastrichtMAA 5 Full scale opera production. Wagner's Der Liebesverbot - MaastrichtOSL 3 Audition Training - OsloPAR 1 Giuseppe Verdi: Vocal and Acting interpretation in Verdi's Operas - ParmaPAR 2 Opera buffa in the 18th Century(singers) - ParmaPAR 3 Piano Accompaniment in Opera (Pianists -Traineeship for pianists) - ParmaPAR 4 Piano Accompaniment and Opera Coaching (pianists -training) - ParmaPOR 1 Preparing Operatic Roles - PortoPOR 2 Performance of an Operatic Role in fully staged Opera Production with orchestra - PortoPOR 3 Preparing an Operatic Production, for Stage Designers - PortoREY 1 CAMERATA: Building and perfecting vocal technique and performance through collaboration REY 2 Collaborative practice for singers and composers RIG 1 Russian Language in Opera fragments of Russian Composers - RigaRIG 2 Baroque Opera Studio in Riga - RigaSTO 1 Italian Opera scenes - language, expression, communication - StockholmSTO 2 Full Opera production - StockholmSTO 3 Site - event - encounter - StockholmSTO 4 Opera performance with orchestra and conductor - StockholmVAL 1 Performance of an operatic role in a fully staged chamber opera production VAL 2 Performance of an operatic role in a fully staged opera production VIL 1 Suzuki Method of Actor Training - VilniusVIL 2 Experimental Opera Incubator - VilniusDocumentsCV * Click or drag a file to this area to upload. Repertory List * Click or drag a file to this area to upload. Motivational Letter * Click or drag a file to this area to upload. Video #1Video #2WebsiteSubmit