VIL 1. Opera Creation, Improvisation and Performance Incubator (OCIS)

Period of the EOA module in 2023-2024:

  • 1-10 February 2024

 Open for:

  • 4 – 10 EOA students

Description

International Opera Creation, Improvisation and Performance Incubator (OCIS) invites singers, composers, music and theatre performers, as well as other artists (directors, visual and media artists, writers, etc.) to develop contemporary opera/musical theatre projects during the period of two intensive weeks in Vilnius in February of 2023.

Two types of applications are open:
a) application for (not necessarily limited to) composers to submit creative contemporary opera/musical theatre ideas, as well as conceptual ideas for co-creation to be developed;


b) application for performers and other artists to work on the implementation of innovative music theatre ideas in an inter- and multidisciplinary setting.

Applicants are invited to submit original, potent creative ideas and concepts which expand the traditional opera genre boundaries, cross-over into multi-disciplinary and interdisciplinary contexts. Participants are expected to be open to co-operation while developing and performing selected creative projects. OCIS welcomes such ideas and projects as (excerpts of) short opera, performing arts production, sound or interdisciplinary installation, contemporary music theatre, musical action, as well as other forms of inter- and multidisciplinary works that expand on artistic expression, explore new ways and spaces, cultural and social contexts, promote innovative communication with audience and similar.                                    

There are no limitations concerning voice types or instruments for performers.

OCIS will provide an assistance in concept and creative development, implementation, performance coaching, and production by the team of teachers from The Royal Conservatoire Antwerp, Lithuanian Academy of Music and Theatre, School of Music and Performing Arts, ESMAE P. PORTO. Projects are welcome to make use of music technology if required. Consultation and support will be provided by Music Innovation Studies Centre of the LMTA.

 

Speciality of this module, in comparison with other courses in Europe

Joint module – intensive course (2 weeks) that will be implemented in cooperation of the three higher education institutions – the Royal Conservatoire Antwerp, LMTA and ESMAE.

Development and production of the creative projects in the OCIS is unique to the EOA network, it builds on experience of Erasmus+ Strategic Partnership EOALAB and experience of LMTA in developing and running similar projects. Incubator promotes diverse approaches in the context of musical theatre, aims to develop creativity, improvisation, and performance skills, inter- and multidisciplinary cooperation, production and cultural entrepreneurship.

It is expected, that after participation in this module, all students:

  • Will have learned about different types/forms of a musical theatre;
  • Will have developed creative and intercultural communication skills;
  • Will be able to demonstrate good communication skills;
  • Will be able to cooperate with a team of international artists by creating, co-creating, rehearsing and presenting artistic projects.

 

It is expected, that after participation in this module, performance students:

  • Will have developed extended performing techniques;
  • Will have developed performing skills and will demonstrate stage presence individually and in a team of interdisciplinary artists.

It is expected, that after participation in this module, composition, directing and production students:

  • Will be able to develop innovative creative interdisciplinary concepts;
  • Will be able to transform a creative concept into a musical-theatrical composition.

 

Label:

  • Creative workshop and production / composers, singers, instrumental musicians, producers, directors, other artists / English language

Name(s) of the professor(s) of this module

  • Vykintas Bieliauskas (composition, performance, conducting)
  • Prof. Mantautas Krukauskas (composition, production, music technology)
  • Prof. Gabrielė Labanauskaitė (dramaturgy, script writing)
  • Arnas Mikalkėnas (composition, improvisation)
  • Prof. Dr. Bruno Pereira (performance, improvisation)
  • Prof. Steven Prengels (composition, interdisciplinary work, music direction)
  • Antonio Salgado (performance).

Additional experts can be involved based on the requirements of the creative projects.

Possible extras besides the module:

 

Number of teaching /production hours of the EOA module

  • 160 hours (of which 32 contact hours and 128 individual work hours (bachelor students);
  • 133 hours (of which 32 contact hours and 101 individual work hours (master students)

 

Number of ECTS

  • 5 credits

 

Description of the final examination

  • Examination or Pass/Fail

(required minimum: 80% attendance of practical training classes)

 

Entrance examination: week number, place

  • Creative project applications (if applicable, free format) should be attached during EOA registration. Evaluation takes 2 weeks. Selection results will be sent to all applicants.

 

Total expenses of the EOA module per student

  • Selected applicants are welcome with support of Erasmus or Nordplus student mobility grants. Exchange students do not pay tuition fee.
  • Fee for non-exchange (free mover) students is 320 Eur.

 

Deadline for application:

  • 1st deadline: 08 May  2023
  • 2nd deadline: 01 September 2023

 

Date for expected answers:

  • 2 weeks after the application

POR 3 B. Preparing an Opera Performance in fully staged Opera Production with orchestra in Porto – Costume, Set and Light Design

Period of the EOA module in 2023-2024

11 March to 11 July 2024

Description of the module

Preparation of an Opera Performance in fully staged Opera Production with orchestra in Porto – Costume, Set and Light Desing

Stage Design is, of course, divided according to specialties (Costume, Set and Light Design), and the aim of each module now offered within each specialty is to facilitate technical and artistry improvement through the use of different and specialised techniques and knowledge, according to the philosophy of building up costumes, sets and light designs within the preparation and performance of specialised operatic repertoire (from Baroque to Contemporary repertoire). The emphasis is on artistry within the process of making an opera. Each year there will be a different Opera Production which will be the aim (Part B) and consequence of this Module development (Part A). This module (within the different specialties now offered) has as the goal to enable the student autonomy, both in achieving methodological processes as well as the consolidation of a Stage Design and an artistic identity. This process will bring the student a new approach to Opera and Opera making, and it will enable the student to experience a live performance in front of an audience.

This Module is only open for those students that have done the module POR 3A and, though, have acquired the knowledge and experience necessary and sufficient to be able to construct costumes, scenery, and light designs work for the out coming opera production. Or, for those who can demonstrate through portfolios their ability and knowledge in the construction of costumes, sets and light designs.

The opera Production for 23-24 Preview: 

  • Canto Lusitano by António Vitorino de Almeida

The Opera for this year is still in negotiation with National Theatres.

Until 20 ECTS 10 -12 hours individual tuition & 45 hours group work

Description of final examination: full staged Opera.

Possible extras: Students may attend one, or both, of these theoretical seminars on the subject of Opera Performance:

  1. Opera communication systems in history and in actuality: a sociological approach. Seminar given by Prof. Dr. Francisco Melo – Professor of History and Esthetics, at ESMAE
  2. The Psychology of Performance – The underlying psychology to the study of operatic roles and other issues in opera. This Seminar will be given by Prof. Dr. Daniela Coimbra (PhD) – Professor on Psychology of Music, at ESMAE.

Entrance examination

Portfolio – Interview

Video recording or link to video recording

Description of the final examination

Public performance on stage with piano

Teaching language

English – level 3

Total expenses of the EOA

1) This module is available within Erasmus exchange (Master´s level) only during the academic year 2023/24.

2) Prices are applicable for 2023-2024.

3) Prices do not include travel or living expenses

Deadline for application:

  • 1st deadline: 8 May 2023. Answers from EOA are expected on 8 June 2023
  • 2nd deadline: 1 September 2023. Answers on 15 September 2023

POR 3 A. Preparing an Operatic Production for Stage Designers: Stage Design with Technical Supervision (Costume, Set and Light Design)

Period of the EOA module in 2023-2024

8 October 2023 – 28 January 2024

Description of the module

Stage Design with Technical Supervision (Costume, Set and Light Design)

Stage Design is, of course, divided according to specialties (Costume, Set and Light Design), and the aim of each module now offered within each specialty is to facilitate technical and artistry improvement through the use of different and specialised techniques and knowledge, according to the philosophy of building up costumes, sets and light designs within the preparation and performance of specialised operatic repertoire (from Baroque to Contemporary repertoire). The emphasis is on artistry within the process of making an opera. Each year there will be a different Opera Production which will be the aim (Part B) and consequence of this Module development (Part A). This module (within the different specialties now offered) has as the goal to enable the student autonomy, both in achieving methodological processes as well as the consolidation of a Stage Design and an artistic identity. This process will bring the student a new approach to Opera and Opera making, and it will enable the student to experience a live performance in front of an audience.

Name(s) of the professor(s) of this module:

  • Costume Design – Manuela Bronze
  • Set Design: Helder Maia/Marta Silva
  • Light Design: Rui Damas

    Besides that, Porto is a culturally interesting and beautiful city. Here you can profit from the musical and cultural activity at Casa da Música of Porto, a very active cultural point in the city, as well as the Teatro Nacional de São João, Rivoli Theatrre and Coliseum of Porto.

    Minimum and maximum number of EOA students

    1-4 students

    Number of teaching/production hours of the EOA module

    • 10 -12 hours individual tuition
    • 45 hours group work

    Number of ECTS within master accreditation

    Up to 20 ECTS

    Entrance examination

    • CV
    • Portfolio
    • Video recording or link to video recording
    • Interview (The student will be contacted by ESMAE professors after assessing his/her materials)

    Deadline for application:

    • 1st deadline: 8 May 2023. Answers from EOA are expected on 8 June 2023

    Teaching language

    English – level 3

    Total expenses of the EOA

    • This module is only available within Erasmus exchange (Master´s level), during the academic year 2023/24.
    • Students must provide their own accommodation, meals and traveling costs.