Professional Training

VAL 4. Experience in an opera production: strings

(Title to be announced)

Period of the EOA module in 2024-2025:

  • From 08 January 2025 to 14 April 2025 (Easter holidays from 29 March to 08 April 2025)

Description of the EOA module:

Professional training and preparation for an opera role, concluding with the performance of a fully staged opera production (title to be announced).

This includes:

  • Spanish language training
  • Working with the orchestra and conductors
  • Ensemble rehearsals with the orchestra, stage director, conductor, choir and singers
  • Dress rehearsal with the orchestra, stage director, conductor, choir and singers
  • Opera performances in our Auditorium and other venues

Speciality of this module in comparison with other courses:

Valencia is a major cultural centre and encourages immersion into the professional opera and music scene:  Palau de les Arts Opera House, concerts and presentations by major international musicians.

In addition, there are many events and festivals throughout the year (i.e. Las Fallas). With a rich history in modern architectural masterpieces (City of Arts and Sciences), Valencia’s deep, multicultural roots, cosmopolitan flavour, and warm climate make it a true Mediterranean gem.

Also, Valencia is one of Spain’s (and Europe’s) most affordable cities for student accommodation.

Names of the professors of this module:

  • Conductors: Jesús Cantos, Juan Pablo Hellín
  • Stage director: Eugenia Corbacho, Jaume Martorell

Possible extras besides the module

Masterclasses

Participation in other projects, with concerts at several venues:

  • Symphony orchestra
  • Chamber orchestra
  • Chamber music ensembles
  • Contemporary ensemble

Attending opera performances at Palau de les Arts

Exchange and collaboration with other students of the Conservatory working on the same production

Minimum and maximum number of EOA students

Open to all string players: violins, violas, cellos, violoncellos and double-basses

Number of teaching/production hours of the EOA module:

Teaching: The first 8 weeks

  • Spanish language training
  • Working with the orchestra and conductors in different projects
  • Working with the opera orchestra and conductors as well as the singers and choir

Production: The following 4 weeks

  • Ensemble rehearsals with the orchestra, stage director, conductor, choir and singers
  • Dress rehearsal with the orchestra, stage director, conductor, choir and singers
  • Opera performances in our Auditorium and other venues

Number of ECTS within master accreditation:

25 ECTS

Entrance examination:

Contact the coordinator:

Charo Vallés

master.opera@csmvalencia.es

The materials to submit with your application are:

  • CV
  • Repertoire
  • Two Videos (it can be a link to YouTube or any other platform)

Deadline:

  • 1st deadline: 01 June 2024
  • 2nd deadline: 15 September 2024

Date for expected answers:

  • 1st deadline: 15 June 2024
  • 2nd deadline: 30 September 2024

Description of the final Examination:

Public performance of a fully staged chamber opera at the Concert Hall of the Conservatory Superior of Music

Teaching language:

Spanish, English, Italian, French and German

Total expenses of the EOA module per student and what is included/excluded in this price:

  • Free for students in Erasmus Programme
  • Module is available within an Erasmus exchange
By admin, ago

PAR 4. Piano Accompaniment and Opera Coaching (pianists, training)

Period of the EOA module in 2024-2025:

ERASMUS students (STT) may choose a mobility of minimum 3 – maximum 6 months during the academic year 2024-2025

Content:

This module offers an entirely specific traineeship for piano accompaniment of voice and opera scenes, designed for pianists who consider a future in the world of opera by adding to their curriculum a first work experience in this various and challenging environment. Trainees will accompany singers on the piano in different settings:

  • singing lessons,
  • scenic interpretation lessons,
  • staging
  • preparation for exams and concerts and during public performances. This always under supervision of a tutor.

The goal is to improve the knowledge of opera repertoire and to practice the specific skills requested.

The trainee will receive weekly tasks from the coordinator of piano accompaniment.

A module for professional pianists who wish to broaden their knowledge of the operatic repertoire in compliance with all the specific attitudes. With a full immersion into Italian opera together with the opportunity to develop the best practice in Italian language applied to opera. To exercise, develop and improve their skills as a pianist in accompanying different voice parts.

Specialty of this module in comparison with other courses in Europe

A full immersion into Italian opera together with the opportunity to develop the best practice in Italian language applied to opera. Choice of repertoire (title and characters) according to student’s needs. Exchange and collaboration with other students of the Conservatory (from all over the world) working on the same repertoire.

A unique opportunity to fully immerse themselves in the rich operatic music culture of the territory, attending places of unique musical interest, within the Conservatory (Musical Section of Libreria Palatina, Boito’s Studio and Toscanini’s Studio) or the nearby of it (the Library of the Istituto Nazionale di Studi Verdiani, the Museo dell’Opera, the Casa della Musica etc).

Names of the professors of this module:

  • Nicola Mottaran (Coordinator of Piano accompaniment) Fabio Ferrucci (Tutor)
  • Teaching staff  (Piano Accompaniment Teachers)  from the Singing and Music Theatre Department of the Conservatory.

Possible extras in addition to this module:

Upon request a little tour of the main “music treasures” of Verdi’s land: the birthplace of Verdi and Villa Sant’Agata, the Toscanini Museum, the world-renowned Teatro Regio, the beautiful Teatro Farnese (17th century), the Casa del Suono, etc. Opportunity to join Italian Course level A2+B1 in the first semester or English Course level B1 or B2 in second semester. October is the month of the Parma Verdi Festival. Facilities are offered to enrolled students who want to experience a show at the Teatro Regio and/or other planned locations.

Minimum and maximum number of EOA students

1-5 (no max limit)

Number of teaching/production hours of the EOA module

  • Semester 200 hours (about 10 hours per week)

Number of ECTS within master accreditation

Depending on the effective number of hours.

Entrance examination:

Online examination through the Application, that needs to include

  • CV
  • Repertoire
  • Videos
  • Motivational letter (optional)

Final examination:

30-minute performance in piano accompaniment of voice (and/or opera scenes).

Teaching language/Required level of language

Italian (min A2 to be improved) and English (B2)

Total expenses of the EOA module per student and what is included/excluded in this price

Erasmus students (SMS) only. No extra fees.

Deadline for applications:

  • 1st deadline: 30 April 2024
  • 2nd deadline: 15 October 2025

Date for expected answers:

  • 1st deadline: 30 June 2024
  • 2nd deadline: 15 December 2025
By admin, ago

LOD 1. Francesco Cavalli – L’egisto – Concert Performance

Period of the EOA module in 2024-2025:

  • Spring Semester 2025: March – May

Professional training and musical preparation of a role in Cavalli’s L’Egisto. An intensive period of training and rehearsing finalised with the public performance of a concert version of the opera.

This includes:

  • Vocal coaching / stylistic background (theory of the affects, parlar cantando and the beginnings of the art of bel canto, early Italian ornamentation)
  • Language coaching
  • Musical rehearsals with the conductor/harpsichordist and orchestra

Final performance with the conductor and orchestra.

Names of the professors of this module:

  • Liliana Stawarz (Polish Royal Opera) – conductor/musical direction/harpsichord/baroque coaching
  • Anna Werecka and Adam Kamieniecki – vocal and baroque coaching – theory of the affects and rhetoric, parlar cantando, ornamentation, vocal technique
  • Urszula Kryger, Bartosz Szulc – vocal technique

Possible extras besides the module:

  • Baroque Program – supplementary seminars devoted to Theory of the Affects and Ornamentation
  • All concerts and events produced by University of Music in Lodz (free admission for EOA students)
  • Participation in selected concerts and activities of Vocal Department (upon your choice)

Minimum and maximum number of students:

1 – 12 max

Kind of voice and role:

  • Tenor – Egisto
  • Tenor – Hipparco
  • Soprano – Climene
  • Soprano – Clori
  • Soprano – L’Aurora/Amore/Ora prima
  • Soprano – Bellezza/Semele/Ora seconda
  • Soprano – Voluptia/Fedra/Ora terza
  • Soprano – Venere/Hero/Ora quarta
  • Mezzosoprano – Dema
  • Mezzosoprano – La Notte/Didone
  • Bass – Lidio
  • Bass – Apollo

Specialty of this module in comparison with other courses in Europe

  • The module gives the possibility of acquiring specialized training in the area of early baroque music.

Possible extras besides the module:

  • Baroque Program – supplementary seminars devoted to Theory of the Affects and Ornamentation
  • All concerts and events produced by the University of Music in Łódź (free admission for EOA students)
  • Participation in selected concerts and activities of Vocal Department (upon your choice)

Description of the final examination

  • Public performance of opera fragment/s

Number of teaching / Production hours

From 20 – 30 hours per week

Teaching:

  • Working with the vocal coaches
  • Working with the conductor

Production:

  • Ensemble rehearsals with singers and the conductor
  • Ensemble rehearsals with singers, the conductor and full orchestra
  • Final performances

Number of ECTS:

25 ECTS

Entrance examination:

Contact the coordinator:

Anna Werecka

anna.werecka-gryc@amuz.lodz.pl 

The following attachments shall be submitted with the application:

  • CV
  • Repertoire list
  • Two videos (for example via YouTube)
  • Repertoire for the application:
  1. one fragment of Cavalli’s Egisto or any piece from the early 17th century (Caccini, Monteverdi etc.)
  2. one aria upon your choice.

Description of the final Examination

Public performance of a concert version of the opera at the Concert Hall of the University of Music in Łódź.

Student: 

Singer

Language: 

English, Italia

Activity:

Training / Operatic practice / Performance

Total expenses of the EOA module per student and what is included/excluded in this price

  • Module is available within an Erasmus exchange.

Note! Please, contact your Erasmus office as early as possible to be qualified in time for the Erasmus scholarship. All qualified Erasmus candidates must be first nominated by the Erasmus office of the sending institution – international@amuz.lodz.pl

  • Module could be also available as postgraduate studies. The fee is then approx. 2000 EUR (travel and living costs not included).

Deadline for applications

  • 1st deadline: 30 May 2024
  • 2nd deadline: N/A

Date for expected answers

  • 1st deadline: 30 June 2024
  • 2nd deadline: N/A
By admin, ago

FLO 2. The Maestro Collaboratore (Vocal coach)

Period of the EOA module in 2024-2025:

  • 01 February 2025 – 04 May 2025

Meet the Italian Belcanto tradition in the town that hosted the first operatic creation. An all-Italian experience on the operatic repertoire from Baroque to Verdi and Puccini. Piano accompanying lesson on style and technique, repertoire study with vocal coaches, Italian language and diction class, Opera class with acting and staging seminars, final concert with semi-staged performance of full operatic scenes.

Study repertoire:

  1. Two Opera vocal scores in Italian, from Mozart to Puccini
  2. A group arias in Italian, including recitativos and/or cabalettas, if present
  3. A group of Italian Art songs

Participants:

Pianist / vocal coach

Specialty of this module in comparison with other courses in Europe:

We give the participants the possibility to develop their skills as a vocal coach (maestro collaboratore). Our teachers and coaches have a long experience in the tuition of international students, as in our Vocal studies Faculty more than 50% of students are from all the continents. Being in Firenze (Dante’s home town) allows you to absorb the good “reference” Italian diction directly from the people you will meet in the street, as the Florentine language is the basis of the modern Italian language.

Name(s) of the professor(s):

  • Piano and Vocal Coaching Teachers: Andrea Severi, Antonella Bellettini, Ulla Casalini, Anna Toccafondi, Elisabetta Sepe, Daniela Freschi, Marco Bargagna, Elisabetta Sepe
  • History of Opera: Guglielmo Pianigiani
  • Art song practise/ Italian diction for coaches: Leonardo De Lisi

Possible extras:

  • Masterclass with renown singers and opera
  • Free entrance to rehearsals at Teatro del Maggio Musicale
  • A short programme (incl. city tour) concentrating on special ‘musical’ aspects of the city: Palazzo Pitti (where the first opera ever was staged in 1600, Peri’s “L’Euridice”), Accademia Bartolomeo Cristofori (historic pianos), Museo degli Uffizi, Galleria dell’Accademia,

Minimum and maximum number of EOA students:

1/6

Number of teaching / production hours:

Up to 20 hours/week

Number of ECTS within master:

3 months Module will award 24 ECTS

  • “Piano accompaniment lessons” 1-to-1 6 ECTS
  • “Repertoire practice lessons” 1-to1 3 ECTS
  • “Conducting techniques for opera coaches” 3 ECTS
  • “Italian Diction for singers/coaches” 3 ECTS
  • “History of Opera” 3 ECTS
  • “Art song practise” 6 ECTS

ONLY Erasmus mobilities for Studies or Traineeship from EOA partners will be accepted

Entrance examination:

Before 08 May, 2024, by email erasmus@consfi.it only:

  1. Please, send a link to a recent performance of yours (from not more than 1 year ago) including at least:
  • ONE piano solo piece of free choice or TWO Lieder (or Art Songs) accompanying a singer
  • ONE operatic aria or scene, accompanying a singer
  1. A brief curriculum and a complete list of studied operatic vocal score in Italian (only word or pdf file, please, or link to personal artistic website)

By May 15, 2024, candidates will receive a response about selection. If successfully selected, students will be required to confirm their choice before June 30.

Description of the final Examination:

  • Module: Semi-staged operatic scenes and recital with arias/songs in public concerts at the end of the module
  • Erasmus mobility : each class will award a note of evaluation by the teacher and ECTs

Teaching language/ Required level of language:

  • Italian (main)
  • English (secondary)
  • We require that EOA students have a minimum B1 Italian language level.

Total expenses of the EOA module per student and what is included / excluded in this price:

Erasmus mobility: no tuition fee

ONLY Erasmus mobilities for studies or traineeship from EOA partners will be accepted

Contact person:

Prof. Leonardo De Lisi

e-mail: erasmus@consfi.it

By admin, ago

VAL 3. Repetiteur training (pianists)

(Title to be announced)

Period of the EOA module in 2024-2025:

  • From 08 January 2025 to 15 April 2025 (Easter holidays from 29 March to 08 April 2025)

Description of the EOA module:

Specific training as repetiteur working in the preparation of a fully staged opera production (title to be announced).

This includes:

  • Attendance at individual Singing and Repertoire lessons of the cast. Vocal coaching
  • Language training
  • Musical rehearsals with the conductor and singers
  • Stage rehearsals with the stage director, the conductor and the singers
  • Chorus rehearsals with the chorus director

Kind of voice and role (Title and roles to be announced)

Speciality of this module in comparison with other courses:

Valencia is a major cultural centre and encourages immersion into the professional opera and music scene:  Palau de les Arts Opera House, concerts and presentations by major international musicians.

In addition, there are many events and festivals throughout the year (i.e. Las Fallas). With a rich history in modern architectural masterpieces (City of Arts and Sciences), Valencia’s deep, multicultural roots, cosmopolitan flavor, and warm climate to make it a true Mediterranean gem.

Also, Valencia is one of Spain’s (and Europe’s) most affordable cities for student accommodation.

Names of the professors of this module:

  • Singing: Gloria Fabuel, Carlos López Galarza, Pilar Moral, Amparo Quevedo, Ofelia Sala, Charo Vallés
  • Opera coaches: Laïla Barnat, Carles Budó, Pablo García-Berlanga, Adrià Gràcia, Diego Sánchez, Miquel Carbonell, Francesc Gamón
  • Conductor: Juan Pablo Hellín
  • Stage director: Jaume Martorell, Araceli Bergillos 

Possible extras besides the module

  • Masterclasses
  • Concerts at different venues in Valencia
  • Attending opera performances at Palau de les Arts
  • Exchange and collaborate with other students of the Conservatory working on the same production.

Minimum and maximum number of EOA students

  • Minimum 1 student
  • Maximum 3 students

Number of teaching/production hours of the EOA module:

Teaching: The first 8 weeks

  • Working with the singing teachers
  • Working with the opera coaches
  • Working with the conductor and vocal coaches
  • Working with the stage director and vocal coaches

Production: The following 4 weeks

  • Ensemble rehearsals with the singers and conductor
  • Ensemble rehearsals with the singers and stage director

Number of ECTS within master accreditation:

25 ECTS

Entrance examination:

Contact the coordinator:

Charo Vallés

master.opera@csmvalencia.es

The materials to submit with your application are:

  • CV
  • Repertoire
  • Two Videos (it can be a link to YouTube or any other platform)

Deadline:

  • 1st deadline: 01 June 2024
  • 2nd deadline: 15 September 2024

Date for expected answers:

  • 1st deadline: 15 June 2024
  • 2nd deadline: 30 September 2023

Description of the final Examination:

Public performance of a fully staged chamber opera at the Concert Hall of the Conservatory Superior of Music

Teaching language:

Spanish, English, Italian, French and German

Total expenses of the EOA module per student and what is included/excluded in this price:

  • Free for students in Erasmus Programme
  • Module is available within an Erasmus exchange
By admin, ago

OSL 2. Opera repetiteur

Period of the EOA module in 2024-2025:

15 September – 15 December, 2025

Content:

Get possibilities of coaching from our professors and conductors, and play for stage rehearsals, performances and concerts.

Names of the professors:

  • Jacopo Spirei
  • Luca de Marchi
  • Olesya Tutova
  • Markus Kvits
  • Anne Sofie von Otter
  • Bengt Forsberg
  • Solveig Kringelborn
  • Toril Carlsen

Possible extras in addition to this module:

  • Italian language course

Open for:

2 pianists

Number of teaching / production hours of the EOA module:

Preparation 180 hours

Production 200 hours

Number of ECTS:

12

Description of the final examination:

  • CV
  • Repertoire
  • Two videos of accompanying W.A. Mozart: Il contes aria and G. Puccini: Mimis aria

Description of the final Examination.

  • Performances and concerts in November/December.
  • Play for a masterclass with Anne Sofie von Otter and Bengt Forsberg

Deadline for applications: 

  • 1st deadline: 08 May 2024

Deadline for expected answers: 

  • 1st deadline: 01 June 2024
By admin, ago

MAA 1. Performance of a role in a fully staged opera with orchestra

Period of the EOA module in 2024-2025:

January – February – March 2025

Period of production: (Dates to be updated
  • First Musical Rehearsal: 22 January 2025
  • Generals: 01 and 02 March 2025
  • Performances (and exams): 04 and 05 March 2025

Description of the EOA module:

Perform a leading role in an opera. A complete opera production, starting with comprehensive musical rehearsals led by maestro Federico Santi followed by an intensive staging period, and resulting in performances of the complete work with orchestra.

This module will focus on the cohesion between musical style and stagecraft, allowing for character development from two different perspectives. The final performance should result in a fully realised character, both vocally and acting-wise.

Open for:

Min. 2 – Max. 4 singers from the EOA can participate, next to our own singing and acting students.

Title to be performed: 

TBC

Kind of voice and role:

  • all

The module includes:

  • working with a (professional) conductor
  • a professional stage director
  • First 6 weeks include 15 hours of training by main subject teachers and opera coach.
  • Next 6 weeks working on the production

Names of the professors of this module:

  • Musical Director: Federico Santi
  • Conductor: Enrico Delamboye
  • Stage director: Barbara Haveman
  • Vocal coaches: Yvonne Schiffelers, Susanne Schimmack, Axel Everaert, Raimund Nolte

Possible extras besides the module:

  • individual vocal coaching on style, interpretation and applied technique by our vocal staff.
  • workshop dealing with artistic entrepreneurship, self-promotion via social media and branding will be offered. This will give young artists the tools and skills to develop their artistic careers and bring classical music to the core of society.

 

Number of teaching / production hours of the EOA module:

  • 20-30 hours of production rehearsals per week

Application:

Via application form in EOA website. Keep in mind you will need to include:

  • CV
  • Repertoire list
  • 2 Videos. NOTE: Repertoire for the application upon your choice.

Final Examination:

Permanent Artistic Evaluation + Public performance

Teaching language and Required level of language:

Working language will be English; the ability to work and rehearse with ease in English is required.

B2 level according to CEFR.

Total expenses of the EOA module per student and what is included / excluded in this price

Available through Erasmus. Living costs to be covered by applicant.

Deadline for applications:

  • 1st deadline: 08 May 2024
  • 2nd deadline: 15 October 2024

Deadline for expected answers: 

  • 1st deadline: 01 June 2024
  • 2nd deadline: 15 October 2024
By admin, ago

LOD 2. Francesco Cavalli – “L’egisto” – Performance of a role in fully staged opera production

Period of the EOA module in 2025-2026:

Autumn Semester 2025: October – November 2025

NOTE: This module is a continuation of LOD 1, and it is planned to happen in the first semester of the academic year 2025-2026. Check with your International Officer whether you will be eligible for Erasmus Grants in the academic year 2025-2026.

Description of the module:

Perform a role in a fully staged opera production “L’Egisto” by Francesco Cavalli. Professional training and preparations finalised with complete public performance with orchestra. Considering a short time of training we prefer students with high awarness of a baroque style and very good knowledge of musical material.

This includes:

  • Vocal coaching (theory of the affects, rhetoric, parlar cantando, performance practices of 17th century, early Italian ornamentation)
  • Acting
  • Language coaching
  • Musical rehearsals with the conductor/harpsichordist and orchestra
  • Stage rehearsals with the stage director.

Kind of voice and role:

  • Tenor – Egisto
  • Tenor – Hipparco
  • Soprano – Climene
  • Soprano – Clori
  • Soprano –  L’Aurora/Amore/Ora prima
  • Soprano – Bellezza/Semele/Ora seconda
  • Soprano – Voluptia/Fedra/Ora terza
  • Soprano – Venere/Hero/Ora quarta
  • Mezzosoprano – Dema
  • Mezzosoprano – La Notte/Didone
  • Bass – Lidio
  • Bass – Apollo

Specialty of this module in comparison with other courses in Europe

  • The module gives the possibility of acquiring specialized training in the area of early baroque music.

Possible extras beside the module:

  • Baroque Program – supplementary seminars devoted to Theory of the Affects and Ornamentation
  • All concerts and events produced by University of Music in Lodz (free admission for EOA students)
  • Participation in selected concerts and activities of Vocal Department (upon your choice) 

Number of teaching / production hours of the EOA module:

From 20-40 hours of production rehearsals per week

Teaching:

  • Working with the vocal coaches
  • Working with the conductor
  • Working with the stage director

Production:

  • Ensemble rehearsals with singers and the conductor
  • Ensemble rehearsals with singers and the stage director

Ensemble rehearsals with singers, orchestra, the conductor and the stage director

Number of ECTS:

25 ECTS

Minimum and maximum number of students:

1 – 12  max

Entrance examination:

Contact the coordinator:

Anna Werecka

anna.werecka-gryc@amuz.lodz.pl

The following attachments shall be submitted with the application:

  • CV
  • Repertoire list
  • Two videos (for example via YouTube)
  • Repertoire for the application:
  1. one fragment of Cavalli’s Egisto or any piece from the early 17th century (Caccini, Monteverdi etc.)
  2. one aria upon your choice.

Description of the final Examination

Public performance of a fully staged opera at the Concert Hall of the University of Music in Łódź. The premiere and the following performances will take place during the renowned AŻ Festival. 

Deadline for application and requirements:

  • 1st deadline: 30 April 2024
  • 2nd deadline 15 September 2024

Date for expected answers:

  • 1st deadline: 15 May 2024
  • 2nd deadline: 30 September 2024

Total expenses of the EOA module per student and what is included/excluded in this price

  • Module is available within an Erasmus exchange.

Note! Please, contact your Erasmus office as early as possible in order to be qualified in time for Erasmus

scholarship. All qualified Erasmus candidates must be first nominated by the Erasmus office of the sending institution – international@amuz.lodz.pl

  • Module could be also available as postgraduate studies. The fee is then approx. 2000 EUR (travel and living costs not included).

Language: 

English, Italian

Activity: 

Training / Operatic practice / Performance

Module type: 

Opera performance

By admin, ago

HAM 1. Singing and acting, German/Italian Repertoire

Period of the EOA module in 2024-2025:

  • April – May – June 2025 (summer semester)

Open for:

1-3 vocal students

Content:

  • German Repertoire (Lortzing – Mozart – Wagner) and Italian Repertoire (Monteverdi – Mozart – Bellini)
  • Role studies, ensemble studies; work on recitatives, accurate understanding of texts and sheet music, discussion of style and musical Gestus (gestures/attitude).
  • Theatrical and musical performance
  • Phonetics, dialogue training

At the end of the summer semester, a big opera production is staged with a professional orchestra and conductor, with a total of 9 performances at the academy’s theatre (450 seats)

The theatrical and musical performance subject is taught jointly by the theatrical performance lecturer and the lecturer for role studies. Exchange of views on key issues in music and staging. Interpretation of roles (character development), physical training.

Important dates related to the production:

  • April 1st, 2025: Rehearsals start
  • May 12th, 2025: Premiere
  • June 03rd, 2025: Last performance

Name(s) of the professor(s) of this module:

  • Willem Wentzel (Head of Music)
  • Siegfried Schwab (German Repertoire)
  • Fausto Nardi (Italian Repertoire)

Possible extras:

  • Possible participation in modern music theatre productions
  • A course in MusikTheaterRegie (MTR, music theatre direction)
  • Exchange and collaboration with MTR students

Number of ECTS:

9-14 teaching hours per week

20 ECTS (Approx.)

Description of the final examination:

Theatrical-musical performance of two music theatre scenes (aria and ensemble)

Participation in opera production

Communication language:

German and English

By admin, ago