Baroque opera studio – joint module in collaboration with Lithuanian Academy of Music and Theatre. Baroque opera production in collaboration with the orchestra Collegium Musicum Riga.
Russian language phonetics and training in opera fragments of Russian composers /N. Rimski-Korsakov, P. Tchaikovski, S. Prokofiev etc./ together with local students. Daily lessons in Opera studio “Figaro”.
Possibility to participate in rehearsals/performances of “The Queen of Spades” at theNational Opera.
Possibility to master Russian language: perception, listening, speaking, reading, communication skills.
In addition EOA students will be offered tailor-made programme:
Singing lessons – opera repertoire vocal coaching
Work with pianist
Acting skills
Stage movement and dance
Contemporary ear training techniques
Vocal ensemble
Chamber singing
Specialty of this module in comparison with other courses in Europe:
Possibility to combine extended studies of Russian opera repertoire with Russian- speaking teachers and in the live language environment.
(e.g. supplementary programmes, city culture, language)
Supplementary tailor-made study programme, free entrance in all National Opera performances (except premieres and guest performances), very intensive concert activities, city culture.
Minimum and maximum number of students:
1 – 2 max
Number of teaching / production hours of the EOA module:
According to study programme on selected courses
Number of ECTS within bachelor/ master accreditation:
24 – 30 ECTS (depending on courses selected)
Deadline of application and requirements:
1st deadline: 8 May 2023. Answers from EOA are expected on 8 June 2023
2nd deadline: 1 September 2023. Answers on 15 September 2023
Recordings (DVD, YouTube) Application form
Artistic CV
Description of the final examination
Public performance of opera fragment/s
Total expenses of the EOA module per student and what is included / excluded in this price:
EUR 1360 p/semester (travel and subsistence not included)
Specialty of this module in comparison with other courses in Europe:
The collaborative learning environment that is the core of the Voice Department gives you a unique opportunity to develop your individuality as a singing artist. You will build your vocal technique and interpretive skills while working with a team of expert voice teachers who work in tandem empowering you to clarify your goals and make your own choices. A number of performance opportunities gives you valuable possibilities and practical experience in managing and leading projects. Working on baroque interpretation in an ensemble setting, making music together with skilled professionals will give hands on experience. The relatively small size of the music department makes it a very flexible learning environment and a fertile ground for initiative and creative ideas.
Name of the professors of this module:
Hanna Dóra Sturludóttir (voice and performance)
Sigurður Halldórsson (music director)
Matthildur Anna Gísladóttir (coach, piano accompaniment)
Kristinn Sigmundsson (voice and performance)
Dísella Lárusdóttir (voice and performance)
Minimum and maximum number of EOA students:
1-3 singers
1-4 baroque instrumentalists primarily, strings and continuo
Number of teaching/production hours of the EOA module:
Up to 20 hours per week
Number of ECTS within master accreditation
20 ECTS
Entrance examination:
To deliver the following documents, via the application at the EOA website:
CV
Repertoire
Two Videos (it can be a link to YouTube or any other platform)
Motivation letter
Description of the final Examination:
Assessment based on students journaling and self-assessment
Across project (50%)
Performance in project (50%)
Teaching language:
English
Total expenses of the EOA module per student and what is included/excluded in this price:
The module is available within an Erasmus exchangefor students at BA-levelin vocal performance and for some instrumentalists.
Participants pay for their own accommodation and travel.
Preparation of an Opera Performance in fully staged Opera Production with orchestra in Porto – Costume, Set and Light Desing
Stage Design is, of course, divided according to specialties (Costume, Set and Light Design), and the aim of each module now offered within each specialty is to facilitate technical and artistry improvement through the use of different and specialised techniques and knowledge, according to the philosophy of building up costumes, sets and light designs within the preparation and performance of specialised operatic repertoire (from Baroque to Contemporary repertoire). The emphasis is on artistry within the process of making an opera. Each year there will be a different Opera Production which will be the aim (Part B) and consequence of this Module development (Part A). This module (within the different specialties now offered) has as the goal to enable the student autonomy, both in achieving methodological processes as well as the consolidation of a Stage Design and an artistic identity. This process will bring the student a new approach to Opera and Opera making, and it will enable the student to experience a live performance in front of an audience.
This Module is only open for those students that have done the module POR 3A and, though, have acquired the knowledge and experience necessary and sufficient to be able to construct costumes, scenery, and light designs work for the out coming opera production. Or, for those who can demonstrate through portfolios their ability and knowledge in the construction of costumes, sets and light designs.
The opera Production for 23-24 Preview:
Canto Lusitano by António Vitorino de Almeida
The Opera for this year is still in negotiation with National Theatres.
Until 20 ECTS 10 -12 hours individual tuition & 45 hours group work
Description of final examination: full staged Opera.
Possible extras: Students may attend one, or both, of these theoretical seminars on the subject of Opera Performance:
Opera communication systems in history and in actuality: a sociological approach. Seminar given by Prof. Dr. Francisco Melo – Professor of History and Esthetics, at ESMAE
The Psychology of Performance – The underlying psychology to the study of operatic roles and other issues in opera. This Seminar will be given by Prof. Dr. Daniela Coimbra (PhD) – Professor on Psychology of Music, at ESMAE.
Entrance examination
Portfolio – Interview
Video recording or link to video recording
Description of the final examination
Public performance on stage with piano
Teaching language
English – level 3
Total expenses of the EOA
1) This module is available within Erasmus exchange (Master´s level) only during the academic year 2023/24.
2) Prices are applicable for 2023-2024.
3) Prices do not include travel or living expenses
Deadline for application:
1stdeadline: 8 May 2023. Answers from EOA are expected on 8 June 2023
2nddeadline: 1 September 2023. Answers on 15 September 2023
Stage Design with Technical Supervision (Costume, Set and Light Design)
Stage Design is, of course, divided according to specialties (Costume, Set and Light Design), and the aim of each module now offered within each specialty is to facilitate technical and artistry improvement through the use of different and specialised techniques and knowledge, according to the philosophy of building up costumes, sets and light designs within the preparation and performance of specialised operatic repertoire (from Baroque to Contemporary repertoire). The emphasis is on artistry within the process of making an opera. Each year there will be a different Opera Production which will be the aim (Part B) and consequence of this Module development (Part A). This module (within the different specialties now offered) has as the goal to enable the student autonomy, both in achieving methodological processes as well as the consolidation of a Stage Design and an artistic identity. This process will bring the student a new approach to Opera and Opera making, and it will enable the student to experience a live performance in front of an audience.
Name(s) of the professor(s) of this module:
Costume Design – Manuela Bronze
Set Design: Helder Maia/Marta Silva
Light Design: Rui Damas
Besides that, Porto is a culturally interesting and beautiful city. Here you can profit from the musical and cultural activity at Casa da Música of Porto, a very active cultural point in the city, as well as the Teatro Nacional de São João, Rivoli Theatrre and Coliseum of Porto.
Minimum and maximum number of EOA students
1-4 students
Number of teaching/production hours of the EOA module
10 -12 hours individual tuition
45 hours group work
Number of ECTS within master accreditation
Up to 20 ECTS
Entrance examination
CV
Portfolio
Video recording or link to video recording
Interview (The student will be contacted by ESMAE professors after assessing his/her materials)
Deadline for application:
1stdeadline: 8 May 2023. Answers from EOA are expected on 8 June 2023
Teaching language
English – level 3
Total expenses of the EOA
This module is only available within Erasmus exchange (Master´s level), during the academic year 2023/24.
Students must provide their own accommodation, meals and traveling costs.
The Opera for this year is still in negotiation with National Theatres.
Open for:
1-4 vocal students (Soprano, Mezzo, Tenor, Baritone, Bass)
Content:
The module aims for students to work on performing a role and learn to cooperate with conductors, directors and other professional groups through the performances and participation on a fully staged opera.
The Opera for this year is still in negotiation with the National Theatre of Porto: TNSJ. Soon it will be fully announced
Specialty of this module in comparison with other courses in Europe
EOA students will participate in this fully staged work and will receive vocal coaching and acting to prepare the specific roles of this production. It will make the EOA student aware of the full team work and cooperation that an opera production requires, and it will make the singer aware of the interaction of all the EOA Modules 2023-2024, and how different areas are involved in an opera presentation (implementation of the set design, costumes, light, production, staging, orchestra, etc.)
Possible extras:
Students may attend one, or both, of these theoretical seminars on the subject of Opera and Performance:
Opera communication systems in history and in actuality: a sociological approach. Seminar given by Prof. Dr. Francisco Melo – Professor of History and Esthetics, at ESMAE
The Psychology of Performance – The underlying psychology to the study of operatic roles and other issues in opera. This Seminar will be given by Prof. Dr. Daniela Coimbra (PhD) – Professor on Psychology of Music, at ESMAE.
Besides that, Porto is a culturally interesting and beautiful city. Here you can profit from the musical and cultural activity at Casa da Música of Porto, a very active cultural point in the city, as well as the Teatro Nacional de São João, Rivoli Theatre and the Coliseum of Porto.
Number of teaching/production hours of the EOA module
10 -12 hours of individual tuition & 45 hours of group work.
Number of ECTS
20 ECTS
Entrance examination
Video recording or link to video recording
Description of the final examination
Public performance on stage with piano.
Teaching language
English – level 3
Total expenses of the EOA
1) This module is available within Erasmus exchange (Master´s level) only during the academic year 2022/23.
2) Prices are applicable for 2022-2023.
3) Prices do not include travel or living expenses
Deadline for application:
1stdeadline: 8 May 2023. Answers from EOA are expected on 8 June 2023
2nddeadline: 1 September 2023. Answers on 15 September 2023
Methodology: Improvisation, Movement, Vocality and E-Motion Arousal as a Body and Vocal approach to Opera Singing and Opera Making
Period of the EOA module in 2023-24:
8 October 2023 – 28 January 2024
Description of the module:
The aim of this section of the module is to facilitate vocal improvement through the use of improvisation, movement, emotional arousal accurate vocal technique in accordance with the preparation and performance of specialized operatic repertoire (from Baroque to Contemporary repertoire. Special attention will be given to technical problems, vocal characterization, style and interpretation as well as performance practices. The focus of this module will also be on vocal improvement and on vocal technique within the preparation and performance of operatic roles. The emphasis is on artistry and the process of the vocal training through the preparation of operatic roles). Other genres of vocal repertoire such as Lied, Song and Chanson may also be part of a specialized vocal study. This module has as the goal to enable the student autonomy, both in achieving methodological processes as well as the consolidation of a vocal as well as an artistic identity.
Name(s) of the professor(s) of this module:
António Salgado
Rui Taveira
Minimum and maximum number of EOA students
1-3 vocal students
Number of teaching/production hours of the EOA module
10-12 hours individual tuition & 45 hours group work
Number of ECTS within master accreditation
20 ECTS
Entrance examination
Video recording or link to video recording
Description of final examination
Public performance on stage with piano
Teaching language
English – level 3
Deadline for application:
1stdeadline: 8 May 2023. Answers from EOA are expected on 8 June 2023:
ERASMUS students (SMS and STT) may choose a mobility within one semester (or both)
Winter Semester: 1 October 2023 – 2nd week of February 2024
Spring Semester: 3rd week of February 2024 – 30th June 2024
Content:
This module guides the student to master the complex and difficult art of the piano accompaniment in opera.
Performance practice and repertoire (individual lessons, on specific operas according to student’s needs and choices, main opera repertoire, analysis, study and practice on chosen opera scores, different (vocal) accompaniment techniques according to different music styles)
Répétiteur and coach techniques (theoretical and practical lessons on the basso continuo, as a stage-rehearsal accompanist, how to play under direction)
Specialized practice (vocal repertoire: chamber music and opera scores)
Score playing (reading piano- and orchestra opera scores)
Little practical internship in Singing lessons and Scenic Art lessons (different needs, different skills)
Possible participation in Masterclass(es), essays and concerts as a piano accompanist.
Classes will be held in Italian and English.
ERASMUS students might have to choose other courses, among those annually proposed by the Conservatory, to reach the total number of required credits.
Specialty of this module in comparison with other courses in Europe
This module represents a perfect opportunity to get to know and experience the tools to become an Opera accompanist, in a welcoming atmosphere of exchange and collaboration with the other students of the Conservatory, from all over the world.
A unique chance to fully immerse themselves in the rich operatic music culture of the territory, attending places of unique musical interest, within the Conservatory (Musical Section of Libreria Palatina, Boito’s Studio and Toscanini’s Studio) or in the immediate nearby of it (the Library of the Istituto Nazionale di Studi Verdiani, specialized in 19th century opera and music in general, with particular emphasis on the life and work of Giuseppe Verdi, the Museo dell’Opera, the Casa della Musica, Teatro Regio, etc.).
Name(s) of the professor(s) of this module:
Nicola Mottaran (Coordinator of Piano accompaniment) Fabio Ferrucci (Tutor)
Teaching staff (Piano Accompaniment Teachers) from the Singing and Music Theatre Department of the Conservatory.
Possible extras in addition to this module:
Upon request a little tour of the main “music treasures” of Verdi’s land: the birthplace of Verdi and Villa Sant’Agata, the Toscanini Museum, the worldrenowned Teatro Regio, the beautiful Teatro Farnese (17th century), the Casa del Suono, etc. Opportunity to join Italian Course lev. A2+B1 in the first semester or English Course level B1 or B2 in second semester. October is the month of the Parma Verdi Festival. Facilities are offered to enrolled students who want to experience a show at the Teatro Regio and/or other planned locations.
Minimum and maximum number of EOA students – max 2
Number of teaching/production hours of the EOA module
60h of teaching/ per semester
Number of ECTS within master accreditation:
Min 24 ECTS/semester (but possibly increasing according to the Learning Agreement)
Entrance examination:
Online examination through the EOA website Application form, that needs to include
CV
Repertoire
Videos
Motivational letter (optional)
Final examination:
30 minutes performance in piano accompaniment of voice (and/or opera scenes)
Teaching language/Required level of language
Italian (min A2 to be improved) and English (B2)
Total expenses of the EOA module per student and what is included/excluded in this price
Erasmus students (SMS) only. No extra fees.
Deadline for application:
1stdeadline: 8 May 2023. Answers from EOA are expected on 8 June 2023
2nddeadline: 1 September 2023. Answers on 15 September 2023
ERASMUS students (SMS and STT) may choose a mobility within one semester (or both):
Winter semester: 1st October 2022 – 2nd week of February 2023
Sprig semester: 3rd week of February 2023 – 30th June 2023
Description of the module:
This module guides the student through a path of vocal and scenic interpretation of one entire opera from eighteenth-century Opera Buffa’s repertoire: Pergolesi, Cimarosa, Paisiello or Rossini (preferably his “Farces in one act”).
Analysis, study and full understanding of the libretto(s) and character(s) chosen.
Vocal technique and style coaching in Opera Buffa repertoire.
Advanced Italian pronunciation and diction classes.
Specific lessons on Recitativo.
Individual coaching and group work: vocal and score lessons and group work on Scenic Art (Training of the actor’s body, physical and gestural laboratory).
Preparation for final exam and concert(s).
Classes will be held in Italian and English.
ERASMUS students have to choose other courses (e.g. Opera History, Poetic and Dramatic Literature, etc.) among those annually proposed by the Conservatory, to reach the total number of required credits.
Special attention will be given to the study of proper Italian diction and pronunciation with native Italian teachers, in building Opera Buffa characters (both scenic and vocal) with full linguistic and stylistic background. Special focus on Recitativo.
Kind of voice:
All kind of voices suited for Opera Buffa repertoire.
Specialty of this module in comparison with other courses in Europe
A full immersion into Italian opera together with the opportunity to develop the best practice in Italian language applied to opera. Choice of repertoire (title and characters) according to student’s needs. Exchange and collaboration with other students of the Conservatory (from all over the world) working on the same repertoire.
A unique opportunity to fully immerse themselves in the rich operatic music culture of the territory, attending places of unique musical interest, within the Conservatory (Musical Section of Libreria Palatina, Boito’s Studio and Toscanini’s Studio) or in the immediate nearby of it (the Library of the Istituto Nazionale di Studi Verdiani, the Museo dell’Opera, the Casa della Musica etc).
Name(s) of the professor(s) of this module:
Romano Franceschetto, Adriana Cicogna and Lucetta Bizzi (Vocal coach)
Roberta Faroldi (diction and actor’s work)
Riccardo Mascia (Recitativo coach, Score and Repertoire)
Claudia Rondelli, Roberta Ropa, Laura Soracco, Luca Sabatino (Score and Repertoire)
Possible extras beside the module:
Upon request, a little tour of the main “music treasures” of Verdi’s land: the birthplace of Verdi and Villa Sant’Agata, the Toscanini Museum, the world-renowned Teatro Regio, the beautiful Teatro Farnese (17th century), the Casa del Suono, etc.
Opportunity to join English course level B1or B2 in second semester.
Minimum and maximum number of EOA students:
Max 5
Number of teaching/production hours:
60 hours of teaching (individual lessons + group lessons) per semester
Number of ECTS within master accreditation:
Min 24 ECTS/semester (but possibly increasing according to the Learning Agreement)
Entrance examination:
Online examination through the Application, that needs to include:
CV
Repertoire
Videos (at least one of them from the Opera Buffa repertoire)
Motivational letter (optional)
Period of the EOA module in 2022-2023
ERASMUS students (STT) may choose a mobility of minimum 3 – maximum 6 months during the academic year 2022-2023
Description of the EOA Module:
This module offers an entirely specific traineeship for piano accompaniment of voice and opera scenes, designed for pianists who consider a future in the world of opera by adding to their curriculum a first work experience in this various and challenging environment. Trainees will accompany singers on the piano in different settings:
singing lessons,
scenic interpretation lessons,
staging
preparation for exams and concerts and during public performances. This always under supervision of a tutor.
The goal is to improve the knowledge of opera repertoire and to practice the specific skills requested.
The trainee will receive weekly tasks from the coordinator of piano accompaniment.
A module for professional pianists who wish to broaden their knowledge of the operatic repertoire in compliance with all the specific attitudes. With a full immersion into Italian opera together with the opportunity to develop the best practice in Italian language applied to opera. To exercise, develop and improve their skills as a pianist in accompanying different voice parts.
Specialty of this module in comparison with other courses in Europe
A full immersion into Italian opera together with the opportunity to develop the best practice in Italian language applied to opera. To exercise, develop and improve their skills as a pianist in accompanying different voice parts.
Exchange and collaboration with other students of the Conservatory.
A unique opportunity to fully immerse themselves in the rich operatic music culture of the territory, attending places of unique musical interest, within the Conservatory (Musical Section of Libreria Palatina, Boito’s Studio and Toscanini’s Studio) or in the immediate nearby of it (the Library of the Istituto Nazionale di Studi Verdiani, specialized in 19th century opera and music in general, with particular emphasis on the life and work of Giuseppe Verdi, the Museo dell’Opera, the Casa della Musica, Teatro Regio, etc.).
Name of the professors of the module:
Nicola Mottaran (Coordinator of Piano accompaniment)
Fabio Ferrucci (Tutor)
Teaching staff (Piano Accompaniment Teachers) from the Singing and Music Theatre Department of the Conservatory.
Possible extras:
Upon request a little tour of the main “music treasures” of Verdi’s land: the birthplace of Verdi and Villa Sant’Agata, the Toscanini Museum, the worldrenowned Teatro Regio, the beautiful Teatro Farnese (17th century), the Casa del Suono, etc.
Opportunity to join Italian Course lev. A2+B1 in the first semester or English Course level B1 or B2 in second semester.
October is the month of the Parma Verdi Festival. Facilities are offered to enrolled students who want to experience a show at the Teatro Regio and/or other planned locations.
Open for: 1-5 piano students
Number of teaching hours:
Semester 200 hours (about 10 hours per week)
Number of ECTS within master accreditation:
Depending to the effective number of hours done
Entrance examination
Online examination through the Application, that needs to include:
CV
Repertoire
Videos
Motivational letter (optional)
Description of final examination:
30 minutes performance in piano accompaniment of voice (and/or opera scenes)
Teaching language:
Italian – minimum A2 to be improved
English – B2
Total expenses of the EOA module:
ERASMUS students (STT) only. No extra fees.
Description of the final examination:
Performance of an operatic full Opera Buffa scene in front of a jury. The examination may coincide with a public concert.
Period of the EOA module in 2023-2024:
