French

VAL 2. Performance of an operatic role in a fully staged opera production

Period(s) of the EOA module in 2020-2021:

February, March, April 2021 (2nd title)

Open for:

  • Minimum 1 student
  • Maximum 5 students

Description of the EOA module:

  • Training and professional preparation of an opera part, concluded with the performance of a fully staged opera production
  • Title to be performed: Lucia di Lammermoor by Gaetano Donizetti
  • This includes:
    • Singing lessons
    • Vocal coaching
    • Acting
    • Language coaching
    • Musical rehearsals with the conductor, pianists and orchestra
    • Scenic rehearsals with the stage director, conductor and pianists.

In order to study the specific roles of the production.

Kind of voice and role:

  • Mezzo (offered role: Alisa)
  • Bass (offered role: Raimondo)

* Roles will be announced together with the title

Specialty of this module in comparison with other courses in Europe:

Valencia is a major cultural centre and encourages immersion into the professional opera and music scene:  Palau de Les Arts Opera House, concerts and presentations by major international musicians,… In addition, there are many events and festivals throughout the year (i.e. Las Fallas). With a rich history in modern architectural masterpieces (City of Arts and Sciences), Valencia’s deep, multicultural roots, cosmopolitan flavour, and warm climate to make it a true Mediterranean gem.

Also, Valencia is one of Spain’s (and Europe’s) most affordable cities for student accommodation.

Name(s) of the professor(s) of this module:

  • Singing: Gloria Fabuel, Carlos López Galarza, Pilar Moral, Amparo Quevedo, Ofelia Sala, Charo Vallés
  • Opera coaches: Laïla Barnat, Carles Budó, Miquel Carbonell, Pablo García-Berlanga, Diego Sánchez
  • Conductor: Francesc Gamón
  • Stage director: Jaume Martorell

Possible extras beside the module:

  • Masterclasses
  • Concerts at different venues in Valencia
  • Opera sofa: Performance of opera highlights
  • Attending opera performances at Palau de Les Arts
  • Exchange and collaboration with other students of the Conservatory working on the same production.

Number of teaching / production hours of the EOA module:

A_Teaching: The first 6 weeks

  • Working with the singing teacher (individual classes)
  • Working with the opera coach (individual classes)
  • Working with the conductor and vocal coach (as a group)
  • Working with the stage director (as a group)

B_Production: The following 6 weeks

  • Ensemble rehearsals with the conductor
  • Stage-orchestra rehearsals
  • Performances at the Concert Hall of the Conservatory Superior of Music

25 ECTs

Entrance examination:

  • Via application form in EOA website.
  • Deadline 1: April 15th 2020
  • Deadline 2: September 15th 2020

The materials to submit with your application are:

  • CV
  • Repertoire
  • Two Videos (it can be a link to Youtube or any other platform)

Description of the final Examination:

Public performance of a fully staged chamber opera at the Concert Hall of the Conservatory Superior of Music

Total expenses of the EOA module per student and what is included / excluded in this price:

  • Free for students in Erasmus Programme
  • Module is available within an Erasmus exchange
  • Students must provide their own accommodation, meals and travelling costs.

Contact person:

Charo Vallés, Coordinator Master Operatic Performance master.opera@csmvalencia.es

By admin, ago

VAL 1. Performance of an operatic role in a fully staged chamber opera production

Period(s) of the EOA module in 2020-2021:

October, November, December 2020 (1st title)

Open for:

  • Minimum 1 student
  • Maximum 5 students

Description of the EOA module:

  • Training and professional preparation of an opera part, concluded with the performance of a fully staged chamber opera production.
  • Title to be performed: Les contes d’Hoffmann, by Jacques Offenbach
  • This includes:
    • Singing lessons
    • Vocal coaching
    • Acting
    • Language coaching
    • Musical rehearsals with the conductor, pianists and orchestra
    • Scenic rehearsals with the stage director, conductor and pianists.

In order to study the specific roles of the production.

Kind of voice and role:

  • Mezzo (offered role: Nicklausse)
  • Baritone (offered roles: Dapertutto, Coppelius, Miracle, Lindorf).

* Roles will be announced together with the title

Specialty of this module in comparison with other courses in Europe:

Valencia is a major cultural centre and encourages immersion into the professional opera and music scene:  Palau de Les Arts Opera House, concerts and presentations by major international musicians,… In addition, there are many events and festivals throughout the year (i.e. Las Fallas). With a rich history in modern architectural masterpieces (City of Arts and Sciences), Valencia’s deep, multicultural roots, cosmopolitan flavour, and warm climate to make it a true Mediterranean gem.

Also, Valencia is one of Spain’s (and Europe’s) most affordable cities for student accommodation.

Name(s) of the professor(s) of this module:

  • Singing: Gloria Fabuel, Carlos López Galarza, Pilar Moral, Amparo Quevedo, Ofelia Sala, Charo Vallés
  • Opera coaches: Laïla Barnat, Carles Budó, Miquel Carbonell, Pablo García-Berlanga, Diego Sánchez
  • Conductor: Francesc Gamón
  • Stage director: Jaume Martorell

Possible extras beside the module:

  • Masterclasses
  • Concerts at different venues in Valencia
  • Opera sofa: Performance of opera highlights
  • Attending opera performances at Palau de Les Arts
  • Exchange and collaboration with other students of the Conservatory working on the same production.

Number of teaching / production hours of the EOA module:

A_Teaching: The first 6 weeks

  • Working with the singing teacher (individual classes)
  • Working with the opera coach (individual classes)
  • Working with the conductor and vocal coach (as a group)
  • Working with the stage director (as a group)

B_Production: The following 6 weeks

  • Ensemble rehearsals with the conductor
  • Stage-orchestra rehearsals
  • Performances at the Concert Hall of the Conservatory Superior of Music

25 ECTs

Entrance examination:

  • Via application form in EOA website.
  • Deadline 1: April 15th 2020
  • Deadline 2: September 15th 2020

The materials to submit with your application are:

  • CV
  • Repertoire
  • Two Videos (it can be a link to Youtube or any other platform)

Description of the final Examination:

Public performance of a fully staged chamber opera at the Concert Hall of the Conservatory Superior of Music

Total expenses of the EOA module per student and what is included / excluded in this price:

  • Free for students in Erasmus Programme
  • Module is available within an Erasmus exchange
  • Students must provide their own accommodation, meals and travelling costs.

Contact person:

Charo Vallés, Coordinator Master Operatic Performance master.opera@csmvalencia.es

By admin, ago

GEN 4. Opera Coaching for Pianists

Period of the EOA module in 2020-2021

  • September 21st, 2020 – January 24th, 2021

OR

  • February 19th, 2021 – May 19th, 2021

Open for:

  • 1-2 piano students

Module for students currently studying for a bachelor, master’s or third cycle degree.

Content:

  • Opera coaching
  • Score reading
  • Singing lessons
  • Practice of opera coaching in several projects of the vocal department (participating and accompanying masterclasses, projects, lessons, stage- productions)
  • Construction of a target opera repertoire
  • Phonetics and operatic diction (French, English, German, Italian, Russian)
  • Knowledge of the international operatic world
  • Masterclass
  • Individual follow-up and personalized advice

Full methodology program concerning the preparation of opera professional coaching for pianists. Individual teaching with full recognition of the artistic potential and possibilities of each student in agreement with the international professional context.

Name(s) of the professor(s) of this module:

  • James Alexander (opera coaching)
  • Nina Uhari, Réginald Le Reun (practice of opera coaching)
  • Sacha Michon, Barbara Zanicchelli, Florence Millon-Krattenmacher (Phonetics and operatic diction)
  • Sacha Michon (Singing lessons)
  • Vincent Theyenaz, Celine Latour (Scores reading)

Possible extras:

  • Preparation of an entire role from opera repertoire, Nina Uhari, Graham Lilly
  • Grotowski’s Actor Training, Marc Mayoraz
  • Masterclasses and seminars
  • Conducting sessions, Celso Antunes
  • Chamber music (with singers), Guy-Michel Caillat
  • Baroque opera coaching (maestro al cembalo), Leonardo Garcia Alarcon

24 ECTS

100 hours

Entrance examination: Requiered repertoire: Contact the Dean: marcin.habela@hemge.ch

Description of the final examination:

  • Progress examination

Total expenses of the EOA module per student and what is included/ excluded in this price:

  • Full time module: free for students in Erasmus Programme (Swiss Mobility Programme)

Communication language: English and French

By admin, ago

GEN 3. Audition Training

Period of the EOA module in 2020-2021

September 21st, 2020– January 24th, 2021

Open for:

1-3 vocal students

Content:

  • Strategy of auditioning
  • Career strategy
  • Construction of a target repertoire according to the purpose of the auditions
  • Vocal technique and style coaching
  • Phonetics and operatic diction
  • Preparation of the auditions
  • Knowledge of the international operatic world
  • Simulation of the auditions
  • Masterclass
  • Training for participation in Vocal Competitions
  • Auditions for Swiss and International professional partners
  • Individual follow-up and personalized advice

Full methodology program concerning the preparation of all kind of auditions for Opera Houses, Agencies, Opera Studios, etc. Individual teaching with full recognition of the artistic potential and possibilities of each student in agreement with the international professional context.

Meetings with the recognized personalities of the operatic world and auditions for Swiss and international professional partners.

Name(s) of the professor(s) of this module:

  • Marcin Habela (career strategy)
  • Nina Uhari, Réginald Le Reun (preparation of the auditions and style coaching)
  • Florence Million-Krattenmacher, Melody Louledjian (methodology of the auditioning)
  • Sacha Michon (phonetics and operatic diction)

Vocal technique and style coaching: students choose one of the Vocal Department professors: Alexander Mayr, Maria Diaconu, Jeanne Roth, Stuart Patterson, Marcin Habela, Clémence Tilquin, …

Possible extras:

  • Preparation of an entire role from opera repertoire: Nina Uhari.
  • Grotowski’s Actor Training, Marc Mayoraz.
  • Masterclass and seminars
  • Chamber music

24  ECTS

100 hours

Entrance examination: Required repertoire

  • 4 different pieces from the international operatic repertoire

Description of the final examination:

  • Progress examination
  • Final simulation of the auditions

Total expenses of the EOA module per student and what is included/ excluded in this price:

  • Full time module: free for students in Erasmus Programme (Swiss Mobility Programme)

Communication language: English and French

By admin, ago

GEN 2. 20th and 21st Centuries and Contemporary Vocalities

Full time Module:

  • September 21st, 2020 – January 24th, 2021
    • or
  • February 19th, 2021 – Mary 19th, 2021

Open for:

  • Min. 1, max. 2 vocal students

Module for students currently studying for a bachelor, master’s or third cycle degree

Content:

  • Vocal technique and style coaching in contemporary repertoire.
  • Vocal improvisation and contemporary vocalities.
  • Vocal coaching.
  • Masterclass contemporary repertoire (methodology of scores lecture)
  • Contemporary Chamber Music
  • Public performances and discussion of all requirements of the chosen repertoire.

Full methodology programme about the different approaches to contemporary repertoire and contemporary vocalities. A choice of repertoire according to the student’s needs. Individual teaching with full recognition of the artistic potential and possibilities of each student.

Name(s) of the professor(s) of this module:

  • Marcin Habela, Jeanne Roth, Alexander Mayr (vocal technique and style coaching)
  • Eric Trémoilières (vocal improvisation and contemporary vocalities)
  • Juliette de Banes Gardonne (contemporary vocalities)
  • Nina Uhari (vocal coaching)
  • Luisa Castellani, Juliette de Banes GArdonne(masterclass contemporary repertoire)
  • Guy-Michel Caillat (Contemporary Chamber Music)

Possible extras:

  • Preparation of an entire role from 20th-century or contemporary opera repertoire, Nina Uhari.
  • Grotowski’s Actor Training, Marc Mayoraz.
  • Masterclass and seminars.
  • Professional Practice (career strategy, preparation for auditions and auditions at artistic institutions in Switzerland)

24 ECTS

100 hours

Entrance examination: Requiered repertoire

  • 4 different pieces from the 20th century and Contemporary repertoire

Description of the final examination

  • Progress examination

Total expenses of the EOA module per student and what is included/ excluded in this price:

  • Full time module: free for students in Erasmus Programme (Swiss Mobility Programme)

Communication language: English and French

By admin, ago

GEN 1. French Repertoire

Full time Module:

  • September 21st, 2020 – January 24th, 2021

OR

  • February 19th, 2021 – May 19th, 2021

Open for:

  • Min. 1, max. 2 vocal students

Content:

  • French phonetics (theory and practice)
  • French phonetics coaching
  • French repertoire and opera coaching
  • Vocal technique and style coaching in French repertoire
  • Stage work – French opera
  • Masterclass – French repertoire

Public performances and discussion of all requirements of the chosen repertoire

Specialisation in French opera with full linguistic and stylistic background. Choice of repertoire according to student’s needs. Individual teaching with full recognition of the artistic potential and possibilities of each student.

Name(s) of the professor(s) of this module:

  • Prof. Sacha Michon and Florence Million-Krattenmacher (French phonetics & coaching).
  • Nina Uhari (French repertoire and opera coaching).
  • Vocal technique and style coaching: students choose one of the Vocal Department professors: Marcin Habela, Maria Diaconu, Jeanne Roth, Stuart Patterson, Clémence Tilquin…
  • Marc Mayoraz (stage work)
  • Masterclass

Possible extras:

  • Preparation of an entire role from French opera repertoire: Nina Uhari.
  • Grotowski’s Theater Training, Marc Mayoraz.
  • French Baroque Coaching, sessions: Dorota Cybulska
  • French Baroque Opera Coaching, sessions: Leonardo Garcia Alarcon (with the participation of the Maestro al Cembalo class of the Early Music Department)
  • French Contemporary Vocality and Repertoire: Marcin Habela
  • French Chamber Music: Guy-Michel Caillat
  • Masterclass and seminars
  • Professional Practice (career strategy, preparation for the auditions and auditions for artistic institutions in Switzerland)

24 ECTS

Entrance examination: Required repertoire:

  • 1 aria in French
  • 1 aria free choice
  • 2 French melodies

Description of the final examination:

  • Progress examination
  • and final public performance (only in Full time module)

Total expenses of the EOA module per student and what is included/ excluded in this price:

  • Full time module: free for students in Erasmus Programme (Swiss Mobility Programme)

Communication language: English and French

By admin, ago