Acting

LOD 1. Francesco Cavalli – L’egisto – Concert Performance

Period of the EOA module in 2024-2025:

  • Spring Semester 2025: March – May

Professional training and musical preparation of a role in Cavalli’s L’Egisto. An intensive period of training and rehearsing finalised with the public performance of a concert version of the opera.

This includes:

  • Vocal coaching / stylistic background (theory of the affects, parlar cantando and the beginnings of the art of bel canto, early Italian ornamentation)
  • Language coaching
  • Musical rehearsals with the conductor/harpsichordist and orchestra

Final performance with the conductor and orchestra.

Names of the professors of this module:

  • Liliana Stawarz (Polish Royal Opera) – conductor/musical direction/harpsichord/baroque coaching
  • Anna Werecka and Adam Kamieniecki – vocal and baroque coaching – theory of the affects and rhetoric, parlar cantando, ornamentation, vocal technique
  • Urszula Kryger, Bartosz Szulc – vocal technique

Possible extras besides the module:

  • Baroque Program – supplementary seminars devoted to Theory of the Affects and Ornamentation
  • All concerts and events produced by University of Music in Lodz (free admission for EOA students)
  • Participation in selected concerts and activities of Vocal Department (upon your choice)

Minimum and maximum number of students:

1 – 12 max

Kind of voice and role:

  • Tenor – Egisto
  • Tenor – Hipparco
  • Soprano – Climene
  • Soprano – Clori
  • Soprano – L’Aurora/Amore/Ora prima
  • Soprano – Bellezza/Semele/Ora seconda
  • Soprano – Voluptia/Fedra/Ora terza
  • Soprano – Venere/Hero/Ora quarta
  • Mezzosoprano – Dema
  • Mezzosoprano – La Notte/Didone
  • Bass – Lidio
  • Bass – Apollo

Specialty of this module in comparison with other courses in Europe

  • The module gives the possibility of acquiring specialized training in the area of early baroque music.

Possible extras besides the module:

  • Baroque Program – supplementary seminars devoted to Theory of the Affects and Ornamentation
  • All concerts and events produced by the University of Music in Łódź (free admission for EOA students)
  • Participation in selected concerts and activities of Vocal Department (upon your choice)

Description of the final examination

  • Public performance of opera fragment/s

Number of teaching / Production hours

From 20 – 30 hours per week

Teaching:

  • Working with the vocal coaches
  • Working with the conductor

Production:

  • Ensemble rehearsals with singers and the conductor
  • Ensemble rehearsals with singers, the conductor and full orchestra
  • Final performances

Number of ECTS:

25 ECTS

Entrance examination:

Contact the coordinator:

Anna Werecka

anna.werecka-gryc@amuz.lodz.pl 

The following attachments shall be submitted with the application:

  • CV
  • Repertoire list
  • Two videos (for example via YouTube)
  • Repertoire for the application:
  1. one fragment of Cavalli’s Egisto or any piece from the early 17th century (Caccini, Monteverdi etc.)
  2. one aria upon your choice.

Description of the final Examination

Public performance of a concert version of the opera at the Concert Hall of the University of Music in Łódź.

Student: 

Singer

Language: 

English, Italia

Activity:

Training / Operatic practice / Performance

Total expenses of the EOA module per student and what is included/excluded in this price

  • Module is available within an Erasmus exchange.

Note! Please, contact your Erasmus office as early as possible to be qualified in time for the Erasmus scholarship. All qualified Erasmus candidates must be first nominated by the Erasmus office of the sending institution – international@amuz.lodz.pl

  • Module could be also available as postgraduate studies. The fee is then approx. 2000 EUR (travel and living costs not included).

Deadline for applications

  • 1st deadline: 30 May 2024
  • 2nd deadline: N/A

Date for expected answers

  • 1st deadline: 30 June 2024
  • 2nd deadline: N/A
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VAL 2. Performance of an operatic role in a fully staged opera production

(Title to be announced)

Period of the EOA module in 2024-2025:

  • From 08 January 2025 to 14 April 2025 (Easter holidays from 29 March to 08 April 2025)

Description of the EOA module:

Professional training and preparation for an opera role, concluding with the performance of a fully staged opera production (title to be announced).

This includes:

  • Singing lessons
  • Repertoire lessons
  • Acting
  • Language coaching
  • Musical rehearsals with the conductor, pianists and the orchestra.
  • Stage rehearsals with the stage director, the conductor and the pianists.

In order to study the specific roles of the production.

Kind of voice and role (Title and roles to be announced):

  • Tenor
  • Baritone
  • Bass

Speciality of this module in comparison with other courses:

Valencia is a major cultural centre and encourages immersion into the professional opera and music scene:  Palau de les Arts Opera House, concerts and presentations by major international musicians.

In addition, there are many events and festivals throughout the year (i.e. Las Fallas). With a rich history in modern architectural masterpieces (City of Arts and Sciences), Valencia’s deep, multicultural roots, cosmopolitan flavor, and warm climate to make it a true Mediterranean gem.

Also, Valencia is one of Spain’s (and Europe’s) most affordable cities for student accommodation.

Names of the professors of this module:

  • Singing: Gloria Fabuel, Carlos López Galarza, Pilar Moral, Amparo Quevedo, Ofelia Sala, Charo Vallés
  • Opera coaches: Carles Budó, Francesc Gamón, Pablo García-Berlanga, Adrià Gràcia, Diego Sánchez, Miquel Carbonell,
  • Conductor: Juan Pablo Hellín
  • Stage director: Jaume Martorell, Araceli Bergillos

Possible extras besides the module

  • Masterclasses
  • Concerts at different venues in Valencia
  • Opera sofa: Performance of opera highlights
  • Attending opera performances at Palau de les Arts
  • Exchange and collaborate with other students of the Conservatory working on the same production.

Minimum and maximum number of EOA students

  • Minimum 1 student
  • Maximum 3 students

Number of teaching/production hours of the EOA module:

Teaching: The first 8 weeks

  • Working with the singing teachers
  • Working with the opera coaches
  • Working with the conductor and vocal coaches
  • Working with the stage director and vocal coaches

Production: The following 4 weeks

  • Ensemble rehearsals with the singers and conductor
  • Ensemble rehearsals with the singers and stage director

Number of ECTS within master accreditation:

25 ECTS

Entrance examination:

Contact the coordinator:

Charo Vallés

master.opera@csmvalencia.es

The materials to submit with your application are:

  • CV
  • Repertoire
  • Two Videos (it can be a link to YouTube or any other platform)

Deadline:

  • 1st deadline: 01 June 2024
  • 2nd deadline: 15 September 2025

Date for expected answers:

  • 1st deadline: 15 June 2024
  • 2nd deadline: 30 September 2024

Description of the final Examination:

Public performance of a fully staged chamber opera at the Concert Hall of the Conservatory Superior of Music

Teaching language:

Spanish, English, Italian, French and German

Total expenses of the EOA module per student and what is included/excluded in this price:

  • Free for students in Erasmus Programme
  • Module is available within an Erasmus exchange
By admin, ago

VAL 1. Performance of an operatic role in a fully staged chamber opera production (Singers)

Title/s to be announced

Period of the EOA module in 2024 – 2025:

From 01 October 2023 to 22 December 2024

Description of the EOA module:

Professional training and preparation for an opera role, concluding with the performance of a fully staged chamber opera production (title to be announced).

This includes:

  • Singing lessons
  • Repertoire lessons
  • Acting
  • Language coaching
  • Musical rehearsals with the conductor, pianists and/or instrumental ensemble.
  • Stage rehearsals with the stage director, the conductor and the pianists.
  • Performance with piano accompaniment or instrumental ensemble

In order to study the specific roles of the production.

Kind of voice and role (Title and roles to be announced):

  • Tenor
  • Baritone
  • Bass

Speciality of this module in comparison with other courses:

Valencia is a major cultural centre and encourages immersion into the professional opera and music scene:  Palau de les Arts Opera House, concerts and presentations by major international musicians.

In addition, there are many events and festivals throughout the year (i.e. Las Fallas). With a rich history in modern architectural masterpieces (City of Arts and Sciences), Valencia’s deep, multicultural roots, cosmopolitan flavor, and warm climate to make it a true Mediterranean gem.

Also, Valencia is one of Spain’s (and Europe’s) most affordable cities for student accommodation.

Names of the professors of this module:

  • Singing: Gloria Fabuel, Carlos López Galarza, Pilar Moral, Amparo Quevedo, Ofelia Sala, Charo Vallés
  • Opera coaches: Carles Budó, Francesc Gamón, Pablo García-Berlanga, Adrià Gràcia, Diego Sánchez, Miquel Carbonell,
  • Conductor: Juan Pablo Hellín
  • Stage director: Jaume Martorell, Araceli Bergillos

Possible extras besides the module:

  • Masterclasses
  • Concerts at different venues in Valencia
  • Attending opera performances at Palau de les Arts
  • Exchange and collaboration with other students of the Conservatory working on the same production

Minimum and maximum number of EOA students

  • Minimum 1 student
  • Maximum 3 students

Number of teaching/production hours of the EOA module:

Teaching: The first 8 weeks

  • Working with the singing teachers
  • Working with the opera coaches
  • Working with the conductor and vocal coaches
  • Working with the stage director and vocal coaches

Production: The following 4 weeks

  • Ensemble rehearsals with the singers and conductor
  • Ensemble rehearsals with the singers and stage director

Number of ECTS within master accreditation:

25 ECTS

Entrance examination:

Contact the coordinator:

Charo Vallés

master.opera@csmvalencia.es

The materials to submit with your application are:

  • CV
  • Repertoire
  • Two Videos (it can be a link to YouTube or any other platform)

Deadline:

  • First: 01 June 2024
  • Second: 01 September 2024

Date for expected answers:

  • 1st deadline: 15 June 2024
  • 2nd deadline: 15 September 2024

Description of the final Examination:

  • Public performance
  • Permanent Artistic Evaluation

Teaching language:

Spanish, English, Italian, French and German

Total expenses of the EOA module per student and what is included/excluded in this price:

  • Free for students in Erasmus Programme
  • Module is available within an Erasmus exchange
By admin, ago

STO 4. Full Opera production

Period of the EOA module in 2024 – 2025:

Spring semester 2025:

  • February 20th -june 8th 2025 (with possibility to begin from 20/1 2025 for the full term)
  • Open to: 1 or 2 vocal students

This course offers an opportunity to perform an opera role in a full- scale production with a professional symphony orchestra at a Swedish theatre. The module consists of a period of musical preparation with vocal coaching and musical interpretation sessions, followed by role analysis and stage rehearsals, led by a professional director and conductor. The performance is produced with orchestra, sets, lighting, costume and make up.

The repertoire will be decided in Autumn 2024.

Name(s) of the professor(s) of this module

  • Stina Ancker, Assistant professor of music dramatic performance
  • Majsan Dahling, Lecturer of musical interpretation
  • Martin Hellström, Assistant Professor of musical interpretation

Possible extra’s beside the module:

  • Seminars on aspects of opera as an artform and of the opera singer’s profession
  • Audition training
  • Individual artistic reflection project (documented by short essay) under supervision

ca. 170 hours

24-30  ECTS

Entrance examination:

We choose our EOA-students via recorded material. With the application we need recordings of sound and video.

Formats:

  • Sound: Wav or AIFF
  • Video: Mov or mp4 

Description of the final Examination:

Students are examined through the staged performance and through a group seminar on the learning outcomes of the course.

Teaching language/ Required level of language:

  • Communication language: EN, level 5

Total expenses of the EOA module per student and what is included/excluded in this price:

  • There are no tuition fees for EU/EES citizens
By admin, ago

STO 3. Opera performance with orchestra and conductor

Period of the EOA module in 2024 – 2025:

  • Spring semester 2025:

    • January 20th-March 20th 2025 (with possible extension to 8/6 2025 for the full term)

    Open for:

    • 1 to 3 vocal students

    In this module, the student singers work in a production in cooperation with student conductors and musicians from the Royal College of Music in Stockholm and a professional stage director.

    The repertoire for the project will consist of longer excerpts from 2-3 different operas, conceptually merged into one opera performance. The module includes preparatory work,  musical rehearsals with our teachers in musical interpretation and the conductor students, as well as singing lessons.

    The course also contains language coaching, both individually and in group.

    A production period of 5-6 weeks follows, consisting of stage work and orchestral rehearsals leading up to a fully staged performance with lighting, costumes and makeup.

    Repertoire will be selected in mid autumn of 2024

    Name(s) of the professor(s) of this module:

    • Wilhelm Carlsson, Professor of music dramatic performance
    • Majsan Dahling , Lecturer of musical performance

    Ca 108 hours

    18 ECTS


    Possible extra’s beside the module:

    • Movement classes
    • Seminars on aspects of opera as an artform and of the opera singer’s

     

    Entrance examination:

    We choose our EOA-students via recorded material. With the application we need recordings of sound and video.

    Formats:

    • Sound: Wav or AIFF.
    • Video: Mov or mp4

     

    Description of the final Examination:

    Students are examined through the staged performance and through a group seminar on the learning outcomes of the course.

    Teaching language/ Required level of language:

    • Communication language: EN, level 5

    Total expenses of the EOA module per student and what is included / excluded in this price:

    There are no tuition fees for EU/EES citizens
By admin, ago

STO 2. Site specific opera performance

Period of the EOA module in 2024 – 2025:

  • 2nd of September-2nd of November 2024 (possible extension to 19/1 2024 for a full term )
  • Open for: 1 to 3 vocal students

In this module, the singer students explore how working in other venues and spaces than the opera theatre can influence the music-dramatic expression. The students work on selected Opera scenes with a stage director and an opera coach/pianist,  and bring their work into the chosen venue to  stage a performance for a small audience. The students, together with the  teachers,  take an active part in deciding how to use the chosen space and how to place the audience in the performance. The module, besides the stage work in preparation for the performance, includes singing lessons, musical interpretation sessions. It also includes coaching in Italian lyric diction where appropriate to the chosen repertoire. The repertoire is for the performance is chosen in June, in dialogue with the students.

The module can be extended to include the entire term january December with  work on a staged concert with conductor and piano or orchestra.

Name(s) of the professor(s) of this module:

  Stina Ancker,  Assistant professor of music dramatic performance

                    Martin Hellström, Assistant professor of musical performance

  1. 120 hours

13,5-30  ECTS

 

Possible extras:

  • seminars on aspects of opera as an artform and of the opera singer’s profession

  • seminars on artistic research

Entrance examination:

We choose our EOA-students via recorded material. With the application we need recordings of sound and video.

Formats:

  • Sound: Wav or
  • Video: Mov or mp4

Description of final examination:

  • Students are examined through the staged performance in the chosen space, through the staged concert and a subsequent reflective discussion in the group and individually

Teaching language/ Required level of language:

  • Communication language: EN, level 5

Total expenses of the EOA module per student and what is included / excluded in this price:

  • There are no tuition fees for EU/EES citizens
By admin, ago

STO 1. Italian opera scenes – language, expression, communication

Period of the EOA module in 2024 – 2025:

  • 2nd of September-2nd of November 2024 (possible extension to 19/1 2024 for a full term )
  • Open for: 1-3 vocal students

Explore the connections between language, music, acting and movement through scenes from Italian Opera and recitative. You will work with language, musical performance, acting, vocal skills and stage movement in parallel, often with several teachers cooperating in the same session. The module will contain:

  • Investigation of the influence of language on stage thought, action and performance
  • vocal coaching and musical preparation of opera scenes in original language, individually and in group
  • Practical role analysis and stage work
  • Stage movement classes
  • An intensive course focusing on the secco recitative. The course gives methods for preparation, musically and language-wise, as well as methods for achieving spontaneity and meaning in the performance of recitative through improvisational methods
  • Performing arias and select ensembles in a concert with orchestra
  • Performing opera scenes with piano in our studio theatre

The repertoire is selected to suit the students in the course. The repertoire will be discussed and decided in June 2024.

Name(s) of the professor(s) of this module

  • Patrik Sörling, stage director, assistant professor of stage movement
  • Giuseppina Penta, language coach, senior lecturer of Italian lyric diction
  • Christine Morgan, assistant professor of musical interpretation

  1. 120 hours

 

13,5- 30 ECTS

Possible extra’s beside the module:

  • Seminars on opera as an artform and the opera singer’s profession with invited guests from the professional field
  • Seminars on performance psychology for singers

Entrance examination:

We choose our EOA-students via recorded material. With the application we need recordings of sound and video.

Formats:

Sound: Wav or AIFF. Video: Mov or mp4

Description of the final Examination:

Students are examined through the performance of  the Italian opera scenes, a concert with orchestra and through a reflective seminar.

Teaching language/ Required level of language:

Communication language: EN, level 5

Total expenses of the EOA module per student and what is included / excluded in this price:

  • There are no tuition fees for EU/EES citizens
By admin, ago

POR 2. Performance of an Operatic Role in fully staged Opera Production with orchestra

Period of the EOA module in 2024-2025:

  • 11 of March to 16 of July 2025

The Opera Production for 2024-2025: 

  • TBC

Open for:

1-4 vocal students (Soprano, Mezzo, Tenor, Baritone, Bass)

Content:

The module aims for students to work on performing a role and learn to co-operate with conductors, directors and other professional groups through the performances and participation on a fully staged opera.

The Opera for this year is still in negotiation with the National Theatre of Porto: TNSJ and it will be fully announced soon.

Specialty of this module in comparison with other courses in Europe

EOA students will participate in this fully staged work and will receive vocal coaching and acting to prepare the specific roles of this production. It will make the EOA student aware of the full teamwork and cooperation that an opera production requires, and it will make the singer aware of the interaction of all the EOA Modules 2024-2025, and how different areas are involved in an opera presentation (implementation of the set design, costumes, light, production, staging, orchestra, etc.)

Possible extras: 

Students may attend one, or both, of these theoretical seminars on the subject of Opera and Performance:

  1. Opera communication systems in history and in actuality: a sociological approach. Seminar given by Prof. Dr. Francisco Melo – Professor of History and Esthetics, at ESMAE
  2. The Psychology of Performance – The underlying psychology to the study of operatic roles and other issues in opera. This Seminar will be given by Prof. Dr. Daniela Coimbra (PhD) – Professor on Psychology of Music, at ESMAE.

Besides that, Porto is a culturally interesting and beautiful city. Here you can profit from the musical and cultural activity at Casa da Música of Porto, a very active cultural point in the city, as well as the Teatro Nacional de São João, Rivoli Theatre and the Coliseum of Porto.

Number of teaching/production hours of the EOA module

10 -12 hours of individual tuition & 45 hours of group work.

Number of ECTS

20 ECTS

Entrance examination

Video recording or link to video recording

Description of the final examination

Public performance on stage with piano.

Teaching language

English – level 3

Total expenses of the EOA

1) This module is available within Erasmus exchange (Master´s level) only during the academic year 20234/25.

2) Prices are applicable for 2024-2025.

3) Prices do not include travel or living expenses

By admin, ago

POR 1. Preparing Operatic Roles

Methodology: Improvisation, Movement, Vocality and E-Motion Arousal as a Body and Vocal approach to Opera Singing and Opera Making

 

Period of the EOA module in 2024 – 2025: 

08 October 2024 to 28 January 2025

Open for:

1-3 vocal students

Description of the module: 

a. Vocal Performance with Technical Supervision 

The aim of this section of the module is to facilitate vocal improvement through the use of improvisation, movement, emotional arousal accurate vocal technique in accordance with the preparation and performance of specialized operatic repertoire (from Baroque to Contemporary repertoire. Special attention will be given to technical problems, vocal characterization, style and interpretation as well as performance practices. The focus of this module will also be on vocal improvement and on vocal technique within the preparation and performance of operatic roles. The emphasis is on artistry and the process of the vocal training through the preparation of operatic roles). Other genres of vocal repertoire such as Lied, Song and Chanson may also be part of a specialized vocal study. This module has as the goal to enable the student autonomy, both in achieving methodological processes as well as the consolidation of a vocal as well as an artistic identity.

Names of the professors of this module:

  • António Salgado
  • Rui Taveira

B. Acting for Singers in the Preparation of Operatic Roles 

The aim of this section of the module is to facilitate the student’s artistic autonomy both in methodological processes as well as the consolidation of an artistic identity. Through an organization of their knowledge and skills (creative, sensory and cognitive) the student will be able to develop interpretative operatic roles taking in account previous dramaturgic assumptions for the purpose of live performance.

  • Master a variety of techniques of movement and acting.
  • Develop somatic and emotional body-mind approaches to performance practice
  • Increase awareness of the poetic universe of the performer
  • Develop the singular nature of each opera singer during live performance and during collective interaction.

The main purpose of this module is to consolidate the performer skills, giving a particular focus to the work on stage in the interaction with the director and the maestro. Issues of scenic presence in relation with the scene/stage will also be explored. Scenic experimentation through body movement, improvisation, vocality and the arousing of emotion will bring the student a new approach to Opera and Opera making. This module will enable the student to experience a live performance in front of an audience.

Names of the professors of this module:

  • Claire Bynion
  • António Salgado
  • Claudia Marisa
  • António Durães

Minimum and maximum number of EOA students

1-3 vocal students

Number of teaching/production hours of the EOA module

10-12 hours of individual tuition & 45 hours of group work

Number of ECTS within master accreditation

20 ECTS

Entrance examination

Video recording or link to video recording

Description of the final examination

Public performance on stage with piano

Teaching language

English – level 3

  • This module is only available within Erasmus exchange (Master´s level), during the academic year 2023/24.
  • Students must provide their own accommodation, meals and travelling cost
By admin, ago

PAR 2. Opera buffa in the 18th Century (singers)

Period of the EOA module in 2024-2025:

ERASMUS students (SMS and STT) may choose a mobility within one semester (or both)

  • Winter Semester: 1 October 2024 – 2nd week of February 2025
  • Spring Semester: 3rd week of February 2025- 30 of June 2025

Description of the EOA Module

This module guides the student through a path of vocal and scenic interpretation of one or more scenes from eighteenth-century Opera Buffa’s repertoire: Pergolesi, Cimarosa, Paisiello or Rossini (preferably his “Farces in one act”)

  • Analysis, study and full understanding of the libretto(s) and character(s) chosen. 
  • Vocal technique and style coaching in Opera Buffa repertoire. 
  • Advanced Italian pronunciation and diction classes. 
  • Specific lessons on Recitativo. 
  • Individual coaching and group work: vocal and score lessons and group work on Scenic Art (Training of the actor’s body, physical and gestural laboratory). 
  • Preparation for final exam and concert(s).

Classes will be held in Italian and English.

ERASMUS students have to choose other courses (e.g. Opera History, Poetic and Dramatic Literature, etc.) among those annually proposed by the Conservatory, to reach the total number of required credits.

Special attention will be given to the study of proper Italian diction and pronunciation with native Italian teachers, in building the chosen Opera Buffa character (both scenic and vocal) with full linguistic and stylistic background. Special focus on Recitativo.

Kind of voice and role

All kind of voices suited for Opera Buffa repertoire.

Specialty of this module in comparison with other courses in Europe

A full immersion into Italian opera together with the opportunity to develop the best practice in Italian language applied to opera. Choice of repertoire (title and characters) according to student’s needs. Exchange and collaboration with other students of the Conservatory (from all over the world) working on the same repertoire.

 A unique opportunity to fully immerse themselves in the rich operatic music culture of the territory, attending places of unique musical interest, within the Conservatory (Musical Section of Libreria Palatina, Boito’s Studio and Toscanini’s Studio) or in the immediate nearby of it (the Library of the Istituto Nazionale di Studi Verdiani, the Museo dell’Opera, the Casa della Musica etc).

Possible extras in addition to this module:

Upon request a little tour of the main “music treasures” of Verdi’s land: the birthplace of Verdi and Villa Sant’Agata, the Toscanini Museum, the worldrenowned Teatro Regio, the beautiful Teatro Farnese (17th century), the Casa del Suono, etc. Opportunity to join English Course level B1 or B2 in second semester. 

Open for:

Max 5

Name(s) of the professor(s) of this module:

  • Romano Franceschetto, Lucetta Bizzi and Teaching staff (Vocal coach) from the Singing and Music Theatre Department of the Conservatory
  • Roberta Faroldi (diction and actor’s work)
  • Riccardo Mascia (Recitativo coach, Score and Repertoire)
  • Claudia Rondelli, Roberta Ropa, Laura Soracco, Luca Sabatino (Score and Repertoire)

Description of final examination:

Performance    of    an    operatic    full    Opera Buffa   scene    in    front    of    a    jury.    The examination may coincide with a public concert.

Number of teaching / teaching hours

60h of teaching (individual lessons + group lessons) per semester

Number of ECTS within master accreditation

Min 24 ECTS/semester (but possibly increasing according to the Learning Agreement).

Entrance examination

Online examination through the Application, that needs to include:

  • CV
  • Repertoire
  • Videos
  • Motivational letter (optional)

Teaching language/Required level of language

Italian (min A2 to be improved) and English (B2).

Total expenses of the EOA module per student and what is included/excluded in this price

Erasmus students (SMS) only. No extra fees.

Deadline for applications

  • 1st deadline: 30 April 2024
  • 2nd deadline: 15 October 2024

Date for expected answers

  • 1st deadline: 30 June 2024
  • 2nd deadline: 15 December 2024

By admin, ago