REY 2. Opera Ensemble Workshop: Mozart – Blended Intensive Programme

In this Blended Intensive Programme the IUA’s Music department created a workshop to train young opera singers on how to prepare and work on Mozart-ensemble. For this BIP, IUA Reykjavík has worked together with SKH Stockholm and ESMAE Porto. 

                   

Overview of the course:

Period: autumn semester, 26.-30. September 2022

 

Subject: Big ensembles from Mozart operas*:

 

Deadline for applications: 20th April 2022

Voice / roles:

  • 7 sopranos
  • 2 mezzo-sopranos
  • 3 tenors
  • 3 baritons
  • 3 bass baritons
  • 3 bass
Repertoire

Don Giovanni – Finale I, no.13

“Presto, presto, pria ch´ei venga”

  • Masetto (bass baritone)
  • Donna Anna (soprano)
  • Donna Elvira (mezzosoprano)
  • Don Ottavio (tenor)
  • Don Giovanni (baritone)
  • Zerlina (soprano)
  • Leporello (bass baritone)

Così fan tutte – Finale I, no.18

Ah! Che tutta in un momento”

  • Fiordiligi (soprano)
  • Dorabella (mezzosoprano)
  • Despina (soprano)
  • Fernando (tenor)
  • Gugliemo (baritone)
  • Don Alfonso (bass baritone)

Le nozze di Figaro – Finale 2.act, no.16

Signori, di fuori…”

  • Susanna (soprano)
  • La Contessa (soprano)
  • Marcellina (soprano),
  • Basilio (tenor)
  • Il Conte (baritone)
  • Antonio (bass)
  • Bartolo (bass)
  • Figaro (bass)
How is the Blended Intensive programme organised?

The Blended Intensive Programme consists of 3-week virtual component and 1-week Physical activity organised as follows:

Virtual component: 

Online lectures: 1 x week, a total of 3 sessions

  • Week #1 – online lectures: Getting to know the story/caracters. How to prepare?
  • Week #2 – online lecture: Getting to know the style/Mozart. How to sing?
  • Week #3 – online lecture: Getting to know the language. How to sing italian?

Students will get 3-4 online lectures and assignments to prepare before the intensive work-week in Reykjavík. Each participant will work individually on the project as well as in collaboration with with each other. They will get training in character development, and the incorporation of foreign language in opera while working as part of an ensemble. This component also relies on the students forming groups around each scene(project) and collaborating independently online so they can make the most of their learning during the intensive week in Reykjavik.

 

Physical activity

Intensive Opera Workshop, from 26th to 30th September, 2022

  • Week #4 – Intensive Opera-Workshop in Reykjavik

This Opera-Workshop is about working as you would in an operatheater, re-exploring familiar opera-ensembles and find a way to surprise and challenge ourselfs. This is also an opportunity getting to know each other, getting to know different approaches and culture and  building up collaboration and network. The future aim is that the opera-workshop will become a regular collaboration between music universities in Europe in the years to come.

On-site teaching, preparation in each partner institution

Teaching location: IUA Reykjavík, Skipholt 31, music department, Dynjandi lecture hall

Participants: Students of the IUA singing program as well as at least 15 travelling students from partner schools run by EOA.

The coursework includes:

  • Language /diction work
  • Translation, basic music-dramatic structure
  • Musical work with coach, conductor, voice-teachers
  • Exploring the possibilities for basic dramaturgy in the scenes, with the help of movement and improvisation
  • playing with movement and communication between the singers

Mentors:

  • Carolien Drewes (Correpetiteur den Haag)
  • Matthildur Anna Gísladóttir (Correpetiteur  Vocal Performance IUA)
  • Ólöf Ingólfsdóttir (Bodywork, movement, Reykjavík)
  • Martin Hellström (Stockholm University for the arts, opera department)
  • Hanna Dóra Sturludóttir (IUA, Head of Vocal Performance)
  • Antonio Salgado (Head of Vocal studies at ESMAE, Porto)
  • N.N. conductor (ESMAE, Porto)

Click here to download the full description of the BIP and the Week Plan of the Workshop BIP

Practical information:

IUA has recieved organistional support from ERASMUS BIP Funding to develop this programme.

The sending institutions will apply for their own ERASMUS KA131 for the mobility of their participants.

PAR 4. Piano Accompaniment and Opera Coaching (Pianists, Traineeship for pianists)

Period of the EOA module in 2022-2023

ERASMUS students (STT) may choose a mobility of minimum 3 maximum 6 months during the academic year 2022-2023

Description

This module offers an entirely specific traineeship for piano accompaniment of voice and opera scenes, designed for pianists who consider a future in the world of opera by adding to their curriculum a first work experience in this various and challenging environment. Trainees will accompany singers on the piano in different settings:

  • singing lessons,
  • scenic interpretation lessons,
  • staging
  • preparation for exams and concerts and during public performances. This always under supervision of a tutor.

The goal is to improve the knowledge of opera repertoire and to practice the specific skills requested.

The trainee will receive weekly tasks from the coordinator of piano accompaniment.

A module for professional pianists who wish to broaden their knowledge of the operatic repertoire in compliance with all the specific attitudes. With a full immersion into Italian opera together with the opportunity to develop the best practice in Italian language applied to opera. To exercise, develop and improve their skills as a pianist in accompanying different voice parts.

Specialty of this module in comparison with other courses in Europe

A full immersion into Italian opera together with the opportunity to develop the best practice in Italian language applied to opera. To exercise, develop and improve their skills as a pianist in accompanying different voice parts.

Exchange and collaboration with other students of the Conservatory.

A unique opportunity to fully immerse themselves in the rich operatic music culture of the territory, attending places of unique musical interest, within the Conservatory (Musical Section of Libreria Palatina, Boito’s Studio and Toscanini’s Studio) or in the immediate nearby of it (the Library of the Istituto Nazionale di Studi Verdiani, specialised in 19th century opera and music in general, with particular emphasis on the life and work of Giuseppe Verdi, the Museo dell’Opera, the Casa della Musica, Teatro Regio, etc.).

Name(s) of the professor(s) of this module:

  • Nicola Mottaran (Coordinator of Piano accompaniment)
  • Fabio Ferrucci (Tutor)
  • Teaching staff from the Singing and Music Theatre Department of the Conservatory

Possible extras in addition to this module:

Upon request a little tour of the main “music treasures” of Verdi’s land: the birthplace of Verdi and Villa Sant’Agata, the Toscanini Museum, the world renowned Teatro Regio, the beautiful Teatro Farnese (17th century), the Casa del Suono, etc. Opportunity to join Italian Course level A2+B1 in the first semester or English Course level B1 or B2 in second semester. October is the month of the Parma Verdi Festival. Facilities are offered to enrolled students who want to experience a show at the Teatro Regio and/or other planned locations.

 

Open for: 1-5 (no max limit)

Number of teaching/production hours of the EOA module

Semester 200 hours (about 10 hours per week)

Number of ECTS within master accreditation: depending to the effective number of hours done

Entrance examination:

Online examination through the Application, that needs to include:

  • CV
  • Repertoire
  • Videos
  • Motivational letter (optional)
  • Deadline:
    • 15th April 2022
    • 15th September 2022

Description of final examination:

30 minutes performance in piano accompaniment of voice (and/or opera scenes)

Teaching language/Required level of language

Italian (min A2 to be improved) and English (B2)

Total expenses of the EOA module per student and what is included/excluded in this price

Erasmus students (STT) only. No extra fees.

LOD 1. CPL – Contemporary Performance Laboratory

Period of the EOA module in 2022-2023:

February 15th, 2023 – May 31st, 2023

Description of the module

This module allows to use all potential of vocal and kinaesthetic art in the area of contemporary music including performative arts like improvised singing, dancing and actings. Module 1 is strongly connected with expanding voice and body abilities during and artistic creation. Inspired by postulate of Jerzy Grotowski and his Laboratory Theatre the module will give to the young artist an extraordinary way of creating a role by using all the gamut of stage expression.

The module is dedicated to singers and dancers. It is based on discovering an archetypical primeval intentions and visions as a main factor in creating an artistic performance.

The module includes singing and dance lesson, musical improvisation, movement and dance improvisation, performative arts laboratory, working with piano coach, full breath & body & mind workshop, history of modern music educational programme.

Kind of voice and role

  • Every kind of voice
  • Every type of dancer (classical, modern)

Specialty of this module in comparison with other courses in Europe

Singing and dancing lessons. Performative actions including improvised singing, dance and acting in the area of contemporary music.

EOA students will be offered a tailor-made programme:

  • Singing lessons – vocal coaching
  • Practice with a pianist
  • Vocal ensemble
  • Musical preparation of opera scenes and artistic songs in the original language, individually and in a group
  • Practical role analysis and stage work

The module will contain investigation of the influence of the language on the interpretation of the role, stage acting and overall performance. We offer the opportunity for in-depth studies of the Polish modern opera repertoire with Polish-speaking teachers in a native language environment.

Names of the professors of this module:

  • Urszula Kryger
  • Beata Zawadzka-Kłos
  • Anna Werecka
  • Piotr Miciński
  • Przemysław Rezner
  • Agnieszka Łuczyńska
  • Michal Barczak

Possible extra’s beside the module

Career design, yoga, Polish language lesson, early music and many others

Minimum and maximum number of students:

2 – 6

Deadline for application: 

  • 15th April 2022
  • 15th September 2022

Description of the final examination:

Performance open to the audience in the end of the spring term

Total expenses of the EOA module per student and what is included / excluded in this price:

  • Module is available within an Erasmus exchange (SMS or SMP). Please, note that students must provide their own accommodation, meals and traveling costs.

Note! Please, contact your Erasmus office as early as possible in order to be qualified in time for Erasmus scholarship.

  • Module could be also available as postgraduate studies. The fee is then approx. 2000 EUR (travel and living costs not included).

Language: 

English, Italian, German

FLO 1. A room with a view on the Italian Belcanto

Period of the EOA module in 2022-2023:

  • January 23rd, 2023 – April 31st, 2023

Meet the Italian Belcanto tradition in the town that hosted the first operatic creation. An all-Italian experience on the operatic repertoire from Baroque to Verdi and Puccini. Voice lessons on style and technique, repertoire study with vocal coaches, Italian language and diction class, Opera class with acting and staging seminars, final concert with semi-staged performance of full operatic scenes.

Study repertoire:

  1. One leading role from an Opera in Italian
  2. A group of 3-4 arias in Italian, including recitativos and/or cabalettas if present and full scenes and ensembles from operas

Participants:

All voice types

Specialty of this module in comparison with other courses in Europe

We give the participants the possibility to develop their skills in the Italian language and diction in a very practical approach. We will concentrate on interpretation and performance of the most important Italian belcanto styles, from the early baroque “recitar-cantando”, the classic recitativo secco, accompagnato and virtuoso arias, to the Romantic “solita scena” (scena, aria and cabaletta) until the declamatory style of the late XIX composers (Verismo), depending on each singer vocal and musical needs. Our teachers and coaches have a long experience in the tuition of international students, as in our Vocal studies Faculty more than 50% of singers are from all the continents. Being in Firenze (Dante’s home town) allows you to absorb the good “reference” Italian diction directly from the people you will meet in the street, as the Florentine language is the basis of the modern Italian language.

Name(s) of the professor(s)

  • Voice teachers: Ester Castriota, Donatella Debolini, Gianni Fabbrini, Nemi Bertagni, M. Costanza Nocentini
  • Repertoire coaches: Antonella Bellettini, Ulla Casalini, Anna Toccafondi, Elisabetta Sepe, Andrea Severi, Daniela Freschi
  • Opera class / Acting: Francesco Torrigiani
  • Italian Diction: Francesco Torrigiani, Leonardo De Lisi
  • History of Opera: Guglielmo Pianigiani
  • Baroque vocal ensemble: Santina Tomasello
  • Chamber music & vocal ensembles: Leonardo De Lisi

Possible extras:

Masterclass with renown singers and opera directors.

Free entrance to rehearsals at Teatro del Maggio Musicale Fiorentino.

A short programme (incl. city tour) concentrating on special ‘musical’ aspects of the city: Palazzo Pitti (where Peri’s “L’Euridice” was created), Accademia Bartolomeo Cristofori (historic pianos), Museo degli Uffizi, Galleria dell’Accademia, etc.

Minimum and maximum number of EOA students:

4/12

Number of teaching / production hours:

Up to 20 hours/week

Number of ECTS within master:

3 months Module will award 24 ECTS

  • “Vocal technique and repertoire” 1-to-1 lessons, 6 ECTS
  • “Repertoire coaching with pianist” 1-to-1 lessons, 3 ECTS
  • “Opera class” (opera scenes staging), 3 ECTS
  • “Italian Diction for singers” lecture, 3 ECTS
  • “History of Opera” lecture, 3 ECTS
  • “Chamber music & vocal esemble” group, 3 ECTS
  • “Baroque vocal ensemble” group, 3 ECTS

ONLY Erasmus mobilities for studies or traineeship from EOA partners will be accepted

Entrance examination:

Before April 15th, 2022, by email erasmus@consfi.it only:

  1. Please, send a link to a recent performance of yours (from not more than 1 year ago) including at least: 2 operatic arias/scenes in Italian from Baroque to Puccini (it also includes concert arias in Italian)
  2. A brief curriculum and a complete list of studied (or performed) vocal repertoire / roles in Italian (only word or pdf file, please, or link to personal artistic website)

By May 15th, candidates will receive a response about selection. If successfully selected, students will be required to confirm their choice before June 30th.

Description of the final Examination:

  • Module: semi-staged operatic scenes and recital with arias/songs in public concerts at the end of the module
  • Erasmus mobility: each class will award a note of evaluation by the teacher and ECTs

Teaching language/ Required level of language:

  • Italian (main)
  • English (secondary)
  • We require that EOA students have a minimum B1 Italian language level.

Total expenses of the EOA module per student and what is included / excluded in this price:

Erasmus mobility: no tuition fee

Students must provide their own accommodation, meals and traveling costs.

Contact person:

Prof. Leonardo De Lisi

e-mail: erasmus@consfi.it

ANT 1. Operetta role study and fully produced performance

Operetta role study and fully produced performance


Name and place of institution:

Royal Conservatory, Antwerp – Belgium

Period of the EOA module in 2022-2023:

January—February—March 2023 (final performances might be April 1&2)
Only available for students from ERASMUS+ partner institutions (3 months)

Description of the module:

  1. Offenbach: La Périchole

In this intensive 3 month course, students will experience a complete operetta production, from the first musical rehearsals to the fully staged performances of the opera in the theatre. The singers will be accompanied by the student symphony orchestra of the Royal Conservatory Antwerp. This experience will take place in the stimulating environment of the deSingel Arts Campus.
The module is intended for: 2 tenors and 2 baritones in the roles of Piquillo, Don Miguel de Panatellas (tenors) and Don Andres de Ribeira, Don Pedro de Hinoyosa (baritones). This operetta will be double cast using both current students at The Royal Conservatory Antwerp and selected applicants of this module.  The objectives are the mastering of vocal and artistic challenges inherent in these roles, the musical and dramatic preparation thereof, and the search for individual interpretative concepts. The course will help singers develop their knowledge of the French operetta repertoire and provide a full immersion into the style, performance and French language preparation. Special attention will be paid to the art of spoken dialog, and how to transition from speaking to singing. The existing dialog will be rewritten under the stage director’s guidance, in a mixture of French, German, Italian, English and Dutch, utilising the linguistic strengths of each individual singer.

 

The course will consist of:

  1. Individual voice lessons with the voice faculty.
  2. Coachings with the head of collaborative piano and other relevant coaches.
  3. Acting and stage movement lessons.
  4. French language coaching.
  5. Dialog coaching.
  6. Musical rehearsals with the conductor and pianists.
  7. Scenic rehearsals with the stage director, conductor and pianists.
  8. At least one full performance of the opera.
  9. Participation in a specially designed history module around La Périchole/Offenbach.
  10. Optional courses from the list of Elective Courses at the Royal Conservatoire, Antwerp
  11. Participants will interact with the regular students of the conservatory.

 

The cultural scene in Antwerp city encourages immersion into the professional international art scene on a daily basis. At deSingel Arts Campus, concerts and presentations by major international musicians, theatre and dance companies intermingle with lessons, bridging the gap between student and professional life.

 

In addition, the music department fosters a strong affiliation with Opera Ballet Vlaanderen (OBV), providing opportunities to attend rehearsals and performances at their theatres in both Antwerp and Ghent.

Professors involved in this module:

Anne Cambier (French language coach)

Stijn Saveniers (conductor, music director and operetta specialist)

Guy Joosten (scenic interpretation lessons)
Koen Kessels (coach piano accompaniment)

Stephan Weytjens (history)

Jeanne-Minette Cilliers (studienleiter: voice; collaborative piano)

Voice teachers: Anne Cambier, Gary Jankowski, Susanne Schimmack



Number of EOA students:

2 tenors (Piquillo, Don Miguel de Panatellas)

2 baritones (Don Andres de Ribeira, Don Pedro de Hinoyosa)

 

Number of ECTS credits:
Total 24 ECTS
– Opera (6 ECTS)
– Language coaching  (3 ECTS)
– Voice (9 ECTS)
– Music Practise (6 ECTS)

Duration of the module:

3 months

Number of teaching/production hours of the EOA module:
Up to 20 hours/week

Application process:

First Deadline: April 15, 2022

Second Deadline: September 15, 2022

Application materials:

Application form

Current CV 

Letter of Motivation
A video link (audio-visual recording) containing AT LEAST 2 Arias with piano/orchestra: 

1 operetta aria, preferably in French; 

1 aria of choice in any language and style) 

Both must be performed live without any audio / video post-production.

 

Our panel will review the material submitted and will communicate the results of the selection by 30 September 2022 (upon receipt of application documents).

Final examination:

Artistic performance exam in the form of the operetta performance(s), accompanied by the student symphony orchestra of the Royal Conservatory Antwerp.

 

Total expenses of the EOA module per student:
Free for students in the Erasmus Program, currently enrolled in a  Bachelor, Master or third cycle degree (not available for postgraduates).
Students must provide their own accommodation, meals and traveling costs.

 

Accepted students must complete the following materials prior to arrival in Antwerp:

  1. EOA form
  2. Regular Erasmus application

VIL 2. Opera Creation, Improvisation and Performance Incubator (OCIS)

Partnering institutions (for organisation and teaching):

 

  • School of Music and Performing Arts, ESMAE P. PORTO (Portugal)
  • The Royal Conservatoire Antwerp (Belgium)

                              

  

Period(s) of the EOA module in 2022-23:

February 1-14, 2023

Open to :

Min. 3, max. 20

Description of the EOA module:

International Opera Creation, Improvisation and Performance Incubator (OCIS) invites singers, composers, music and theatre performers, as well as other artists (directors, visual and media artists, writers, etc.) to develop contemporary opera/musical theatre projects during the period of two intensive weeks in Vilnius in February of 2023.

Two types of applications are open:
a) application for (not necessarily limited to) composers to submit creative contemporary opera/musical theatre ideas, as well as conceptual ideas for co-creation to be developed;
b) application for performers and other artists to work on implementation of innovative music theatre ideas in inter- and multidisciplinary setting.

Applicants are invited to submit original, potent creative ideas and concepts which expand the traditional opera genre boundaries, cross-over into multi-disciplinary and interdisciplinary contexts. Participants are expected to be open to co-operation while developing and performing selected creative projects. OCIS welcomes such ideas and projects as (excerpts of) short opera, performing arts production, sound or interdisciplinary installation, contemporary music theatre, musical action, as well as other forms of inter- and multidisciplinary works that expand on artistic expression, explore new ways and spaces, cultural and social contexts, promote innovative communication with audience and similar.                                    

There are no limitations concerning voice types or instruments for performers.

OCIS will provide assistance in concept and creative development, implementation, performance coaching, and production by the team of teachers from The Royal Conservatoire Antwerp, Lithuanian Academy of Music and Theatre, School of Music and Performing Arts, ESMAE P. PORTO, with participation of professionals of the Lithuanian National Opera and Ballet Theatre. Projects are welcome to make use of music technology if required. Consultation and support will be provided by Music Innovation Studies Centre of the LMTA.

Label:

  • Creative workshop and production / composers, singers, instrumental musicians, producers, directors, other artists / English language

 

Specialty of this module in comparison with other courses in Europe

Joint module – intensive course (2 weeks) that will be implemented in cooperation of the three higher education institutions – the Royal Conservatoire Antwerp, LMTA and ESMAE, with a partnership of the Lithuanian National Opera and Ballet Theatre.

Development and production of the creative projects in the OCIS is unique to the EOA network, it builds on experience of Erasmus+ Strategic Partnership EOALAB and experience of LMTA in developing and running similar projects. Incubator promotes diverse approaches in the context of musical theatre, aims to develop creativity, improvisation, and performance skills, inter- and multidisciplinary cooperation, production and cultural entrepreneurship.

 

It is expected, that after participation in this module, all students:

  • Will have learned about different types/forms of a musical theatre;
  • Will have developed creative and intercultural communication skills;
  • Will be able to demonstrate good communication skills;
  • Will be able to cooperate with a team of international artists by creating, co-creating, rehearsing and presenting artistic projects.

 

It is expected, that after participation in this module, performance students:

  • Will have developed extended performing techniques;
  • Will have developed performing skills and will demonstrate stage presence individually and in a team of interdisciplinary artists.

It is expected, that after participation in this module, composition, directing and production students:

  • Will be able to develop innovative creative interdisciplinary concepts;
  • Will be able to transform a creative concept into a musical-theatrical composition.

Name(s) of the professor(s) of this module:

Team of teachers/moderators:

Ana Ablamonova (production), Prof. Vykintas Bieliauskas (composition, performance, conducting), Assoc. Prof. Mantautas Krukauskas (composition, production, music technology), Assoc. Prof. Gabrielė Labanauskaitė (dramaturgy, script writing), Assoc. Prof. Liudas Mockūnas (composition, improvisation), Lect. Arnas Mikalkėnas (composition, improvisation), Assist. Prof. Dr. Bruno Pereira (performance, improvisation), Assist. Prof. Steven Prengels (composition, interdisciplinary work, music direction), Prof. Antonio Salgado (performance).

Additional experts can be involved based on requirements of the creative projects.

Possible extras beside the module:

Courses from the list of Elective Courses at LMTA https://lmta.lt/en/lmta-welcomes-foreign-students/exange-students/

 

Number of teaching/ production hours of the EOA module

160 hours (of which 32 contact hours and 128 individual work hours (bachelor students);

133 hours (of which 32 contact hours and 101 individual work hours (master students)

Number of ECTS

  • 6 ECTS (Bachelor students)
  • 5 ECTS (Master students)

Description of the final examination

Public Performance with Feedback

Entrance examination:

Creative project applications (if applicable, free format should be attached during EOA registration. Evaluation takes 2 weeks. Selection will be sent to all applicants.

Total expenses of the EOA module

  • Selected applicants are welcome with support of Erasmus or Nordplus student mobility grants. Exchange students do not pay tuition fee.
  • Fee for non-exchange (free movers) students is 320 Eur.

Students must provide their own accommodation, meals and traveling costs.

VAL 3. Repetiteur training (pianists)

(Title to be announced)

 

Period of the EOA module in 2022-2023:

  • From 9th January 2023 to 7th May 2023 (Easter holidays from 6th to 17th April 2023)

Description of the EOA module:

  • Specific training as repetiteur working in the preparation of a fully staged opera production (title to be announced).
  • This includes:
  • Vocal coaching
  • Attending individual voice lessons of the cast
  • Language coaching
  • Musical rehearsals with the conductor and singers
  • Scenic rehearsals with the stage director, conductor and singers
  • Chorus rehearsals with the chorus conductor

 

Specialty of this module in comparison with other courses:

Valencia is a major cultural centre and encourages immersion into the professional opera and music scene:  Palau de les Arts Opera House, concerts and presentations by major international musicians,..

In addition, there are many events and festivals throughout the year (i.e. Las Fallas). With a rich history in modern architectural masterpieces (City of Arts and Sciences), Valencia’s deep, multicultural roots, cosmopolitan flavour, and warm climate to make it a true Mediterranean gem.

Also, Valencia is one of Spain’s (and Europe’s) most affordable cities for student accommodation.

Names of the professors of this module:

  • Singing: Gloria Fabuel, Carlos López Galarza, Pilar Moral, Amparo Quevedo, Ofelia Sala, Charo Vallés
  • Opera coaches: Laïla Barnat, Carles Budó, Pablo García-Berlanga, Adrià Gràcia, Diego Sánchez, Miquel Carbonell, Franscesc Gamón
  • Conductor: Jesús Cantos, Juan Pablo Hellín
  • Stage director: Jaume Martorell, Araceli Bergillos

 

Possible extras beside the module

  • Masterclasses
  • Concerts at different venues in Valencia
  • Opera sofa: Performance of opera highlights
  • Attending opera performances at Palau de les Arts
  • Exchange and collaboration with other students of the Conservatory working on the same production.

Minimum and maximum number of EOA students

  • Minimum 1 student
  • Maximum 3 students

Number of teaching/production hours of the EOA module:

Teaching: The first 9 weeks

  • Working with the singing teachers
  • Working with the opera coaches
  • Working with the conductor and vocal coaches
  • Working with the stage director and vocal coaches

Production: The following 4 weeks

  • Ensemble rehearsals with the singers and conductor
  • Ensemble rehearsals with the singers and stage director

 

Number of ECTS within master accreditation:

25 ECTS

Entrance examination:

Contact the coordinator:

Charo Vallés

master.opera@csmvalencia.es

The materials to submit with your application are:

  • CV
  • Repertoire
  • Two Videos (it can be a link to YouTube or any other platform)

 

Deadline:

  • First: May 31st 2022
  • Second: September 15th 2022

The results for the applications of all the Full-staged opera production modules will be communicated to the candidates only by the end of September 2022.

Description of the final Examination:

Public performance; permanent artistic evaluation

 

Teaching language:

Spanish, English, Italian, French and German

Total expenses of the EOA module per student and what is included/excluded in this price:

  • Free for students in Erasmus Programme
  • Module is available within an Erasmus exchange

Students must provide their own accommodation, meals and traveling costs.

VAL 2. Performance of an operatic role in a fully staged opera production

(Title to be announced)

 

Period of the EOA module in 2022-2023:

  • From 9th January 2023 to 7th May 2023 (Easter holidays from 6th to 17th April 2023)

Title and roles offered for EOA applicants: 

  • Don Giovanni by W.A. Mozart: 
    • Don Giovanni———– Baritone
    • Leporello————————-Baritone, Bass
    • Masetto ————————- Baritone
    • Commendatore————– Bass
    • Don Ottavio——————– Tenor

Description of the EOA module:

  • Training and professional preparation of an opera part, concluded with the performance of a fully staged chamber opera production (title to be announced).
  • This includes:
  • Singing lessons
  • Vocal coaching
  • Acting
  • Language coaching
  • Musical rehearsals with the conductor, pianists and orchestra
  • Scenic rehearsals with the stage director, conductor and pianists.

In order to study the specific roles of the production.

 

Kind of voice and role (Title and roles to be announced):

  • Tenor
  • Baritone
  • Bass

Specialty of this module in comparison with other courses:

Valencia is a major cultural centre and encourages immersion into the professional opera and music scene:  Palau de les Arts Opera House, concerts and presentations by major international musicians,..

In addition, there are many events and festivals throughout the year (i.e. Las Fallas). With a rich history in modern architectural masterpieces (City of Arts and Sciences), Valencia’s deep, multicultural roots, cosmopolitan flavour, and warm climate to make it a true Mediterranean gem.

Also, Valencia is one of Spain’s (and Europe’s) most affordable cities for student accommodation.

Names of the professors of this module:

  • Singing: Gloria Fabuel, Carlos López Galarza, Pilar Moral, Amparo Quevedo, Ofelia Sala, Charo Vallés
  • Opera coaches: Laïla Barnat, Carles Budó, Pablo García-Berlanga, Adrià Gràcia, Diego Sánchez, Miquel Carbonell, Franscesc Gamón
  • Conductor: Jesús Cantos, Juan Pablo Hellín
  • Stage director: Jaume Martorell, Araceli Bergillos

 

Possible extras beside the module

  • Masterclasses
  • Concerts at different venues in Valencia
  • Opera sofa: Performance of opera highlights
  • Attending opera performances at Palau de les Arts
  • Exchange and collaboration with other students of the Conservatory working on the same production.

Minimum and maximum number of EOA students

  • Minimum 1 student
  • Maximum 5 students

Number of teaching/production hours of the EOA module:

Teaching: The first 9 weeks

  • Working with the singing teacher (individual classes): 1,5h/week
  • Working with the opera coach (individual classes): 1,5h/week
  • Working with the conductor and vocal coach (as a group): 3,5h/week
  • Working with the stage director (as a group): 5h/week

Production: The following 4 weeks

  • Ensemble rehearsals with the conductor
  • Stage-orchestra rehearsals
  • Performances at the Concert Hall of the Conservatory Superior of Music

 

Number of ECTS within master accreditation:

25 ECTS

Entrance examination:

Contact the coordinator:

Charo Vallés

master.opera@csmvalencia.es

The materials to submit with your application are:

  • CV
  • Repertoire
  • Two Videos (it can be a link to YouTube or any other platform)

 

Deadline:

  • First: June 15th
  •  2022
  • Second: September 15th 2022

The results for the applications of all the Full-staged opera production modules will be communicated to the candidates only by the end of September 2022.

Description of the final Examination:

Public performance of a fully staged chamber opera at the Concert Hall of the Conservatory Superior of Music

 

Teaching language:

Spanish, English, Italian, French and German

Total expenses of the EOA module per student and what is included/excluded in this price:

  • Free for students in Erasmus Programme
  • Module is available within an Erasmus exchange

VAL 1. Performance of an operatic role in a fully staged chamber opera production or Opera Sofá: opera highlights (with piano accompaniment) (Singers)

Period of the EOA module in 2022-2023:

From 1st October 2022 to 22nd December

Title and roles offered for EOA applicants: 

  • L’Enfant et les Sortilèges by M. Ravel 
    • Le Fauteuil/Un Arbre…Baritone, Bass
    • L’Horloge Comtoise/Le Chat….Baritone
    • La Théière……Tenor
    • Le Petit Vieillard/La Rainette…..Tenor

Description of the EOA module:

  • Training and professional preparation of an opera part, concluded with the performance of a fully staged chamber opera production (title to be announced).
  • This includes:
  • Singing lessons
  • Vocal coaching
  • Acting
  • Language coaching
  • Musical rehearsals with the conductor, pianists and orchestra
  • Scenic rehearsals with the stage director, conductor and pianists.

In order to study the specific roles of the production.

Specialty of this module in comparison with other courses:

Valencia is a major cultural centre and encourages immersion into the professional opera and music scene:  Palau de les Arts Opera House, concerts and presentations by major international musicians,..

In addition, there are many events and festivals throughout the year (i.e. Las Fallas). With a rich history in modern architectural masterpieces (City of Arts and Sciences), Valencia’s deep, multicultural roots, cosmopolitan flavour, and warm climate to make it a true Mediterranean gem.

Also, Valencia is one of Spain’s (and Europe’s) most affordable cities for student accommodation.

Names of the professors of this module:

  • Singing: Gloria Fabuel, Carlos López Galarza, Pilar Moral, Amparo Quevedo, Ofelia Sala, Charo Vallés
  • Opera coaches: Laïla Barnat, Carles Budó, Pablo García-Berlanga, Adrià Gràcia, Diego Sánchez, Miquel Carbonell, Francesc Gamón
  • Conductor: Jesús Cantos, Juan Pablo Hellín
  • Stage director: Jaume Martorell, Araceli Bergillos

 

Possible extras beside the module:

  • Masterclasses
  • Concerts at different venues in Valencia
  • Opera sofa: Performance of opera highlights
  • Attending opera performances at Palau de les Arts
  • Exchange and collaboration with other students of the Conservatory working on the same production.

Minimum and maximum number of EOA students

  • Minimum 1 student
  • Maximum 5 students

Number of teaching/production hours of the EOA module:

Teaching: The first 7 weeks

  • Working with the singing teacher (individual classes): 1,5h/week
  • Working with the opera coach (individual classes): 1,5h/week
  • Working with the conductor and vocal coach (as a group): 3,5h/week
  • Working with the stage director (as a group): 5h/week

Production: The following 7 weeks

  • Ensemble rehearsals with the conductor
  • Stage-orchestra rehearsals
  • Performances at the Concert Hall of the Conservatory Superior of Music

 

Number of ECTS within master accreditation:

20 ECTS

Entrance examination:

Contact the coordinator:

Charo Vallés

master.opera@csmvalencia.es

The materials to submit with your application are:

  • CV
  • Repertoire
  • Two Videos (it can be a link to YouTube or any other platform)

Deadline:

  • First: June 15th 2022
  • Second: September 15th 2022

The results for the applications of all the Full-staged opera production modules will be communicated to the candidates only by the end of September 2022.

Description of the final Examination:

Public performance of a fully staged chamber opera at the Concert Hall of the Conservatory Superior of Music.

Teaching language: Spanish, English, Italian, French and German

Total expenses of the EOA module per student and what is included/excluded in this price:

  • Free for students in Erasmus Programme
  • Module is available within an Erasmus exchange
  • Students must provide their own accommodation, meals and traveling costs.

STO 4. Full Opera production

Period of the EOA module in 2022-2023:

Spring semester 2023:

  • 21st of February – 4th of June 2023 (possible extension to the whole term-beginning January 16th)

Open for:

  • 1 or 2 vocal students

Content:

This course offers an opportunity to perform an opera role in a full-scale production with a professional symphony orchestra at a Swedish theatre. The module consists of a period of musical preparation with vocal coaching and musical interpretation sessions, followed by role analysis and stage rehearsals, led by a professional director and conductor. The performance is produced with orchestra, sets, lighting, costume and make up.

The repertoire will be decided in Autumn 2022.

Name(s) of the professor(s) of this module:

  • Stina Ancker, Assistant professor of music dramatic performance
  • Majsan Dahling, Lecturer of musical interpretation
  • Martin Hellström, Assistant Professor of musical interpretation

Possible extra’s beside the module:

Seminars on aspects of opera as an art form and of the opera singer’s profession

Number of ECTS: 22,5-30 ECTS; Ca. 170 hours

Entrance examination:

We choose our EOA-students via recorded material. With the application we need recordings of sound and video. Formats:

  • Sound: Wav or AIFF
  • Video: Mov or mp4

The results for the applications of all the Full-staged opera production modules will be communicated to the candidates only by the end of September 2022.

Description of the final Examination:

Students are examined through the staged performance and through a group seminar on the learning outcomes of the course.

Teaching language/ Required level of language:

Communication language: English B2

Total expenses of the EOA module per student and what is included / excluded in this price:

It is against Swedish legislation to charge for public higher education.

Students must provide their own accommodation, meals and traveling costs.