Training

STO 1. Italian opera scenes – language, expression, communication

Period of the EOA module in 2024 – 2025:

  • 2nd of September-2nd of November 2024 (possible extension to 19/1 2024 for a full term )
  • Open for: 1-3 vocal students

Explore the connections between language, music, acting and movement through scenes from Italian Opera and recitative. You will work with language, musical performance, acting, vocal skills and stage movement in parallel, often with several teachers cooperating in the same session. The module will contain:

  • Investigation of the influence of language on stage thought, action and performance
  • vocal coaching and musical preparation of opera scenes in original language, individually and in group
  • Practical role analysis and stage work
  • Stage movement classes
  • An intensive course focusing on the secco recitative. The course gives methods for preparation, musically and language-wise, as well as methods for achieving spontaneity and meaning in the performance of recitative through improvisational methods
  • Performing arias and select ensembles in a concert with orchestra
  • Performing opera scenes with piano in our studio theatre

The repertoire is selected to suit the students in the course. The repertoire will be discussed and decided in June 2024.

Name(s) of the professor(s) of this module

  • Patrik Sörling, stage director, assistant professor of stage movement
  • Giuseppina Penta, language coach, senior lecturer of Italian lyric diction
  • Christine Morgan, assistant professor of musical interpretation

  1. 120 hours

 

13,5- 30 ECTS

Possible extra’s beside the module:

  • Seminars on opera as an artform and the opera singer’s profession with invited guests from the professional field
  • Seminars on performance psychology for singers

Entrance examination:

We choose our EOA-students via recorded material. With the application we need recordings of sound and video.

Formats:

Sound: Wav or AIFF. Video: Mov or mp4

Description of the final Examination:

Students are examined through the performance of  the Italian opera scenes, a concert with orchestra and through a reflective seminar.

Teaching language/ Required level of language:

Communication language: EN, level 5

Total expenses of the EOA module per student and what is included / excluded in this price:

  • There are no tuition fees for EU/EES citizens
By admin, ago

RIG 2. Baroque Opera Studio in Riga

Period of the EOA module in 2024 – 2025:

  • Autumn semester: 16 September 2024 – 31 January 2025
  • Spring semester: 03 February 2025 – 27 June 2025

Baroque opera studio – joint module in collaboration with Lithuanian Academy of Music and Theatre.  Baroque opera production in collaboration with the orchestra Collegium Musicum Riga.

Repertoire – Marco da Gagliano “La Dafne” /autumn semester/

Jacopo Peri  “Euridice” /spring semester/

 

Names of the professors of this module

  • Maris Kupčs, Head of Early music department, Collegium Musicum Riga

http://www.earlymusic.lv/Earlymusic_engl/Maris_Kupcs.html

  • Teachers of JVLMA and LMTA.

Specialty of this module in comparison with other courses in Europe

Collaboration with professional baroque orchestra.

Possible extras besides the module

Lessons in Rhetoric, Ornamentation, Vocal training, Baroque music interpretation training, Basso continuo, Baroque dance and gestures. 

Minimum and maximum number of students

2-3 EOA students 

Number of teaching/production hours of the EOA module

… hours rehearsals + performances (TBA)

Number of ECTs within accreditation

30 ECTs per semester

Entrance examination

EOA application

Description of the final examination

Public performance of baroque opera either in Bauska Castle or in one of Riga concert halls /churches.

According to the selected study courses on the curriculum.

Teaching language/Required level of language

English at least B2

Total Expenses of the EOA module

  • EUR 1360 p/semester (travel and subsistence not);
  • free for Erasmus + students and trainees.

Deadline for applications:

  • 1st deadline: 01 May 2024
By admin, ago

RIG 1. Russian language in opera fragments of Russian composers

Period of the EOA module in 2024 – 2025:

Autumn semester:

  • 16 September 2024 – 30 January 2025

Spring semester:

  • 03 February 2025 – 27 June 2025

Content:

Russian language phonetics and training in opera fragments of Russian composers /N. Rimski-Korsakov, P. Tchaikovski, S. Prokofiev etc./ together with local students. Daily lessons in Opera studio “Figaro”.

Possibility to participate in rehearsals/performances of “The Queen of Spades” at the National Opera.

Possibility to master Russian language: perception, listening, speaking, reading, communication skills.

In addition EOA students will be offered tailor-made programme:

  • Singing lessons – opera repertoire vocal coaching
  • Work with pianist
  • Acting skills
  • Stage movement and dance
  • Contemporary ear training techniques
  • Vocal ensemble
  • Chamber singing

Specialty of this module in comparison with other courses in Europe:

Possibility to combine extended studies of Russian opera repertoire with Russian- speaking teachers and in the live language environment.

In addition EOA students will be offered tailor-made programme:

  • Singing lessons – opera repertoire vocal coaching
  • Work with pianist
  • Acting skills
  • Stage movement and dance
  • Contemporary ear training techniques
  • Vocal ensemble
  • Chamber singing

Specialty of this module in comparison with other courses in Europe:

Possibility to combine extended studies of Russian opera repertoire with Russian- speaking teachers and in the live language environment.

Names of the professors of this module:

Possible extras beside the module:

(e.g. supplementary programmes, city culture, language)

Supplementary tailor-made study programme, free entrance in all National Opera performances (except premieres and guest performances), very intensive concert activities, city culture.

Minimum and maximum number of students:

1 – 2 max

Number of teaching / production hours of the EOA module:

According to study programme on selected courses

Number of ECTS within bachelor/ master accreditation:

24 – 30 ECTS (depending on courses selected)

Deadline of application and requirements:

  • Deadline: 01 May 2024
  • Recordings (DVD, YouTube) Application form
  • Artistic CV

Description of the final examination

Public performance of opera fragment/s

Total expenses of the EOA module per student and what is included/excluded in this price:

  • EUR 1360 p/semester (travel and subsistence not included)
  • Free for ERASMUS + students and trainees.

Deadline for applications

  • 1st deadline: 01 May 2024
    By admin, ago

    REY 1. CAMERATA Baroque ensemble – Build and perfect your vocal technique and performance skills through collaboration

    Period of the EOA module in 2024 – 2025:

    October 2024 – February 2025

    The course will start at the beginning of the autumn term with one or two weekly rehearsals in sections, mostly singers with or without continuo. From October the rehearsals will include mostly the whole group, singers, and instrumentalists with continuo ending with a public performance at the end of October or beginning of November. 

    In February 2025, there will be an intensive early-baroque project based on the work begun in the autumn term. The theme will be operatic repertoire by 17th-century women composers. It is not obligatory to participate in both periods, as this might not be practical for exchange students, however it is recommended. 

    Description of the EOA module:

    Collaborative music making with experts in Baroque interpretation. Sessions on ensemble singing, early baroque diminutions, Mixed ensemble work and working groups on various elements of early-baroque dramatic performance. 

    Voice lessons where all voice students work with a team of voice teachers in a collaborative learning environment.  

    • Weekly Performance classes
    • Coaching
    • Lunchtime recitals at the Reykjavík Art Museums 

    Specialty of this module in comparison with other courses in Europe:

    The collaborative learning environment that is the core of the Voice Department gives you a unique opportunity to develop your individuality as a singing artist. You will build your vocal technique and interpretive skills while working with a team of expert voice teachers who work in tandem empowering you to clarify your goals and make your own choices.  

    Many performance opportunities give you valuable possibilities and practical experience in managing and leading projects. Working on baroque interpretation in an ensemble setting, and making music together with skilled professionals will give hands-on experience. The relatively small size of the music department makes it a very flexible learning environment and fertile ground for initiative and creative ideas.

    Names of the professors of this module: 

    • Hanna Dóra Sturludóttir (voice and performance) 
    • Sigurður Halldórsson (music director) 
    • Matthildur Anna Gísladóttir (coach, piano accompaniment) 
    • Kristinn Sigmundsson (voice and performance) 
    • Dísella Lárusdóttir (voice and performance) 
    • Guest-professors in Masterclasses 

    Possible extras:

    • Dramatic interpretation classes  
    • Movement classes  
    • Vocal improvisation  
    • Music, culture and society, lectures  
    • Icelandic for beginners  
    • Collaboration with composition students 
    • Choir  

    https://www.islit.is/en/art-and-culture-in-iceland/music/

    Minimum and maximum number of EOA students:

    • 1-3 singers (all type voices)
    • 1-3 baroque instrumentalists primarily, strings and continuo

     

    Number of teaching/production hours of the EOA module:

    Up to 20-25 hours per week

    Number of ECTS within master accreditation

    • 20 ECTS

    Entrance examination:

    To deliver the following documents, via the application at the EOA website:

    • CV
    • Repertoire
    • Two Videos (it can be a link to YouTube or any other platform)
    • Motivation letter

    Description of the final Examination:

    • Students are examined through the performance and the work they put into their studies. 
    • performance in class and concerts 
    • Assessment based on students journaling and self-assessment.  

    Teaching language:

    English

    Total expenses of the EOA module per student and what is included/excluded in this price:

    • The module is available within an Erasmus exchange for students at BA-level in vocal performance and for some instrumentalists.
    • Participants pay for their own accommodation and travel.

    Deadline for applications:

    • 1st deadline: 01 April 2024
    • 2nd deadline: 01 June 2024

     

    Date for expected answers:

    • 1st deadline: 15 June 2024
    • 2nd deadline: 30 June 2024
    By admin, ago

    POR 3. Preparing an Operatic Production, for Stage Designers

    Period of the EOA module in 2024-2025

    08 October 2024 – 28 January 2025

    and/or

    11 March – 11 July 2025

    This Module is divided in two parts:

    A – Background knowledge and experience and

    B – The preparation of an Opera

    A. Background knowledge and experience: Stage Design with Technical Supervision (Costume, Set and Light Design)

    8 October 2024 to 28 January 2025

    Open for: 1-3 vocal students

    Stage Design is, of course, divided according to specialties (Costume, Set and Light Design), and the aim of each module now offered within each specialty is to facilitate technical and artistry improvement through the use of different and specialized techniques and knowledge, according to the philosophy of building up costumes, sets and light designs within the preparation and performance of specialized operatic repertoire (from Baroque to Contemporary repertoire). The emphasis is on artistry within the process of making an opera. Each year there will be a different Opera Production which will be the aim (Part B) and consequence of this Module development (Part A). This module (within the different specialties now offered) has as the goal to enable the student autonomy, both in achieving methodological processes as well as the consolidation of a Stage Design and an artistic identity. This process will bring the student a new approach to Opera and Opera making, and it will enable the student to experience a live performance in front of an audience.

    Names of the professors of this module:

    • Costume Design – Manuela Bronze/Manuela Ferreira;
    • Set Design: Helder Maia;
    • Light Design: Rui Damas

    Until 20 ECTS – 10 -12 hours individual tuition & 45 hours group work

    B. Preparation of an Opera Performance in fully staged Opera Production with orchestra in Porto*

    11 March to 11 July 2025

    Open for: 1-3 vocal students

    This Module is only open for those students that have done Part A of the Module and, though, have acquired the knowledge and experience necessary and sufficient to be able to construct costumes, scenery and light designs work for the out coming opera production. Or, for those who can demonstrate through portfolios their ability and knowledge in the construction of costumes, sets and light designs.

    * The Opera Production for 24-25 Preview:

    TBC

    The Opera for this year is still in negotiation with National Theatres.

    Until 20 ECTS 10 -12 hours individual tuition & 45 hours group work

    Description of final examination: full staged Opera.

    Possible extras: Students may attend one, or both, of these theoretical seminars on the subject of Opera Performance:

    1. Opera communication systems in history and in actuality: a sociological approach. Seminar given by Prof. Dr. Francisco Melo – Professor of History and Aesthetics, at ESMAE
    2. The Psychology of Performance – The underlying psychology of the study of operatic roles and other issues in opera. This Seminar will be given by Prof. Dr. Daniela Coimbra (PhD) – Professor on Psychology of Music, at ESMAE.

    Entrance examination

    Portfolio – Interview

    Video recording or link to video recording

    Description of the final examination

    Public performance on stage with piano

    Teaching language

    English – level 3

    Total expenses of the EOA

    1) This module is available within Erasmus exchange (Master´s level) only during the academic year 2023/24.

    2) Prices are applicable for 2023-2024.

    3) Prices do not include travel or living expenses

    By admin, ago

    PAR 3. Piano Accompaniment in Opera (Pianists, Traineeship for pianists)

    Period of the EOA module in 2024 – 2025:

    ERASMUS students (STT) may choose mobility within one or two semesters in 2024-2025: 

    • Winter Semester: 1 October 2024 – 2nd week of February 2025
    • Spring Semester: 3rd week of February 2025 – 30 June 2025

    Content:

    This module guides the student to master the complex and difficult art of the piano accompaniment in opera.

    • Performance practice and repertoire (individual lessons, on specific operas according to student’s needs and choices, main opera repertoire, analysis, study and practice on chosen opera scores, different (vocal) accompaniment techniques according to different music styles)
    • Répétiteur and coach techniques (theoretical and practical lessons on the basso continuo, as a stage-rehearsal accompanist, how to play under direction)
    • Specialized practice (vocal repertoire: chamber music and opera scores)
    • Score playing (reading piano- and orchestra opera scores)
    • Little practical internship in Singing lessons and Scenic Art lessons (different needs, different skills)
    • Possible participation in Masterclass(es), essays and concerts as a piano accompanist.

    Classes will be held in Italian and English.

    ERASMUS students might have to choose other courses among those annually proposed by the Conservatory, to reach the total number of required credits.

    Specialty of this module in comparison with other courses in Europe

    This module represents a perfect opportunity to get to know and experience the tools to become an Opera accompanist, in a welcoming atmosphere of exchange and collaboration with the other students of the Conservatory, from all over the world.

    A unique chance to fully immerse themselves in the rich operatic music culture of the territory, attending places of unique musical interest, within the Conservatory (Musical Section of Libreria Palatina, Boito’s Studio and Toscanini’s Studio) or in the immediate nearby of it (the Library of the Istituto Nazionale di Studi Verdiani, specialized in 19th century opera and music in general, with particular emphasis on the life and work of Giuseppe Verdi, the Museo dell’Opera, the Casa della Musica, Teatro Regio, etc).

    Name(s) of the professor(s) of this module:

    • Nicola Mottaran (Coordinator of Piano accompaniment)
    • Fabio Ferrucci (Tutor)
    • Teaching staff  (Piano Accompaniment Teachers)  from the Singing and Music Theatre Department of the Conservatory.

    Possible extras in addition to this module:

    Upon request a little tour of the main “music treasures” of Verdi’s land: the birthplace of Verdi and Villa Sant’Agata, the Toscanini Museum, the worldrenowned Teatro Regio, the beautiful Teatro Farnese (17th century), the Casa del Suono, etc. Opportunity to join Italian Course lev. A2+B1 in the first semester or English Course level B1 or B2 in second semester. October is the month of the Parma Verdi Festival. Facilities are offered to enrolled students who want to experience a show at the Teatro Regio and/or other planned locations.

    Minimum and maximum number of EOA students

    2 piano students

    Number of teaching/production hours of the EOA module

    • 60 teaching hours per semester

    Number of ECTS within master accreditation

    Min 24 ECTS/semester (but possibly increasing according to the Learning Agreement)

    Entrance examination:

    Online examination through the Application, which needs to include

    • CV
    • Repertoire
    • Videos
    • Motivational letter (optional)

    Final examination:

    30-minute performance in piano accompaniment of voice (and/or opera scenes) 

    Teaching language/Required level of language

    Italian (min A2 to be improved) and English (B2)

    Total expenses of the EOA module per student and what is included/excluded in this price

    Erasmus students (SMS) only. No extra fees.

    Deadline for applications:

    • 1st deadline: 08 May 2024
    • 2nd deadline: 15 October 2024

    Date for expected answers:

    • 1st deadline: 30 June 2024
    • 2nd deadline: 15 December 2024
    By admin, ago

    PAR 2. Opera buffa in the 18th Century (singers)

    Period of the EOA module in 2024-2025:

    ERASMUS students (SMS and STT) may choose a mobility within one semester (or both)

    • Winter Semester: 1 October 2024 – 2nd week of February 2025
    • Spring Semester: 3rd week of February 2025- 30 of June 2025

    Description of the EOA Module

    This module guides the student through a path of vocal and scenic interpretation of one or more scenes from eighteenth-century Opera Buffa’s repertoire: Pergolesi, Cimarosa, Paisiello or Rossini (preferably his “Farces in one act”)

    • Analysis, study and full understanding of the libretto(s) and character(s) chosen. 
    • Vocal technique and style coaching in Opera Buffa repertoire. 
    • Advanced Italian pronunciation and diction classes. 
    • Specific lessons on Recitativo. 
    • Individual coaching and group work: vocal and score lessons and group work on Scenic Art (Training of the actor’s body, physical and gestural laboratory). 
    • Preparation for final exam and concert(s).

    Classes will be held in Italian and English.

    ERASMUS students have to choose other courses (e.g. Opera History, Poetic and Dramatic Literature, etc.) among those annually proposed by the Conservatory, to reach the total number of required credits.

    Special attention will be given to the study of proper Italian diction and pronunciation with native Italian teachers, in building the chosen Opera Buffa character (both scenic and vocal) with full linguistic and stylistic background. Special focus on Recitativo.

    Kind of voice and role

    All kind of voices suited for Opera Buffa repertoire.

    Specialty of this module in comparison with other courses in Europe

    A full immersion into Italian opera together with the opportunity to develop the best practice in Italian language applied to opera. Choice of repertoire (title and characters) according to student’s needs. Exchange and collaboration with other students of the Conservatory (from all over the world) working on the same repertoire.

     A unique opportunity to fully immerse themselves in the rich operatic music culture of the territory, attending places of unique musical interest, within the Conservatory (Musical Section of Libreria Palatina, Boito’s Studio and Toscanini’s Studio) or in the immediate nearby of it (the Library of the Istituto Nazionale di Studi Verdiani, the Museo dell’Opera, the Casa della Musica etc).

    Possible extras in addition to this module:

    Upon request a little tour of the main “music treasures” of Verdi’s land: the birthplace of Verdi and Villa Sant’Agata, the Toscanini Museum, the worldrenowned Teatro Regio, the beautiful Teatro Farnese (17th century), the Casa del Suono, etc. Opportunity to join English Course level B1 or B2 in second semester. 

    Open for:

    Max 5

    Name(s) of the professor(s) of this module:

    • Romano Franceschetto, Lucetta Bizzi and Teaching staff (Vocal coach) from the Singing and Music Theatre Department of the Conservatory
    • Roberta Faroldi (diction and actor’s work)
    • Riccardo Mascia (Recitativo coach, Score and Repertoire)
    • Claudia Rondelli, Roberta Ropa, Laura Soracco, Luca Sabatino (Score and Repertoire)

    Description of final examination:

    Performance    of    an    operatic    full    Opera Buffa   scene    in    front    of    a    jury.    The examination may coincide with a public concert.

    Number of teaching / teaching hours

    60h of teaching (individual lessons + group lessons) per semester

    Number of ECTS within master accreditation

    Min 24 ECTS/semester (but possibly increasing according to the Learning Agreement).

    Entrance examination

    Online examination through the Application, that needs to include:

    • CV
    • Repertoire
    • Videos
    • Motivational letter (optional)

    Teaching language/Required level of language

    Italian (min A2 to be improved) and English (B2).

    Total expenses of the EOA module per student and what is included/excluded in this price

    Erasmus students (SMS) only. No extra fees.

    Deadline for applications

    • 1st deadline: 30 April 2024
    • 2nd deadline: 15 October 2024

    Date for expected answers

    • 1st deadline: 30 June 2024
    • 2nd deadline: 15 December 2024

    By admin, ago

    PAR 1. Giuseppe Verdi: Vocal and Acting interpretation in Verdi’s operas

    Period of the EOA module in 2024-2025

    ERASMUS students (SMS and STT) may choose a mobility within one semester (or both)

    • Winter Semester: 1 October 2024 – 2nd week of February 2025
    • Spring Semester: 3rd week of February 2024- 30 of June 2025

    Description

    This module guides the student through a path of vocal and scenic interpretation of one or more scenes from Verdi’s operas. They are planned as follows:

    • Analysis, study and full understanding of Verdi’s libretto(s) and character(s) chosen.
    • Vocal technique and style coaching in Verdi’s repertoire.
    • Advanced Italian pronunciation and diction classes.
    • Individual coaching and group work: vocal and score lessons, and group work on Scenic Art (Training of the actor’s body, physical and gestural laboratory).
    • Preparation for final exam and concert(s). Classes will be held in Italian and English.

    ERASMUS SMS students have to choose other courses (e.g. Poetry for music and dramaturgy, Opera History etc.) among those annually proposed by the Conservatory, to reach the total number of required credits and complete the Learning Agreement.

    Specialty of this module in comparison with other courses in Europe

    Special attention will be given to the study of proper Italian diction and pronunciation with native Italian teachers, in building the chosen Verdi’s character (both scenic and vocal) with full linguistic and stylistic background. Choice of repertoire according to student’s needs. Possible exchange and collaboration with other students of the Conservatory working on the same repertoire. A unique opportunity to fully immerse themselves in the rich operatic music culture of the territory, attending places of unique musical interest, within the Conservatory (Musical Section of Libreria Palatina, Boito’s Studio and Toscanini’s Studio) or in the immediate nearby of it (the Library of the Istituto Nazionale di Studi Verdiani, specialized in 19th-century opera and music in general, with particular emphasis on the life and work of Giuseppe Verdi, the Museo dell’Opera, the Casa della Musica etc.).

    Kind of voice and role

    All kind of roles, suited to Verdi repertoire

    Name(s) of the professor(s) of this module:

    • Donatella Saccardi, Lucetta Bizzi, Claudia Marchi and Teaching staff (Vocal coach) from the Singing and Music Theatre Department of the Conservatory 
    • Roberta Faroldi (diction and actor’s work)
    • Claudia Rondelli, Roberta Ropa, Laura Soracco, Luca Sabatino (Score and Repertoire).

      Possible extras in addition to this module:

      Upon request a little tour of the main “music treasures” of Verdi’s land: the birthplace of Verdi and Villa Sant’Agata, the Toscanini Museum, the world renowned Teatro Regio, the beautiful Teatro Farnese (17th century), the Casa del Suono, etc. Opportunity to join Italian Course level A2+B1 in the first semester or English Course level B1 or B2 in second semester. October is the month of the Parma Verdi Festival. Facilities are offered to enrolled students who want to experience a show at the Teatro Regio and/or other planned locations.

      Open for:

      Max 2

      Number of teaching/production hours of the EOA module

      60 hours of teaching (individual lessons + group lessons) per semester

      Number of ECTS within master accreditation: depending to the effective number of hours done

      Entrance examination:

      Online examination through the Application, that needs to include:

      • CV
      • Repertoire
      • Videos: AT LEAST ONE VERDI!
      • Motivational letter (optional)

      Description of final examination:

      Performance    of    an    operatic    full    Verdi    scene in front    of    a    jury.    The examination may coincide with a public concert.

      Teaching language/Required level of language

      Italian (min A2 to be improved) and English (B2).

      Total expenses of the EOA module per student and what is included/excluded in this price

      Erasmus students (STT) only. No extra fees.

      Deadline for applications:

      • 1st deadline: 30 April 2024
      • 2nd deadline: 15 October 2024 

      Date for expected answers:

      • 1st deadline: 30 June 2024
      • 2nd deadline: 15 December 2024

      By admin, ago

      OSL 2. Opera repetiteur

      Period of the EOA module in 2024-2025:

      15 September – 15 December, 2025

      Content:

      Get possibilities of coaching from our professors and conductors, and play for stage rehearsals, performances and concerts.

      Names of the professors:

      • Jacopo Spirei
      • Luca de Marchi
      • Olesya Tutova
      • Markus Kvits
      • Anne Sofie von Otter
      • Bengt Forsberg
      • Solveig Kringelborn
      • Toril Carlsen

      Possible extras in addition to this module:

      • Italian language course

      Open for:

      2 pianists

      Number of teaching / production hours of the EOA module:

      Preparation 180 hours

      Production 200 hours

      Number of ECTS:

      12

      Description of the final examination:

      • CV
      • Repertoire
      • Two videos of accompanying W.A. Mozart: Il contes aria and G. Puccini: Mimis aria

      Description of the final Examination.

      • Performances and concerts in November/December.
      • Play for a masterclass with Anne Sofie von Otter and Bengt Forsberg

      Deadline for applications: 

      • 1st deadline: 08 May 2024

      Deadline for expected answers: 

      • 1st deadline: 01 June 2024
      By admin, ago

      MAA 2. Opera production experience: collaborative piano

      Period of the EOA module in 2024-2025:

      January – February – March 2025

      Period of production: (Dates to be updated)
      • First Musical Rehearsal: 22 January 2025
      • Generals: 01 and 02 March 2025
      • Performances (and exams): 04 and 05 March 2025

      Gain hands-on experience as a repetiteur in a fully staged opera. Learn the craft under the baton of maestro Federico Santi and work closely together with the conductor and singers during the rehearsal process to gain insight into the life of an opera pianist.

      Title to be performed: 

      TBC

      Open for:

      • 1 or 2 piano students or conducting students with a pianistic background.

      The coaching includes:

      • working with a professional conductor/director
      • a professional stage director individual vocal coaching on style, interpretation and applied technique by our vocal staff.
      • language coaching (depending on the language of the programmed opera)

      Names of the professors of this module:

      • Musical Director: Federico Santi
      • Conductor: Enrico Delamboye
      • Stage director: Barbara Haveman
      • Vocal coaches: Yvonne Schiffelers, Susanne Schimmack, Axel Everaert, Raimund Nolte

      Possible extras besides the module

      • Individual coaching, the possibility to participate in non-opera group and individual lessons as an accompanist.

      Number of teaching/production hours of the EOA module

      • 20-30 hours a week of production rehearsals

      Application:

      Via the application form on the EOA website. Keep in mind that you will need to include:

      • CV
      • Motivation letter
      • Videos: 2 pieces accompanying a singer

      Final Examination:

      • The piano dress rehearsal
      • Evaluation and feedback from the musical director
      • Certificate of Participation

       

      Teaching language and the Required level of language

      English will be the primary language, so the ability to fluently communicate is necessary.

      Total expenses of the EOA module per student and what is included /excluded in this price

      Available through Erasmus, living costs are to be covered by the applicant.

      Deadline for applications

      • 1st deadline: 08 April 2024
      • 2nd deadline: 15 September 2024

       

      Deadline for expected answers:

      • 1st deadline: 01 June 2024
      • 2nd deadline: 15 October 2024
      By admin, ago