NOV 1. RossiniLab-Cantelli- Rossini Opera Stage Performance-Occasione fa il Ladro- Modulo Péchés de Vieillesse

RossiniLab-Cantelli- Rossini Opera Stage Performance-Occasione fa il Ladro- Modulo Péchés de Vieillesse

https://rossinilab.consno.it/

Period of the EOA module in 2022-23

19th September – 07th October

Description of the EOA module

The RossiniLab-Cantelli is held under the patronage of

  • Fondazione Rossini in Pesaro
  • ‘ROSSINI OPERA FESTIVAL’ DI PESARO
  • LA ‘FONDAZIONE TEATRO COCCIA DI NOVARA’ – CONSERVATORIO ‘G. CANTELLI’ OF NOVARA 

It is addressed to singers wishing to study and deepen their Rossinian repertoire. Our main purpose is to provide a methodological approach to correctly perform and interpret Rossini. The workshop includes a theoretical, musicological and practical introduction to aesthetics and philosophy in Rossinian voices, such introduction aims to find a consistent awareness framework of the vocal gesture.

The purpose is to achieve an articulated and steady synergy to correctly perform Rossini’s musical and vocal grammar. Such objective will be reached by means of knowledge gained by our teachers in course of their long artistic experience.

The workshop aims to address countless problems singers can have when facing Rossini’s works.

RossiniLab-Cantelli represents an answer to an urgent question: ”how to sing Rossini nowadays?”, it as well aims to develop constellations of senses and references to epistemologically and aesthetically analyse Rossini’s music.

Kind of voice and role

Occasione fa il ladro

  • Don Eusebio-Tenore
  • Berenice-Soprano
  • Conte Alberto-Tenore
  • Don Parmenione-Baritono
  • Ernestina-Mezzo-soprano
  • Martino-Basso/Basso-bariton

Modulo ‘Péchés de Vieillesse’

  • Soprano
  • Tenor
  • Mezzosoprano

Specialty of this module in comparison with other courses in Europe

RossiniLab-Cantelli is officially the first international course entirely on Rossini’s specialization at 360 degrees aimed at the realization of a work in a Grand Theater with orchestra-direction-sets and costumes – RossiniLab Cantelli boasts the patronage of the Rossini Foundation and has among its official partners are the Rof (Rossini Opera festival) and the Coccia Theater Foundation in Novara

Name(s) of the professor(s) of this module

Main Professors: 

  • Prof. Giovanni Botta
  • Prof. Ernesto Palacio

Possible extras beside the module

Another module on offer is the one devoted to the study of the literature of Rossini’s Péchés de vieillesse with Prof. Alessandro Marangoni

Minimum and maximum number of EOA students

  • Occasione fa il ladro: Maximum 8 students
  • Péchés de vieillesse: Maximum 4 students

Number of teaching /production hours of the EOA module

The RossiniLab Cantelli will be divided into three intensive weeks of work from 10 to 19 – In addition to the two main teachers there will be other internationally renowned teachers such as Ernesto Palacio (superintendent of the Rossini Opera festival) who will hold a 4-day masterclass, Ilaria Narici (director of the Rossini Pesaro Foundation), Reto Muller (Rossini Pesaro Foundation), Alessandro Mormile and others.

Entrance examination: 

The material to submit with your application is:

  • Cv
  • Repertoire
  • Two Videos ( one of the two videos must necessarily be of the Occasione fa il ladro)

NOTE: In case a student ends up being selected, L’occasione fa il ladro it must be fully known by heart before entering the RossiniLab-Cantelli.

Deadline May 31, 2022

Description of the final Examination

At the end of the RossiniLab Cantelli, students must be able to fully perform the role of Rossini’s ‘L’occasione fa il  ladro  with the didactic teachings provided by the course and by heart; always at the end of the course the singers who will be able to participate in the production at the ‘Coccia Theater’ Foundation in Novara scheduled for October 2022 will be selected, at the discretion of the artistic director.

Teaching language

English / Italian

Total expenses of the EOA module per student 

€ 500

PAR 4. Piano Accompaniment and Opera Coaching (Pianists, Traineeship for pianists)

Period of the EOA module in 2022-2023

ERASMUS students (STT) may choose a mobility of minimum 3 maximum 6 months during the academic year 2022-2023

Description

This module offers an entirely specific traineeship for piano accompaniment of voice and opera scenes, designed for pianists who consider a future in the world of opera by adding to their curriculum a first work experience in this various and challenging environment. Trainees will accompany singers on the piano in different settings:

  • singing lessons,
  • scenic interpretation lessons,
  • staging
  • preparation for exams and concerts and during public performances. This always under supervision of a tutor.

The goal is to improve the knowledge of opera repertoire and to practice the specific skills requested.

The trainee will receive weekly tasks from the coordinator of piano accompaniment.

A module for professional pianists who wish to broaden their knowledge of the operatic repertoire in compliance with all the specific attitudes. With a full immersion into Italian opera together with the opportunity to develop the best practice in Italian language applied to opera. To exercise, develop and improve their skills as a pianist in accompanying different voice parts.

Specialty of this module in comparison with other courses in Europe

A full immersion into Italian opera together with the opportunity to develop the best practice in Italian language applied to opera. To exercise, develop and improve their skills as a pianist in accompanying different voice parts.

Exchange and collaboration with other students of the Conservatory.

A unique opportunity to fully immerse themselves in the rich operatic music culture of the territory, attending places of unique musical interest, within the Conservatory (Musical Section of Libreria Palatina, Boito’s Studio and Toscanini’s Studio) or in the immediate nearby of it (the Library of the Istituto Nazionale di Studi Verdiani, specialised in 19th century opera and music in general, with particular emphasis on the life and work of Giuseppe Verdi, the Museo dell’Opera, the Casa della Musica, Teatro Regio, etc.).

Name(s) of the professor(s) of this module:

  • Nicola Mottaran (Coordinator of Piano accompaniment)
  • Fabio Ferrucci (Tutor)
  • Teaching staff from the Singing and Music Theatre Department of the Conservatory

Possible extras in addition to this module:

Upon request a little tour of the main “music treasures” of Verdi’s land: the birthplace of Verdi and Villa Sant’Agata, the Toscanini Museum, the world renowned Teatro Regio, the beautiful Teatro Farnese (17th century), the Casa del Suono, etc. Opportunity to join Italian Course level A2+B1 in the first semester or English Course level B1 or B2 in second semester. October is the month of the Parma Verdi Festival. Facilities are offered to enrolled students who want to experience a show at the Teatro Regio and/or other planned locations.

 

Open for: 1-5 (no max limit)

Number of teaching/production hours of the EOA module

Semester 200 hours (about 10 hours per week)

Number of ECTS within master accreditation: depending to the effective number of hours done

Entrance examination:

Online examination through the Application, that needs to include:

  • CV
  • Repertoire
  • Videos
  • Motivational letter (optional)
  • Deadline:
    • 15th April 2022
    • 15th September 2022

Description of final examination:

30 minutes performance in piano accompaniment of voice (and/or opera scenes)

Teaching language/Required level of language

Italian (min A2 to be improved) and English (B2)

Total expenses of the EOA module per student and what is included/excluded in this price

Erasmus students (STT) only. No extra fees.

LOD 1. CPL – Contemporary Performance Laboratory

Period of the EOA module in 2022-2023:

February 15th, 2023 – May 31st, 2023

Description of the module

This module allows to use all potential of vocal and kinaesthetic art in the area of contemporary music including performative arts like improvised singing, dancing and actings. Module 1 is strongly connected with expanding voice and body abilities during and artistic creation. Inspired by postulate of Jerzy Grotowski and his Laboratory Theatre the module will give to the young artist an extraordinary way of creating a role by using all the gamut of stage expression.

The module is dedicated to singers and dancers. It is based on discovering an archetypical primeval intentions and visions as a main factor in creating an artistic performance.

The module includes singing and dance lesson, musical improvisation, movement and dance improvisation, performative arts laboratory, working with piano coach, full breath & body & mind workshop, history of modern music educational programme.

Kind of voice and role

  • Every kind of voice
  • Every type of dancer (classical, modern)

Specialty of this module in comparison with other courses in Europe

Singing and dancing lessons. Performative actions including improvised singing, dance and acting in the area of contemporary music.

EOA students will be offered a tailor-made programme:

  • Singing lessons – vocal coaching
  • Practice with a pianist
  • Vocal ensemble
  • Musical preparation of opera scenes and artistic songs in the original language, individually and in a group
  • Practical role analysis and stage work

The module will contain investigation of the influence of the language on the interpretation of the role, stage acting and overall performance. We offer the opportunity for in-depth studies of the Polish modern opera repertoire with Polish-speaking teachers in a native language environment.

Names of the professors of this module:

  • Urszula Kryger
  • Beata Zawadzka-Kłos
  • Anna Werecka
  • Piotr Miciński
  • Przemysław Rezner
  • Agnieszka Łuczyńska
  • Michal Barczak

Possible extra’s beside the module

Career design, yoga, Polish language lesson, early music and many others

Minimum and maximum number of students:

2 – 6

Deadline for application: 

  • 15th April 2022
  • 15th September 2022

Description of the final examination:

Performance open to the audience in the end of the spring term

Total expenses of the EOA module per student and what is included / excluded in this price:

  • Module is available within an Erasmus exchange (SMS or SMP). Please, note that students must provide their own accommodation, meals and traveling costs.

Note! Please, contact your Erasmus office as early as possible in order to be qualified in time for Erasmus scholarship.

  • Module could be also available as postgraduate studies. The fee is then approx. 2000 EUR (travel and living costs not included).

Language: 

English, Italian, German

FLO 1. A room with a view on the Italian Belcanto

Period of the EOA module in 2022-2023:

  • January 23rd, 2023 – April 31st, 2023

Meet the Italian Belcanto tradition in the town that hosted the first operatic creation. An all-Italian experience on the operatic repertoire from Baroque to Verdi and Puccini. Voice lessons on style and technique, repertoire study with vocal coaches, Italian language and diction class, Opera class with acting and staging seminars, final concert with semi-staged performance of full operatic scenes.

Study repertoire:

  1. One leading role from an Opera in Italian
  2. A group of 3-4 arias in Italian, including recitativos and/or cabalettas if present and full scenes and ensembles from operas

Participants:

All voice types

Specialty of this module in comparison with other courses in Europe

We give the participants the possibility to develop their skills in the Italian language and diction in a very practical approach. We will concentrate on interpretation and performance of the most important Italian belcanto styles, from the early baroque “recitar-cantando”, the classic recitativo secco, accompagnato and virtuoso arias, to the Romantic “solita scena” (scena, aria and cabaletta) until the declamatory style of the late XIX composers (Verismo), depending on each singer vocal and musical needs. Our teachers and coaches have a long experience in the tuition of international students, as in our Vocal studies Faculty more than 50% of singers are from all the continents. Being in Firenze (Dante’s home town) allows you to absorb the good “reference” Italian diction directly from the people you will meet in the street, as the Florentine language is the basis of the modern Italian language.

Name(s) of the professor(s)

  • Voice teachers: Ester Castriota, Donatella Debolini, Gianni Fabbrini, Nemi Bertagni, M. Costanza Nocentini
  • Repertoire coaches: Antonella Bellettini, Ulla Casalini, Anna Toccafondi, Elisabetta Sepe, Andrea Severi, Daniela Freschi
  • Opera class / Acting: Francesco Torrigiani
  • Italian Diction: Francesco Torrigiani, Leonardo De Lisi
  • History of Opera: Guglielmo Pianigiani
  • Baroque vocal ensemble: Santina Tomasello
  • Chamber music & vocal ensembles: Leonardo De Lisi

Possible extras:

Masterclass with renown singers and opera directors.

Free entrance to rehearsals at Teatro del Maggio Musicale Fiorentino.

A short programme (incl. city tour) concentrating on special ‘musical’ aspects of the city: Palazzo Pitti (where Peri’s “L’Euridice” was created), Accademia Bartolomeo Cristofori (historic pianos), Museo degli Uffizi, Galleria dell’Accademia, etc.

Minimum and maximum number of EOA students:

4/12

Number of teaching / production hours:

Up to 20 hours/week

Number of ECTS within master:

3 months Module will award 24 ECTS

  • “Vocal technique and repertoire” 1-to-1 lessons, 6 ECTS
  • “Repertoire coaching with pianist” 1-to-1 lessons, 3 ECTS
  • “Opera class” (opera scenes staging), 3 ECTS
  • “Italian Diction for singers” lecture, 3 ECTS
  • “History of Opera” lecture, 3 ECTS
  • “Chamber music & vocal esemble” group, 3 ECTS
  • “Baroque vocal ensemble” group, 3 ECTS

ONLY Erasmus mobilities for studies or traineeship from EOA partners will be accepted

Entrance examination:

Before April 15th, 2022, by email erasmus@consfi.it only:

  1. Please, send a link to a recent performance of yours (from not more than 1 year ago) including at least: 2 operatic arias/scenes in Italian from Baroque to Puccini (it also includes concert arias in Italian)
  2. A brief curriculum and a complete list of studied (or performed) vocal repertoire / roles in Italian (only word or pdf file, please, or link to personal artistic website)

By May 15th, candidates will receive a response about selection. If successfully selected, students will be required to confirm their choice before June 30th.

Description of the final Examination:

  • Module: semi-staged operatic scenes and recital with arias/songs in public concerts at the end of the module
  • Erasmus mobility: each class will award a note of evaluation by the teacher and ECTs

Teaching language/ Required level of language:

  • Italian (main)
  • English (secondary)
  • We require that EOA students have a minimum B1 Italian language level.

Total expenses of the EOA module per student and what is included / excluded in this price:

Erasmus mobility: no tuition fee

Students must provide their own accommodation, meals and traveling costs.

Contact person:

Prof. Leonardo De Lisi

e-mail: erasmus@consfi.it

FLO 2. The Maestro Collaboratore (Vocal coach)

Period of the EOA module in 2022-2023:

  • January 23, 2023 – April 30, 2023

Meet the Italian Belcanto tradition in the town that hosted the first operatic creation. An all-Italian experience on the operatic repertoire from Baroque to Verdi and Puccini. Piano accompanying lesson on style and technique, repertoire study with vocal coaches, Italian language and diction class, Opera class with acting and staging seminars, final concert with semi-staged performance of full operatic scenes.

Study repertoire:

  1. Two Opera vocal scores in Italian, from Mozart to Puccini
  2. A group arias in Italian, including recitativos and/or cabalettas, if present
  3. A group of Italian Art songs

Participants:

Pianist / vocal coach

Specialty of this module in comparison with other courses in Europe:

We give the participants the possibility to develop their skills as a vocal coach (maestro collaboratore). Our teachers and coaches have a long experience in the tuition of international students, as in our Vocal studies Faculty more than 50% of students are from all the continents. Being in Firenze (Dante’s home town) allows you to absorb the good “reference” Italian diction directly from the people you will meet in the street, as the Florentine language is the basis of the modern Italian language.

Name(s) of the professor(s):

  • Piano and Vocal Coaching Teachers: Andrea Severi, Antonella Bellettini, Ulla Casalini, Anna Toccafondi, Elisabetta Sepe, Daniela Freschi, Marco Bargagna, Elisabetta Sepe
  • History of Opera: Guglielmo Pianigiani
  • Art song practise/ Italian diction for coaches: Leonardo De Lisi

Possible extras:

  • Masterclass with renown singers and opera
  • Free entrance to rehearsals at Teatro del Maggio Musicale
  • A short programme (incl. city tour) concentrating on special ‘musical’ aspects of the city: Palazzo Pitti (where the first opera ever was staged in 1600, Peri’s “L’Euridice”), Accademia Bartolomeo Cristofori (historic pianos), Museo degli Uffizi, Galleria dell’Accademia,

Minimum and maximum number of EOA students: 1/6

Number of teaching / production hours: Up to 20 hours/week

 

 

Number of ECTS within master:

3 months Module will award 24 ECTS

  • “Piano accompaniment lessons” 1-to-1 6 ECTS
  • “Repertoire practice lessons” 1-to1 3 ECTS
  • “Conducting techniques for opera coaches” 3 ECTS
  • “Italian Diction for singers/coaches” 3 ECTS
  • “History of Opera” 3 ECTS
  • “Art song practise” 6 ECTS

Students from the Academies partners of the EOA consortium will be able to participate with an Erasmus grant for studies or traineeship without any tuition fee.

Participants from any other academy will have to pay a 602,85 enrolment and tuition fee (contract students) before the beginning of the module.

Entrance examination:

Before April 15, 2022, by email erasmus@consfi.it only:

  1. Please, send a link to a recent performance of yours (from not more than 1 year ago) including at least:
  • ONE piano solo piece of free choice or TWO Lieder (or Art Songs) accompanying a singer
  • ONE operatic aria or scene, accompanying a singer
  1. A brief curriculum and a complete list of studied operatic vocal score in Italian (only word or pdf file, please, or link to personal artistic website)

By May 15, 2021, candidates will receive a response about selection. If successfully selected, students will be required to confirm their choice before June 30.

Description of the final Examination:

  • Module: Semi-staged operatic scenes and recital with arias/songs in public concerts at the end of the module
  • Erasmus mobility : each class will award a note of evaluation by the teacher and ECTs

Teaching language/ Required level of language:

  • Italian (main)
  • English (secondary)
  • We require that EOA students have a minimum B1 Italian language level.

Total expenses of the EOA module per student and what is included / excluded in this price:

Erasmus mobility: no tuition fee

ONLY Erasmus mobilities for studies or traineeship from EOA partners will be accepted

Contact person:

Prof. Leonardo De Lisi

e-mail: erasmus@consfi.it

VAL 2. Performance of an operatic role in a fully staged opera production

(Title to be announced)

 

Period of the EOA module in 2022-2023:

  • From 9th January 2023 to 7th May 2023 (Easter holidays from 6th to 17th April 2023)

Title and roles offered for EOA applicants: 

  • Don Giovanni by W.A. Mozart: 
    • Don Giovanni———– Baritone
    • Leporello————————-Baritone, Bass
    • Masetto ————————- Baritone
    • Commendatore————– Bass
    • Don Ottavio——————– Tenor

Description of the EOA module:

  • Training and professional preparation of an opera part, concluded with the performance of a fully staged chamber opera production (title to be announced).
  • This includes:
  • Singing lessons
  • Vocal coaching
  • Acting
  • Language coaching
  • Musical rehearsals with the conductor, pianists and orchestra
  • Scenic rehearsals with the stage director, conductor and pianists.

In order to study the specific roles of the production.

 

Kind of voice and role (Title and roles to be announced):

  • Tenor
  • Baritone
  • Bass

Specialty of this module in comparison with other courses:

Valencia is a major cultural centre and encourages immersion into the professional opera and music scene:  Palau de les Arts Opera House, concerts and presentations by major international musicians,..

In addition, there are many events and festivals throughout the year (i.e. Las Fallas). With a rich history in modern architectural masterpieces (City of Arts and Sciences), Valencia’s deep, multicultural roots, cosmopolitan flavour, and warm climate to make it a true Mediterranean gem.

Also, Valencia is one of Spain’s (and Europe’s) most affordable cities for student accommodation.

Names of the professors of this module:

  • Singing: Gloria Fabuel, Carlos López Galarza, Pilar Moral, Amparo Quevedo, Ofelia Sala, Charo Vallés
  • Opera coaches: Laïla Barnat, Carles Budó, Pablo García-Berlanga, Adrià Gràcia, Diego Sánchez, Miquel Carbonell, Franscesc Gamón
  • Conductor: Jesús Cantos, Juan Pablo Hellín
  • Stage director: Jaume Martorell, Araceli Bergillos

 

Possible extras beside the module

  • Masterclasses
  • Concerts at different venues in Valencia
  • Opera sofa: Performance of opera highlights
  • Attending opera performances at Palau de les Arts
  • Exchange and collaboration with other students of the Conservatory working on the same production.

Minimum and maximum number of EOA students

  • Minimum 1 student
  • Maximum 5 students

Number of teaching/production hours of the EOA module:

Teaching: The first 9 weeks

  • Working with the singing teacher (individual classes): 1,5h/week
  • Working with the opera coach (individual classes): 1,5h/week
  • Working with the conductor and vocal coach (as a group): 3,5h/week
  • Working with the stage director (as a group): 5h/week

Production: The following 4 weeks

  • Ensemble rehearsals with the conductor
  • Stage-orchestra rehearsals
  • Performances at the Concert Hall of the Conservatory Superior of Music

 

Number of ECTS within master accreditation:

25 ECTS

Entrance examination:

Contact the coordinator:

Charo Vallés

master.opera@csmvalencia.es

The materials to submit with your application are:

  • CV
  • Repertoire
  • Two Videos (it can be a link to YouTube or any other platform)

 

Deadline:

  • First: June 15th
  •  2022
  • Second: September 15th 2022

The results for the applications of all the Full-staged opera production modules will be communicated to the candidates only by the end of September 2022.

Description of the final Examination:

Public performance of a fully staged chamber opera at the Concert Hall of the Conservatory Superior of Music

 

Teaching language:

Spanish, English, Italian, French and German

Total expenses of the EOA module per student and what is included/excluded in this price:

  • Free for students in Erasmus Programme
  • Module is available within an Erasmus exchange

VAL 1. Performance of an operatic role in a fully staged chamber opera production or Opera Sofá: opera highlights (with piano accompaniment) (Singers)

Period of the EOA module in 2022-2023:

From 1st October 2022 to 22nd December

Title and roles offered for EOA applicants: 

  • L’Enfant et les Sortilèges by M. Ravel 
    • Le Fauteuil/Un Arbre…Baritone, Bass
    • L’Horloge Comtoise/Le Chat….Baritone
    • La Théière……Tenor
    • Le Petit Vieillard/La Rainette…..Tenor

Description of the EOA module:

  • Training and professional preparation of an opera part, concluded with the performance of a fully staged chamber opera production (title to be announced).
  • This includes:
  • Singing lessons
  • Vocal coaching
  • Acting
  • Language coaching
  • Musical rehearsals with the conductor, pianists and orchestra
  • Scenic rehearsals with the stage director, conductor and pianists.

In order to study the specific roles of the production.

Specialty of this module in comparison with other courses:

Valencia is a major cultural centre and encourages immersion into the professional opera and music scene:  Palau de les Arts Opera House, concerts and presentations by major international musicians,..

In addition, there are many events and festivals throughout the year (i.e. Las Fallas). With a rich history in modern architectural masterpieces (City of Arts and Sciences), Valencia’s deep, multicultural roots, cosmopolitan flavour, and warm climate to make it a true Mediterranean gem.

Also, Valencia is one of Spain’s (and Europe’s) most affordable cities for student accommodation.

Names of the professors of this module:

  • Singing: Gloria Fabuel, Carlos López Galarza, Pilar Moral, Amparo Quevedo, Ofelia Sala, Charo Vallés
  • Opera coaches: Laïla Barnat, Carles Budó, Pablo García-Berlanga, Adrià Gràcia, Diego Sánchez, Miquel Carbonell, Francesc Gamón
  • Conductor: Jesús Cantos, Juan Pablo Hellín
  • Stage director: Jaume Martorell, Araceli Bergillos

 

Possible extras beside the module:

  • Masterclasses
  • Concerts at different venues in Valencia
  • Opera sofa: Performance of opera highlights
  • Attending opera performances at Palau de les Arts
  • Exchange and collaboration with other students of the Conservatory working on the same production.

Minimum and maximum number of EOA students

  • Minimum 1 student
  • Maximum 5 students

Number of teaching/production hours of the EOA module:

Teaching: The first 7 weeks

  • Working with the singing teacher (individual classes): 1,5h/week
  • Working with the opera coach (individual classes): 1,5h/week
  • Working with the conductor and vocal coach (as a group): 3,5h/week
  • Working with the stage director (as a group): 5h/week

Production: The following 7 weeks

  • Ensemble rehearsals with the conductor
  • Stage-orchestra rehearsals
  • Performances at the Concert Hall of the Conservatory Superior of Music

 

Number of ECTS within master accreditation:

20 ECTS

Entrance examination:

Contact the coordinator:

Charo Vallés

master.opera@csmvalencia.es

The materials to submit with your application are:

  • CV
  • Repertoire
  • Two Videos (it can be a link to YouTube or any other platform)

Deadline:

  • First: June 15th 2022
  • Second: September 15th 2022

The results for the applications of all the Full-staged opera production modules will be communicated to the candidates only by the end of September 2022.

Description of the final Examination:

Public performance of a fully staged chamber opera at the Concert Hall of the Conservatory Superior of Music.

Teaching language: Spanish, English, Italian, French and German

Total expenses of the EOA module per student and what is included/excluded in this price:

  • Free for students in Erasmus Programme
  • Module is available within an Erasmus exchange
  • Students must provide their own accommodation, meals and traveling costs.

PAR 3. Piano Accompaniment and Opera Coaching (pianists, training)

Period of the EOA module in 2022-2023:

ERASMUS students (SMS) may choose a mobility within one semester (or both)

  • Winter semester: 1st October 2022 – 2nd week of February 2023
  • Spring semester: 3rd week of February 2023 – 30th June 2023

Description of the EOA Module

This module guides the student to master the complex and difficult art of the piano accompaniment in opera.

  • Performance practice and repertoire (individual lessons, on specific operas according to student’s needs and choices, main opera repertoire, analysis, study and practice on chosen opera scores, different (vocal) accompaniment techniques according to different music styles)
  • Répétiteur and coach techniques (theoretical and practical lessons on the basso continuo, as a stage-rehearsal accompanist, how to play under direction)
  • Specialised practice (vocal repertoire: chamber music and opera scores)
  • Score playing (reading piano- and orchestra opera scores)
  • Little practical internship in Singing lessons and Scenic Art lessons (different needs, different skills)
  • Possible participation in Masterclass(es), essays and concerts as a piano accompanist.

Classes will be held in Italian and English.

ERASMUS students might have to choose other courses among those annually proposed by the Conservatory, to reach the total number of required credits.

 

Specialty of this module in comparison with other courses in Europe

This module represents a perfect opportunity to get to know and experience the tools to become an Opera accompanist, in a welcoming atmosphere of exchange and collaboration with the other students of the Conservatory, from all over the world.

A unique chance to fully immerse themselves in the rich operatic music culture of the territory, attending places of unique musical interest, within the Conservatory (Musical Section of Libreria Palatina, Boito’s Studio and Toscanini’s Studio) or in the immediate nearby of it (the Library of the Instituto Nazionale di Studi Verdiani, specialised in 19th century opera and music in general, with particular emphasis on the life and work of Giuseppe Verdi, the Museo dell’Opera, the Casa della Musica, Teatrio Regio, etc.).

Possible extras in addition to this module:

Upon request a little tour of the main “music treasures” of Verdi’s land: the birthplace of Verdi and Villa Sant’Agata, the Toscanini Museum, the world renowned Teatro Regio, the beautiful Teatro Farnese (17th century), the Casa del Suono, etc. Opportunity to join Italian Course level A2+B1 in the first semester or English Course level B1 or B2 in second semester.

Open for:

A maximum of 2 pianists (EOA students)

Name(s) of the professor(s) of this module:

  • Nicola Mottaran (Coordinator of Piano accompaniment)
  • Fabio Ferrucci (Tutor)
  • Teaching staff from the Singing and Music Theatre Department of the Conservatory

Description of final examination:

30 minutes performance in piano accompaniment of voice and/or opera scenes

Number of ECTS withiin master accreditation

Min 24 ECTS/semester (but possibly increasing according to the Learning Agreement)

 

Entrance examination

Online examination through the Application, that needs to include:

  • CV
  • Repertoire
  • Videos
  • Motivational letter (optional)
  • Deadline: 
    • 15th April 2022
    • 15th September 2022

 

Teaching language/Required level of language

Italian (min A2 to be improved) and English (B2)

 

Total expenses of the EOA module per student and what is included/excluded in this price

Erasmus students (SMS) only. No extra fees.

PAR 2. Opera buffa in the 18th Century (singers)

Period of the EOA module in 2022-2023

ERASMUS students (SMS and STT) may choose a mobility within one semester (or both):

  • Winter semester: 1st October 2022 – 2nd week of February 2023
  • Sprig semester: 3rd week of February 2023 – 30th June 2023

Description of the module:

This module guides the student through a path of vocal and scenic interpretation of one entire opera from eighteenth-century Opera Buffa’s repertoire: Pergolesi, Cimarosa, Paisiello or Rossini (preferably his “Farces in one act”).

  • Analysis, study and full understanding of the libretto(s) and character(s) chosen.
  • Vocal technique and style coaching in Opera Buffa repertoire.
  • Advanced Italian pronunciation and diction classes.
  • Specific lessons on Recitativo.
  • Individual coaching and group work: vocal and score lessons and group work on Scenic Art (Training of the actor’s body, physical and gestural laboratory).
  • Preparation for final exam and concert(s).

Classes will be held in Italian and English.

ERASMUS students have to choose other courses (e.g. Opera History, Poetic and Dramatic Literature, etc.) among those annually proposed by the Conservatory, to reach the total number of required credits.

Special attention will be given to the study of proper Italian diction and pronunciation with native Italian teachers, in building Opera Buffa characters (both scenic and vocal) with full linguistic and stylistic background. Special focus on Recitativo.

Kind of voice:

All kind of voices suited for Opera Buffa repertoire.

Specialty of this module in comparison with other courses in Europe

A full immersion into Italian opera together with the opportunity to develop the best practice in Italian language applied to opera. Choice of repertoire (title and characters) according to student’s needs. Exchange and collaboration with other students of the Conservatory (from all over the world) working on the same repertoire.

A unique opportunity to fully immerse themselves in the rich operatic music culture of the territory, attending places of unique musical interest, within the Conservatory (Musical Section of Libreria Palatina, Boito’s Studio and Toscanini’s Studio) or in the immediate nearby of it (the Library of the Istituto Nazionale di Studi Verdiani, the Museo dell’Opera, the Casa della Musica etc).

Name(s) of the professor(s) of this module:

  • Romano Franceschetto, Adriana Cicogna and Lucetta Bizzi (Vocal coach)
  • Roberta Faroldi (diction and actor’s work)
  • Riccardo Mascia (Recitativo coach, Score and Repertoire)
  • Claudia Rondelli, Roberta Ropa, Laura Soracco, Luca Sabatino (Score and Repertoire)

Possible extras beside the module:

Upon request, a little tour of the main “music treasures” of Verdi’s land: the birthplace of Verdi and Villa Sant’Agata, the Toscanini Museum, the world-renowned Teatro Regio, the beautiful Teatro Farnese (17th century), the Casa del Suono, etc.

Opportunity to join English course level B1or B2 in second semester.

Minimum and maximum number of EOA students:

Max 5

Number of teaching/production hours:

60 hours of teaching (individual lessons + group lessons) per semester

Number of ECTS within master accreditation:

Min 24 ECTS/semester (but possibly increasing according to the Learning Agreement)

Entrance examination:

Online examination through the Application, that needs to include:

  • CV
  • Repertoire
  • Videos (at least one of them from the Opera Buffa repertoire)
  • Motivational letter (optional)
  • Period of the EOA module in 2022-2023

    ERASMUS students (STT) may choose a mobility of minimum 3 – maximum 6 months during the academic year 2022-2023

    Description of the EOA Module:

    This module offers an entirely specific traineeship for piano accompaniment of voice and opera scenes, designed for pianists who consider a future in the world of opera by adding to their curriculum a first work experience in this various and challenging environment. Trainees will accompany singers on the piano in different settings:

    • singing lessons,
    • scenic interpretation lessons,
    • staging
    • preparation for exams and concerts and during public performances. This always under supervision of a tutor.

    The goal is to improve the knowledge of opera repertoire and to practice the specific skills requested.

    The trainee will receive weekly tasks from the coordinator of piano accompaniment.

    A module for professional pianists who wish to broaden their knowledge of the operatic repertoire in compliance with all the specific attitudes. With a full immersion into Italian opera together with the opportunity to develop the best practice in Italian language applied to opera. To exercise, develop and improve their skills as a pianist in accompanying different voice parts.

    Specialty of this module in comparison with other courses in Europe

    A full immersion into Italian opera together with the opportunity to develop the best practice in Italian language applied to opera. To exercise, develop and improve their skills as a pianist in accompanying different voice parts.

    Exchange and collaboration with other students of the Conservatory.

    A unique opportunity to fully immerse themselves in the rich operatic music culture of the territory, attending places of unique musical interest, within the Conservatory (Musical Section of Libreria Palatina, Boito’s Studio and Toscanini’s Studio) or in the immediate nearby of it (the Library of the Istituto Nazionale di Studi Verdiani, specialized in 19th century opera and music in general, with particular emphasis on the life and work of Giuseppe Verdi, the Museo dell’Opera, the Casa della Musica, Teatro Regio, etc.).

    Name of the professors of the module:

    • Nicola Mottaran (Coordinator of Piano accompaniment)
    • Fabio Ferrucci (Tutor)
    • Teaching staff (Piano Accompaniment Teachers) from the Singing and Music Theatre Department of the Conservatory.

    Possible extras:

    Upon request a little tour of the main “music treasures” of Verdi’s land: the birthplace of Verdi and Villa Sant’Agata, the Toscanini Museum, the worldrenowned Teatro Regio, the beautiful Teatro Farnese (17th century), the Casa del Suono, etc.

    Opportunity to join Italian Course lev. A2+B1 in the first semester or English Course level B1 or B2 in second semester.

    October is the month of the Parma Verdi Festival. Facilities are offered to enrolled students who want to experience a show at the Teatro Regio and/or other planned locations.

    Open for: 1-5 piano students

    Number of teaching hours:

    Semester 200 hours (about 10 hours per week)

    Number of ECTS within master accreditation:

    Depending to the effective number of hours done

    Entrance examination

    Online examination through the Application, that needs to include:

    • CV
    • Repertoire
    • Videos
    • Motivational letter (optional)

    Description of final examination:

    30 minutes performance in piano accompaniment of voice (and/or opera scenes)

    Teaching language:

    Italian – minimum A2 to be improved

    English – B2

    Total expenses of the EOA module:

    ERASMUS students (STT) only. No extra fees.

Description of the final examination:

Performance of an operatic full Opera Buffa scene in front of a jury. The examination may coincide with a public concert.

Teaching language:

Italian – minimum A2 to be improved

English – B2

Total expenses of the EOA modul per student:

ERASMUS students only.

No extra fees.

PAR 1.Giuseppe Verdi: Vocal and Acting interpretation in Verdi’s operas

Period of the EOA module in 2022-2023

  • Winter Semester: 1st October 2022 – 2nd week of February 2023
  • Spring Semester: 3rd week of February 2023 – 30th June 2023

Description of the module:

This module guides the student through a path of vocal and scenic interpretation of one or more scenes from Verdi’s operas. They are planned as follows:

  • Analysis, study and full understanding of Verdi’s libretto(s) and character(s) chosen.
  • Vocal technique and style coaching in Verdi’s repertoire.
  • Advanced Italian pronunciation and diction classes.
  • Individual coaching and group work: vocal and score lessons, and group work on Scenic Art (Training of the actor’s body, physical and gestural laboratory).
  • Preparation for final exam and concert(s). Classes will be held in Italian and English.

ERASMUS SMS students have to choose other courses (e.g. Poetry for music and dramaturgy, Opera History etc.) among those annually proposed by the Conservatory, to reach the total number of required credits and complete the Learning Agreement.

Kind of voice:

All kind of voices, suited to the Verdi repertoire

Specialty of this module in comparison with other courses in Europe

Special attention will be given to the study of proper Italian diction and pronunciation with native Italian teachers, in building the chosen Verdi’s character (both scenic and vocal) with full linguistic and stylistic background. Choice of repertoire according to student’s needs. Possible exchange and collaboration with other students of the Conservatory
working on the same repertoire. A unique opportunity to fully immerse themselves in the rich operatic music culture of the territory, attending places of unique musical interest, within the Conservatory (Musical Section of Libreria Palatina, Boito’s Studio and Toscanini’s Studio) or in the immediate nearby of it (the Library of the Istituto Nazionale di Studi Verdiani, specialized in 19th century opera and music in general, with particular emphasis on the life and work of Giuseppe Verdi, the Museo dell’Opera, the Casa della Musica etc.).

Name(s) of the professor(s) of this module:

  • Donatella Saccardi, Adriana Cicogna and Lucetta Bizzi (Vocal coach)
  • Roberta Faroldi (diction and actor’s work)
  • Claudia Rondelli, Roberta Ropa, Laura Soracco, Luca Sabatino (Score and Repertoire).

Possible extras:

Upon request a little tour of the main “music treasures” of Verdi’s land: the birthplace of Verdi and Villa Sant’Agata, the Toscanini Museum, the world renowned Teatro Regio, the beautiful Teatro Farnese (17th century), the Casa del Suono, etc.

Opportunity to join Italian Course lev. A2+B1 in the first semester or English Course level B1 or B2 in second semester. October is the month of the Parma Verdi Festival. Facilities are offered to enrolled students who want to experience a show at the Teatro Regio and/or other planned locations.

Minimum and maximum number: max 2

Number of teaching/production hours of the EOA module:

60 hours of teaching (individual lessons + group lesson) per semester

Number of ECTS within master accreditation:

min 24 ECTS/semester (but possibly increasing according to the Learning Agreement)

Entrance examination:

Online examination through the application, that needs to include:

  • CV
  • Repertoire
  • Videos (at least one of them from the Verdi repertoire)
  • Motivational letter (optional)

    Period of the EOA module in 2022-2023

    ERASMUS students (STT) may choose a mobility of minimum 3 – maximum 6 months during the academic year 2022-2023

    Description of the EOA Module:

    This module offers an entirely specific traineeship for piano accompaniment of voice and opera scenes, designed for pianists who consider a future in the world of opera by adding to their curriculum a first work experience in this various and challenging environment. Trainees will accompany singers on the piano in different settings:

    • singing lessons,
    • scenic interpretation lessons,
    • staging
    • preparation for exams and concerts and during public performances. This always under supervision of a tutor.

    The goal is to improve the knowledge of opera repertoire and to practice the specific skills requested.

    The trainee will receive weekly tasks from the coordinator of piano accompaniment.

    A module for professional pianists who wish to broaden their knowledge of the operatic repertoire in compliance with all the specific attitudes. With a full immersion into Italian opera together with the opportunity to develop the best practice in Italian language applied to opera. To exercise, develop and improve their skills as a pianist in accompanying different voice parts.

    Specialty of this module in comparison with other courses in Europe

    A full immersion into Italian opera together with the opportunity to develop the best practice in Italian language applied to opera. To exercise, develop and improve their skills as a pianist in accompanying different voice parts.

    Exchange and collaboration with other students of the Conservatory.

    A unique opportunity to fully immerse themselves in the rich operatic music culture of the territory, attending places of unique musical interest, within the Conservatory (Musical Section of Libreria Palatina, Boito’s Studio and Toscanini’s Studio) or in the immediate nearby of it (the Library of the Istituto Nazionale di Studi Verdiani, specialized in 19th century opera and music in general, with particular emphasis on the life and work of Giuseppe Verdi, the Museo dell’Opera, the Casa della Musica, Teatro Regio, etc.).

    Name of the professors of the module:

    • Nicola Mottaran (Coordinator of Piano accompaniment)
    • Fabio Ferrucci (Tutor)
    • Teaching staff (Piano Accompaniment Teachers) from the Singing and Music Theatre Department of the Conservatory.

    Possible extras:

    Upon request a little tour of the main “music treasures” of Verdi’s land: the birthplace of Verdi and Villa Sant’Agata, the Toscanini Museum, the world-renowned Teatro Regio, the beautiful Teatro Farnese (17th century), the Casa del Suono, etc.

    Opportunity to join Italian Course lev. A2+B1 in the first semester or English Course level B1 or B2 in second semester.

    October is the month of the Parma Verdi Festival. Facilities are offered to enrolled students who want to experience a show at the Teatro Regio and/or other planned locations.

    Open for: 1-5 piano students

    Number of teaching hours:

    Semester 200 hours (about 10 hours per week)

    Number of ECTS within master accreditation:

    Depending to the effective number of hours done

    Entrance examination

    Online examination through the Application, that needs to include:

    • CV
    • Repertoire
    • Videos
    • Motivational letter (optional)

    Description of final examination:

    30 minutes performance in piano accompaniment of voice (and/or opera scenes)

    Teaching language:

    Italian – minimum A2 to be improved

    English – B2

    Total expenses of the EOA module:

    ERASMUS students (STT) only. No extra fees.

Description of final examination:

Performance of an operatic full Verdi scene in front of a jury. The examination may coincide with a public concert.

Teaching language:

Italian (min A2 to be improved) and English (B2)

ERASMUS students may choose a mobility within a semester

Total expenses of the EOA module:

Erasmus students only. No extra fees.